With architectural discourse today so focused on the impact of digital design, it is hard to remember that 20 years ago all architects talked about was postmodernism. The discussion began with the publication of Robert Venturi’s Complexity and Contradiction in Architecture and Aldo Rossi’s The Architecture of the City but became more focused and intense with the opening of an exhibition devoted to the theme.
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Unraveling strands of steel pipe create a clothing display and focal point for the tony boutique.
Flatcut, a design and fabrication firm with a studio in Brooklyn and a 100,000-square-foot facility in Passaic, New Jersey, has more than 100 machines to its name. Though it has the capabilities to mass-produce 20,000 custom furniture pieces and 50,000-square-foot facades, the firm also creates small, site-specific installations for museums and retail stores. Most recently the Beckley Boutique, a celebrity hot spot and shopping destination on Melrose Avenue, hired Flatcut to design an eye-catching design feature at its new Las Vegas outpost in the Cosmopolitan Resort and Casino.
Every architect has a mental file of unusual client requests, but few, if any, have been asked to make a wall dance. Yet, in essence, that’s what San Francisco architect Christopher Haas created—not for a client, but for a collaborator, Alonzo King, the San-Francisco-based choreographer. For King’s LINES Ballet company’s spring season that premieres April 15-24 at the city’s Yerba Buena Center for the Arts, Haas created a wall that performs, but not as a soloist. Read More
Join Julie Iovine, executive editor at The Architect’s Newspaper, tomorrow (Tuesday) evening for a compelling discussion with architect Rafael Viñoly at the Museum of the City of New York at 6:30pm. The topic for the night, “What Comes After Postmodern Architecture?”, will tackle the state of New York City architecture.
The recent building boom in New York City has radically altered the look and feel of the city and added considerably to the list of starchitects currently reshaping New York’s iconic skyline. It has also helped redefine boundaries of the eclectic pluralism of postmodern architecture. How do we label the current architectural style of the last decade? Is there a post-postmodern?
Reservations required. Call 917-492-3395 or purchase tickets online through MCNY. Tickets: $12 for non-members, $8 for seniors & students, $6 for museum members.
The first panel of this week’s conference at Columbia’s GSAPP, “Permanent Change: Plastics in Architecture and Engineering,” got down to business a few minutes late on Thursday morning. After a brief welcome, Dean Mark Wigley ceded the floor to Michael Bell, the first speaker in the line-up for “The Emergence of Polymers: Natural Material–Industrial Material.” But the pace picked up as Bell and subsequent presenters took listeners on an intense romp through the role of plastics in architectural history, providing background for the nine panels to follow through Friday evening.
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A custom-built environment allows faculty and students to work collaboratively at a new academic center in the Bronx.
Doban Architecture has a longstanding history with Monroe College. In 2009, the Brooklyn-based firm founded by Susan Doban completed a modular pod design for the Bronx school’s loft-style dormitories at 565 Main Street, a building for which they had also worked on an award-winning facade restoration. Last fall, the firm completed a renovation of the school’s 2,360-square-foot academic center with a scheme that allows students and faculty to interact in a collaborative environment. Neither of these projects would have been possible without Think Fabricate, the firm’s sister company. Co-founded by Doban and Jason Gorsline in November 2009, the design studio handles design projects across a range of disciplines—furniture, product, graphic, and industrial—in addition to operating its own fabrication shop in a shared East Williamsburg workspace.
Long a haven for architects, artists, and other creative types, Silver Lake needs no introduction. It’s enough to drive by the iconic Sunset Junction sign to know you’re in the heart of LA’s bohemian world (although hipsters in Echo Park might argue). Come 2012, that sign might be getting some serious competition.
Early this month, LA City Council President Eric Garcetti, the Silver Lake Neighborhood Council, and Silver Lake community groups announced the launch of “Envisioning Silver Lake,” a design competition meant to squeeze some neighborly love from the hearts and brains of local creatives. The call covers concept designs for a plaza and a permanent installation on Sunset Junction, at the intersection of Sunset and Santa Monica Boulevards.