That old saw about how you can’t take public space with you is bound for the trash heap. Landscape architect John Bela, co-founder of San Francisco–based Rebar, and artist Tim Wolfer of N55 have developed Parkcycle Swarm, a green space initiative that puts people and green space together—on wheels. The basic Parkcycle module is a mobile green space made of an aluminum frame, plywood, standard bicycle parts, and astroturf. Each one measures 2.6 feet tall, 4 feet wide, and 7.4 feet long. Parkcycles offer instant open space to neighborhoods. All users have to do is park the Parkcycle and sprawl out on the turf to enjoy a bottle of beaujolais or play some hackie sack. Four of the small mobile parks are currently making the rounds at the Participate public arts festival in Baku, Azerbaijan.
[ Editor's Note: For those of you who are getting excited about The Architect's Newspaper and YKK AP's Reimagine the Astrodome design ideas competition, you have until September 17 to register. Once you've done that, take the time to read the following article, which appeared in the September/October 2013 issue of Texas Architect. Written by Houston-based architect and writer Ben Koush, it covers the current status of the Dome, what it means to Harris County, and Space City's record of not bothering to preserve its architectural heritage. ]
Ever since the Houston Oilers owner Bud Adams, in a snit after being refused a new stadium, took his football team to Nashville in 1997 and renamed it the Tennessee Titans, the fate of the Astrodome has been up in the air. Matters were made worse when, instead of rehabilitating the Astrodome a new, neo-traditionalist baseball stadium, Minute Maid Park, was built down-town for the Astros in 1999, and then in 2002, a hulking new football stadium, Reliant Center, was built uncomfortably close to its predecessor to house the replacement team, the Houston Texans, and the Houston Rodeo.
Last week Los Angeles councilman, Jose Huizar, announced the formation of a 21-member task force to help re-imagine Pershing Square, the beleaguered central park in the middle of downtown. The group includes local residents, design and architecture experts, business people, and government officials. Huizar said he hoped they could bring “a wide-range of ideas and perspectives to the discussion.” They’ll also have to develop an agenda and a timeline, and figure out how to fund the project.
On September 6, 2013, Vitra announced it acquired Artek. The Finnish furniture company was established in 1935 by architect Alvar Aalto, his wife Aino, Maire Gullichsen, and historian Nils-Gustav Hahl to produce furniture that promoted modern living. Over the company’s last 80 years, it has expanded its business to include rights to Ilmari Tapiovaara’s furniture collection and collaborations with renowned designers and artists such as Shigeru Ban, Eero Aarnio, and Enzo Mari.
Artek will continue operations as a separate entity but it is anticipated the purchase will expand the furniture company’s reach further beyond Finland, where contract and residential domestic sales account for 60 percent of its business. “The international dimension, which was a clear goal already in Artek’s founding manifesto of 1935, needed to be revitalized,” said Artek’s CEO Mirkku Kullberg in a statement. “That arena is where we want to be and alliances or ownership arrangements are one way of building the future.” Read More
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Designers in Indianapolis fabricate a graphic, splintered design.
Indiana-based design/build studio PROJECTiONE employs a multidisciplinary approach to its work that runs the gamut from digital to analog fabrication. Founders Adam Buente and Kyle Perry craftily bridged that gap with Synthetic Grain, a set piece for the Young & Laramore advertising agency of Indianapolis that explores the natural knotting and grain of lumber. The team used parametric software to create a graphic, 3D pattern system for an architectural screen that mimics natural variations of wood.
Working in Rhino, parallel lines—or the wood grain—were drawn and points were defined within. Each point served as a knot, around which the lines would gently curve. “Our only input for this project were those points in 3D space,” said Perry. To ready the design for fabrication, curves and cut holes for the plywood backing were generated in Grasshopper. Read More
Streets occupy nearly a quarter of New York City’s land, however there are limited outdoor spaces to socialize, sit, and enjoy city life outside of parks. As part of an effort to improve the quality of public space for all New Yorkers, the NYC Department of Transportation (NYCDOT) has been developing new public open space by converting underutilized street spaces into pedestrian plazas. With dozens of plazas already open and functioning across the city, the NYCDOT has been looking to polish the new spaces, installing permanent designs, improved benches, and now, specially designed signs to showcase public art.
As enthusiasm continues to build for The Architect Newspaper and YKK AP’s Reimagine The Astrodome design ideas competition, which accompanies the launch of the forthcoming AN Southwest edition as well as YKK AP‘s expansion into the region, we thought we’d take the opportunity to share a collection of excellent black and white photographs of the Astrodome from the Library of Congress. These pictures document the dome as it looked in 2004, after its last tenant, the Houston Livestock Show and Rodeo, had moved out in 2003, before it was used to house refugees from Hurricane Katrina in 2005, and well before it was declared unfit for occupancy in 2008. Take this opportunity to subscribe to AN Southwest and sign up for the Reimaging The Astrodome competition.