When Libeskind’s radical spiral proposal for Victoria and Albert Museum (V+A) extension went under after eight years, the V+A has literally gone underground. The newest proposal for V+A by British architect Amanda Levete and her practice AL_A, won in 2011 after a design competition, calls for an extension project that includes a 16,200 square foot underground gallery space for temporary exhibitions. The addition will feature a public courtyard with an entrance into the museum from the adjacent Exhibition Road. Last week, the project was awarded planning permission allowing the project to move forward.
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Asensio_mah & Harvard’s Graduate School of Design’s moss-covered installation is architecture on the cellular level
When visitors stroll through Quebec’s Redford Gardens, the first of many large installations they come upon is Surface Deep, an undulating, moss-covered structure designed by international architecture firm asensio_mah in collaboration with students from Harvard’s Graduate School of Design. It was built last summer, but with this year’s Metis International Garden Festival, Surface Deep is once again getting major foot traffic in the most literal sense of the word. Surface Deep is a mountable, climbable series of snaking panels that invites visitors to explore it in its entirety, from its long, sweeping form to its small, mossy nooks.
What’s your building burning? Some 10,000 buildings in New York City are stuck on the dirty stuff—heavy heating oils—to keep warm, which is polluting the air across the city. But as of the first of this month, the city has begun to phase out these feuls in favor of more environmentally-friendly and health-conscious alternatives. As part of plaNYC’s initiative to remake New York City with the cleanest air of any major U.S. city, NYC Clean Heat aims to achieve a 50 percent reduction in fine particulate matter (PM2.5) by the end of 2013.
Cincinnati’s Over-the-Rhine neighborhood is surging back from disrepair, becoming the poster-child for Porkopolis’ return to progressive urbanism. After two years of construction, the historic neighborhood’s Washington Park reopened to the public Friday.
The $48-million renovation is the latest investment by Cincinnati in its urban character—much was made of Washington Park’s likelihood to attract and sustain investment nearby. A number of amenities were added, including a children’s playground, a dog park, a fountain, an event plaza and a stage for live performances.
Installation of the first community rooftop garden in the United States—UpGarden—is almost complete. Located in the shadow of Seattle’s Space Needle, the project will convert close to 30,000 square feet on the top of the Mercer parking garage into an organic, edible, herb and flower garden with 100 plots for lower Queen Anne neighborhood residents. Landscape architecture firm Kistler Higbee Cahoot is leading the design, organizing community workshops and construction of the garden with a volunteer crew.
Rarely do red plastic coffee stirrers conjure notions of Walden Pond, but for architect Brian Ripel and artist Jean Shin, the notion is not that far fetched. The duo’s Tea House rooftop installation at the deCordova Sculpture Park and Museum in Lincoln, Massachusetts sits about a mile from Thoreau’s retreat. Ripel pointed out that the connection is somewhat difficult to discern in isolation, but the gabled pavilion frames pristine views absent of any evidence that the museum sits a mere twelve miles from downtown Boston.
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A tree grows in the Colombiere Center Chapel
It all started with a beech tree that has lived for the past hundred years on the Colombiere Jesuit Brother’s bucolic 14-acre site in Baltimore, MD. The tree stands in plain view of the brothers’ new chapel, designed by Bohlin Cywinski Jackson (BCJ). Alfred Dragani, an associate with the firm and the lead on the project, said that “as our Jesuit clients expressed a greater desire for privacy, we began to study ways of designing a shroud behind the south and north facing glass walls of the chapel that would operate like light-modulating screens. Our hope was that we could simulate the effect of an actual tree canopy, resulting in a dappled and serene light.” Dragani and his team used digital modeling (Rhino and Grasshopper) to simulate daylight conditions in the chapel throughout the year and create an interior installation in the chapel made from perforated wood panels in an organic arrangement of overlapping planes within a repetitive steel framework.
As children love to imagine, what if we actually built our cities out of Legos? A bridge in Wuppertal, Germany, a city of 350,000 to the northeast of Cologne, offers one vision of what that city might look like. Street artist Martin Heuwold, or as he tags, MEGX, created the grand illusion last fall when he painted a dingy concrete span in the bright hues of every architect’s favorite toys.
The city appears to be banking on the High Line Effect. Faced with the prospect of a declining population, Wuppertal has been looking for ideas to reinvigorate the city and increase residents’ quality of life. The Lego Bridge is part of a 10-mile pedestrian and cycle path called Wuppertal Bewegung e.V. being built through the city on what was once the Wuppertal Northern Railway. Plans are also on the boards for a heritage trolley to run atop the viaduct. [H/T Colossal.]