Meet Vernon Davis, NFL Player and Interior Designer

National, Newsletter, West
Tuesday, January 17, 2012
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Vernon Davis. (Montage with images by MCD and John Martinez Pavliga / Flickr)

Vernon Davis. (Montage with images by MCD and John Martinez Pavliga / Flickr)

Vernon Davis the San Francisco 49er tight end who caught a spectacular pass in the end zone in the final seconds of Saturday’s game with New Orleans is more than just a football player. Not only is he an avid curling fan and player (he was honorary captain of the Men’s U.S. Olympic Curling team for the for the U.S. team in the 2010 Olympics) but he is also an interior designer. Davis is the co-owner of MCD or Modern Class Design along with music industry executive Antone Barnes. MCD focuses on designing interior spaces for “athletes and other clients that are suited to the client’s taste, but still affordable.” He tells his athlete clients, “You don’t have to break your bank to live well and have style,” and “this moment won’t last forever, so plan for the future.”

Check out his future plans after the jump.

SCI-Arc’s CHIP House Takes A Bow In LA

West
Friday, January 13, 2012
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(Ryan Tyler Martinez/ SCI-Arc)

After winning one of the top prizes at the Solar Decathlon competition, SCI-Arc and Caltech’s CHIP House is returning to Los Angeles for a victory lap. The unique net zero structure—with quilted, vinyl-covered polyester insulation stretched around its angled exterior—will be open to the public at the California Science Center in LA’s Exposition Park starting on Tuesday. It will stay there through the end of May.

Continue reading after the jump.

Eavesdrop> Libeskind & Son’s Big Bang.  Physicist Noam Libeskind collaborated with his father Daniel on a new Zumtobel light fixture.Physicist Noam Libeskind collaborated with his father Daniel on a new Zumtobel light fixture. Daniel Libeskind’s latest project promises to illuminate your living room and the origins of the universe. He has joined the likes of Zaha Hadid and Hani Rashid in collaborating with Zumtobel, the Austrian lighting company. Libeskind’s chandelier, “eL Masterpiece,” debuted last month at Art Basel Miami Beach and while its name evokes a dodgy canvas proffered on the streets of South Beach, the design is actually an LED-studded feat of quantum complexity. Enter Libeskind fils, Noam, a rocket scientist at the Leibniz Institute for Astrophysics Potsdam, who was tapped by his father to whip up an algorithm that controls the chandelier’s 1,680 twinkling LED modules and tells the story of how light came into being. “By turning on the eL and watching it through its loop, you’re actually recreating 14 billion years of cosmic history,” explains Herr Doktor Libeskind.

 

Play It Forward: A Temporary Interactive Installation

Fabrikator
Friday, January 13, 2012
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Brought to you with support from:
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Fabrikator Brought to you by:

Part of this year’s Digital Capital Week, the project turns games into donations for a charitable cause.

When Washington, D.C.-area designers Hiroshi Jacobs, Jonathan Grinham, and Kash Bennett were asked to create an installation for Digital Capital Week’s 24-Hour City Project, which seeks to improve urban environments with creative technology, they knew it had to be more than just something to look at. The team created Play It Forward, an interactive, motion-sensing display that donates a small amount of money to charity each time someone plays with it. Unveiled at the technology festival’s closing party at Arena Stage and now part of an exhibit at D.C.’s Project 4 Gallery, the installation demonstrates how advanced parametric design and digital fabrication methods can work together to encourage interaction and promote social change in the process.

Continue reading after the jump.

Prominent Shortlist for Park City’s Kimball Art Center

National
Thursday, January 12, 2012
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A stacked-timber design by BIG / Bjarke Ingels Group.

A stacked-timber design by BIG / Bjarke Ingels Group. (All images courtesy Kimball Art Center)

Five noted teams have been shortlisted from a pool of 18 to renovate and expand the Kimball Art Center (KAC) in Park City, Utah. The firms include BIG/Bjarke Ingels Group; Brooks + Scarpa Architects; Sparano + Mooney Architecture; Will Bruder + Parnets; and Todd Williams Billie Tsien Architects. The center offers exhibitions as well as art classes, workshops, and other educational programs. Plans call for renovating the interior of the existing KAC and constructing a new modern building next door. Each of the proposals will be displayed using augmented reality, photography, and video during the Sundance Film Festival from January 19 through the 29 and a jury will select a winner in February once the public has had a chance to weigh in on their favorites. Construction could begin as soon as mid-2013 with the new wing opening in 2015.

