While our recent feature on New Orleans highlights some of the more high-profile architectural and development projects in the city, yesterday we were introduced to the other half of the rebuilding equation: the New Orleans Master Plan, which is being developed by Boston firm Goody Clancy and New Orleans-based Manning Architects.
At an afternoon panel, Goody Clancy principal David Dixon and Manning principal W. Raymond Manning shared their experiences creating a document that sets a new course for the city, from land use and transportation planning to environmental protection. “I haven’t had a single boring day here,” said Dixon, who dove head first into the city’s labyrinth of bureaucracy, inefficiency, and even racial divisions to create the gargantuan still-evolving document.
Apparently the art world hates the American Folk Art Museum building! (Who knew?!) In the wake of the news that MoMA is buying the Todd Williams Billie Tsien-designed building, two of the art world’s more prominent voices both bashed the building and argued it hastened the Folk Art Museum’s decline. The esteemed Times critic Roberta Smith called it “unwelcoming” and argued that the museum’s fate was sealed by “lackluster, visionless leadership; the weak economy; and inappropriate architecture.” Smith’s husband happens to be Jerry Saltz, the pugnacious art critic for New York, who went much further in a piece titled, “Architecture Killed the American Folk Art Museum.” He called the building, “ugly and confining, it was also all but useless for showing art.”
Not everyone agrees!
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The winner of the second annual Tex-Fab competition explores ideas of modular assembly and material efficiency.
Earlier this year, design practitioners from across the world converged on Houston to attend Tex-Fab 2.0, a two-day conference featuring experts, lectures, and workshops. Tex-Fab is a non-profit initiative founded by Brad Bell (Brad Bell Studio), Kevin Patrick McClellan (Architecturebureau), and Andrew Vrana (METALAB) to create a network of Texas designers focused on exploring issues of parametric design and digital fabrication. The organization hopes to serve as a bridge between academia, professional design offices, and industrial fabricators throughout the country.
It was hardly the spartan cave in the mountains that many had envisioned as Bin Laden’s hiding place. Rather, it was a mansion on the outskirts of the town’s center, set on an imposing hilltop and ringed by 12-foot-high concrete walls topped with barbed wire.
The property was valued at $1 million, but it had neither a telephone nor an Internet connection. Its residents were so concerned about security that they burned their trash rather putting it on the street for collection the way their neighbors did.
As we’ve noted, architecture giant Gensler is moving from Santa Monica to Downtown LA (a move that has seen its share of controversy lately thanks to the firm’s city-provided subsidy). With the help of three talented students from Cal Poly San Luis Obispo’s Professional Studio program, the firm has put together a video about their new ‘hood. It documents Downtown’s dramatic growth and change over the years, and offers predictions and suggestions for its future. Read More
Plastics was the key word at the recent Columbia conference “Permanent Change: Plastics in Architecture and Engineering,” which featured some of the best architects working with polymers today. On opening night, Greg Lynn did away with traditional tectonics in favor of total composite design from recycled toys to beautiful racing boats. Several pieces were on display in the lobby, including a beautiful backlit ribbed column cover designed by Columbia associate professor Yoshiko Sato (assisted by Shuning Zhao and John Hooper). Sato, who’s known for her NASA design research and space course at Columbia, also designed the two over-sized plastic inflatable flowers suspended from the lobby ceiling, as shown above. The composite designs will be up and on view at the Morningside Heights campus at least another week.
The first annual Chicago Architecture & Design Film Festival is almost here. With 39 films ranging from shorts to feature length as well as panel discussions, Q&A’s, and related events, there will be so much for architects and the general public to see and enjoy.
The Architect’s Newspaper is proud to be a media sponsor, and I’ll be introducing the program called “Renegade Redux,” featuring a film on architecture collective Ant Farm, and shorts on a giant brink warehouse in Liverpool and overlooked corners of London.
The festival runs from May 5 through May 9, and we have a couple of pairs of tickets to give away. Just leave a comment below by noon CST and we’ll randomly select two lucky winners who will each get a pair of free tickets!
Most screenings will be held at the Gene Siskel Film Center, located at 146 North State Street. Some additional screenings will be held at SCREEN@theWit, located at the Wit Hotel, 201 North State Street. We’ll contact the winners via e.mail (Don’t worry, we won’t share your e.mail address). So leave a comment for complimentary tickets now.