ICFF wraps up today and, as usual, reviews of the fair seem mixed. Professional but boring! Too safe! Appropriately sober! Practical and market-friendly! Reheated Eames! Now in its sixth year, the ICFF Studio, sponsored by Bernhardt, offers a snap shot of where young designers are looking. Most skewed toward the market-ready, while one designer went in a conceptual direction. The young Dutch designer Andreas Kowalewski’s Clamp Chairs certainly look showroom bound (above).
It’s time for ICFF and the fair’s associated festivities, but our heads are still spinning from all the architecture and design goings-on in New York City over the last ten days. Among our stops were the Festival of Ideas, sponsored by the New Museum, including a lecture by Rem Koolhaas, a stop by UN Studio’s new pavilion at downtown’s Peter Minuit Plaza, and drink at Armani Casa’s new location in the D&D Building. It all started with Rem…
While our recent feature on New Orleans highlights some of the more high-profile architectural and development projects in the city, yesterday we were introduced to the other half of the rebuilding equation: the New Orleans Master Plan, which is being developed by Boston firm Goody Clancy and New Orleans-based Manning Architects.
At an afternoon panel, Goody Clancy principal David Dixon and Manning principal W. Raymond Manning shared their experiences creating a document that sets a new course for the city, from land use and transportation planning to environmental protection. “I haven’t had a single boring day here,” said Dixon, who dove head first into the city’s labyrinth of bureaucracy, inefficiency, and even racial divisions to create the gargantuan still-evolving document.
Apparently the art world hates the American Folk Art Museum building! (Who knew?!) In the wake of the news that MoMA is buying the Todd Williams Billie Tsien-designed building, two of the art world’s more prominent voices both bashed the building and argued it hastened the Folk Art Museum’s decline. The esteemed Times critic Roberta Smith called it “unwelcoming” and argued that the museum’s fate was sealed by “lackluster, visionless leadership; the weak economy; and inappropriate architecture.” Smith’s husband happens to be Jerry Saltz, the pugnacious art critic for New York, who went much further in a piece titled, “Architecture Killed the American Folk Art Museum.” He called the building, “ugly and confining, it was also all but useless for showing art.”
Not everyone agrees!
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The winner of the second annual Tex-Fab competition explores ideas of modular assembly and material efficiency.
Earlier this year, design practitioners from across the world converged on Houston to attend Tex-Fab 2.0, a two-day conference featuring experts, lectures, and workshops. Tex-Fab is a non-profit initiative founded by Brad Bell (Brad Bell Studio), Kevin Patrick McClellan (Architecturebureau), and Andrew Vrana (METALAB) to create a network of Texas designers focused on exploring issues of parametric design and digital fabrication. The organization hopes to serve as a bridge between academia, professional design offices, and industrial fabricators throughout the country.
It was hardly the spartan cave in the mountains that many had envisioned as Bin Laden’s hiding place. Rather, it was a mansion on the outskirts of the town’s center, set on an imposing hilltop and ringed by 12-foot-high concrete walls topped with barbed wire.
The property was valued at $1 million, but it had neither a telephone nor an Internet connection. Its residents were so concerned about security that they burned their trash rather putting it on the street for collection the way their neighbors did.
As we’ve noted, architecture giant Gensler is moving from Santa Monica to Downtown LA (a move that has seen its share of controversy lately thanks to the firm’s city-provided subsidy). With the help of three talented students from Cal Poly San Luis Obispo’s Professional Studio program, the firm has put together a video about their new ‘hood. It documents Downtown’s dramatic growth and change over the years, and offers predictions and suggestions for its future. Read More
Plastics was the key word at the recent Columbia conference “Permanent Change: Plastics in Architecture and Engineering,” which featured some of the best architects working with polymers today. On opening night, Greg Lynn did away with traditional tectonics in favor of total composite design from recycled toys to beautiful racing boats. Several pieces were on display in the lobby, including a beautiful backlit ribbed column cover designed by Columbia associate professor Yoshiko Sato (assisted by Shuning Zhao and John Hooper). Sato, who’s known for her NASA design research and space course at Columbia, also designed the two over-sized plastic inflatable flowers suspended from the lobby ceiling, as shown above. The composite designs will be up and on view at the Morningside Heights campus at least another week.