Check out all the proposals after the jump.

Video> Metropolis II Sends Miniature Cars Careening in Perfect Harmony

West
Thursday, January 12, 2012
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Metropolis II, opening at LACMA on January 14, is installation artist Chris Burden’s action-packed, raucous, optimistic view of Los Angeles sometime in the not-to-distant future. Eleven-hundred custom-made, die-cast cars, about twice the size of a Matchbox car, race through a multilevel system of 18 roadways that twist and turn and undulate amid buildings that seem vaguely familiar but are not replicas of any specific landmark (although, strangely, there is what looks like an Eiffel Tower).  The cars whip along on a plastic roadway at fantastic speeds, producing an enormous din that echoes off the gallery walls like the incessant roar of real-life freeway traffic.  HO-scale trains and 1930s-era trolley cars roll along tracks of their own, adding a cheerful nostalgia to the mix.

Continue reading after the jump.

Chelsea Hotel Charm Offensive

East
Thursday, January 12, 2012
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Yaddo on 23rd? Smith wants an artist in residence. (Stoelker/AN)

Yaddo on 23rd Street? Smith wants artists-in-residence. (Stoelker/AN)

The Chelsea Hotel management and architect Gene Kaufman launched a charm offensive last night in the hotel’s “Grand Ballroom.” Patti Smith came to sing and read poetry to a small media and arts crowd. Tonight, Smith will return to perform for residents. The artist is a longtime hotel alum who launched her career from Room 203. Kaufman and his client, hotel owner Joseph Chetrit, have been taking a beating in the press and in the courts for their renovations of 127 year-old hotel. Smith reached out to Kaufman, helping him to make good on a promise that the hotel would continue to foster the arts.

Read More

Slideshow> Organic Architecture Catches Fire in Coachella Valley

Newsletter, West
Wednesday, January 11, 2012
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Ken Kellogg's GG's Island restaurant before the fire. (Keith Daly / Flickr)

Ken Kellogg's GG's Island restaurant before the fire. (Keith Daly / Flickr)

Southern California critic Alan Hess tells us more about Ken Kellogg’s GG’s Island Restaurant (formerly the Chart House), which was ravaged by fire on Tuesday morning. The extent of the damage and the potential for repair have not yet been determined.

Palm Springs may be best known for sleek steel and glass Modern architecture, but the 1978 Chart House by San Diego architect Ken Kellogg (one of a series he designed for the restaurant chain) makes it impossible to ignore the fact that Organic Modernism is just as much a part of the Coachella Valley heritage. Set along Highway 111 in Rancho Mirage, Chart House’s low-slung, serpentine shape hugs the contours of a small, rocky butte.

Outside, it’s the image of protective desert shelter: the taut vaulted roof stretches down, like the fabric of an umbrella or the shell of a crab, almost to touch the landscape berms rising to meet it. Inside, however, the heavy timber columns, curving glu-lam roof ribs, and rubble stone walls wind their way through the restaurant like a well-designed forest. They create layers of space, naturally lighted by a skylight curving along the spine, with an appealing complexity. Kellogg’s fifty-five year career, including residences, churches, and commercial and institutional buildings, continues to show the vitality of organic design.

View a slideshow of the restaurant before and after the fire.

Playing Samba in a Piano

International
Monday, January 9, 2012
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The new Cabana restaurant near London's West End. (Courtesy John Carey)

The new Cabana restaurant near London's West End. (Courtesy John Carey)

Just a stone’s throw from the British Museum, Renzo Piano‘s Central Saint Giles complex seems to have been overshadowed by the excitement around his Shard of Glass rising in the Southwark section of London. But as the Shard pierces the skyline, the year old St. Giles has begun to find its own footing. Last month, the 500,000 square foot complex brought a bit of bossa nova to this West End outpost.  Cabana, a restaurant designed by Alex Michaelis of Michaelis Boyd, plays well with Piano’s citrus colored facades and brings a dash Brazilian spice to the quiet courtyard.

Read More

Brooks + Scarpa’s Contemporary Art Museum Canopy in Raleigh

Fabrikator
Friday, January 6, 2012
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Brought to you with support from:
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Fabrikator Brought to you by:

The adaptive reuse highlights Raleigh's red-brick vernacular (Brooks + Scarpa)

A folded canopy reinvents a former loading dock in the city’s historic Depot District

Raleigh’s Contemporary Art Museum chose its new home in the city’s Depot District carefully. Located in a former produce warehouse, the project calls attention to the city’s history of railroad transportation and red brick architecture while emphasizing its commitment to sustainability and adaptive reuse. Led by Brooks + Scarpa Architects, the project included renovation of the existing 21,000-square-foot structure and the addition of a 900-square-foot entry pavilion. The glass-enclosed lobby reinterprets the location of the original building’s loading dock with an expanded and folded canopy that announces the building’s new purpose and balances the effect of daylight on its interiors.

Continue reading after the jump.

Opening Salvo Aimed at NYU Expansion

East
Thursday, January 5, 2012
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Andrew Berman takes the mic before an overflow crowd at the Center for Architecture. (Stoelker/AN)

Andrew Berman takes the mic before an overflow crowd at the Center for Architecture. (Stoelker/AN)

It was the opening shot heard ’round the Village–and the East Village, and SoHo. An overflow crowd gathered at the Center for Architecture last night to rally the troops opposing NYU’s twenty year expansion plan. It certainly wasn’t the usual black-clad crowd found at the Center. No, these were some good old fashioned Village rabble rousers.

The event was organized by the Andrew Berman of the Greenwich Village Society for Historic Preservation, who assured the crowd that the NYU Core plan is “not a done deal.” On Tuesday, the university certified proposals with City Planning, thus kicking off the ULURP process for what is likely to become one of the most contentious development debates of 2012. The proposal is, after all,  in the heart of Jane Jacobs country.

Just across the street from the Center are the remains of Robert Moses’ failed attempt to build the Lower Manhattan Expressway through SoHo after Jacobs and Co. put a halt to the plan. Parcels of land assembled by the Department of Transportation to accommodate the failed highway are now parkland commonly known as the DOT strips. A substantial portion of the 1.3 million square feet NYU wants to build in the area would be placed beneath the strips. The university has proposed designating the strips as parkland after the construction is complete, with the new green space designed by Michael Van Valkenburgh Associates.

No matter the promises, this was not a crowd that trusts the university. The term “Midtown Zoning” got thrown about with on-message regularity. As did square footage metaphors, such as “bigger than the Waldorf-Astoria,” “the size of the Empire State Building,” and “three Jacob Javits Convention Centers.”

Council Member Margaret Chin was on hand to listen, but not to state her pro or con position–despite pressure from the crowd.

This month’s Community Board 2 subcommittee meetings will no doubt be unusually crowded as they’re all dealing with the proposal. If you want to see some New York zoning theater in action, here’s a selected breakdown:

Land Use:  Mon., 1/9 6PM at The Center for Architecture, 536 LaGuardia Pl.

Traffic and Transportation: Tues., 1/10 @ 6:30 NYU Silver Building, 32 Waverly Pl. room 520

Parks:  Thurs., 1/12 @ 6:30PM at NYU Silver Bldg. 32 Waverly Pl. room 520

Full Board: Thurs., 1/19 @ 6:00PM 116 West 11th Street, Auditorium

 

Board Named for WTC Performing Arts Center

East, Newsletter
Thursday, January 5, 2012
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The site of the proposed performing arts center sits directly east of One World Trade Center.

Possible site of the proposed performing arts center sits directly east of One World Trade Center.

It had to happen before midnight December 31. And it did, although quietly. Downtown Express reports that five founding board members for the World Trade Center Performing Arts Center (PAC) were announced by National September 11 Memorial President Joe Daniels in the nick of time, in order not to forfeit access to $100 million in LMDC funds set aside in fall 2010 for the lone surviving cultural venue–apart from the September 11 museum–at the site, where once many were envisioned as the most sure-fire way to lift ground zero out of the psychological depths of mourning for the lost.

Continue reading after the jump.

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