OLIN has completed a renovation of the gardens at Philadelphia’s Rodin Museum, which houses the largest collection of Auguste Rodin’s sculptures and objects outside of Paris. The renovation is a piece of a larger refurbishment of Benjamin Franklin Parkway, which is also being overseen by OLIN, as a part of the Philadelphia Museum of Art’s Master Plan. Read More
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Custom canopy scores big at Kansas City’s new soccer stadium.
Kansas City’s Livestrong Sporting Park opened in June as the city’s first soccer-centric stadium and the new home of the Sporting Kansas City, the soccer team formerly known as the Kansas City Wizards. To make the arena both athlete- and fan-friendly, architect Populous envisioned a soaring roof canopy designed to evoke the arc of a soccer ball flying across the field. The team considered building the canopy with ETFE (ethylene tetrafluoroethylene) pillows, but desired a look more in line with glass panels. The weight of glass would have significantly increased the amount of steel substructure, in turn raising the canopy’s price. Working with Michigan-based architectural canopy design, engineering, and fabrication company Duo-Gard, the team began instead to develop a high-performance polycarbonate glazing system that minimized weight and maximized light transmission onto the field.
In an extended period of belt-tightening, it is often the arts sector that grapples with some of the harder aspects of fund-raising. With heavy competition from other non-profits clamoring for support from the city’s enlightened wealthy, institutions must be creative and resourceful to attract new and more generous donors. For the Municipal Art Society (MAS), this dedicated support has come in the form of Robert W. Wilson.
A veteran MAS donor, a philanthropist, and a former Wall Street hedge fund manager, Wilson has committed $600,000 over the next three years to match new or increased gifts of $1,000 or more on a one-for-two dollar basis. Effective August 1st, the aim is to help MAS strengthen and sustain its base of unrestricted support, which puts control of distribution into the hands of MAS rather than a targeted program.
In his poem “One Winter Afternoon,” e.e. cummings describes Eighth Street in Greenwich Village at the “magical hour when is becomes if.” Well, it seems as though Eighth Street has reached that hour once again. The street, which once played a distinct role in Village bohemia, began as a hub for book dealers and fostered the original Whitney Museum. Eventually, the street became a district for shoe stores and edgy fashion anchored by Patricia Field. Field decamped for the Bowery about nine years ago and much of the street has since devolved into a hodgepodge of chain stores and characterless low-end retail.
Practice makes perfect, and for some Parsons students, the Splash House at Highbridge Pool and Recreation Center is a jumping off point for becoming better architects.
Parsons’ Design Workshop, a design-build studio set up 15 years ago to offer practical training to students, has partnered with New York Parks and Recreation Department to instigate a five-year initiative to identify and implement improvements in public spaces across the city. “The architecture students get a more holistic understanding of process,” said Kate McCormick, Press Officer at Parsons. “They actually learn how to make and engage the community, by finding out what it needs.” Although it usually collaborates with public organizations both inside and outside Manhattan, this is the Workshop’s first long-term municipal partnership within New York City. The first assignment: Highbridge Pool and Recreation Center in Upper Manhattan. Read More
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A prototype of the city’s alternative to unsightly construction sheds is unveiled.
Two years after the NYC Department of Buildings and AIA New York launched the UrbanSHED competition to find a new sidewalk shed design that would beautify city streets, a prototype of the winning proposal has been unveiled. Called Urban Umbrella, the shed structure was developed by competition winner Young-Hwan Choi with architect Andrés Cortés and engineer Sarrah Khan of New York-based Agencie Group. Brooklyn-based architecture and fabrication firm Caliper Studio was hired late last year to detail and build the much-anticipated design, which the DOB and architecture, construction, and real estate backers hope will eventually replace unsightly sidewalk scaffolding at many of the city’s construction sites.
With all the NYU real estate hubbub going on around LaGuardia Place in Greenwich Village, it’s refreshing to hear of a quiet transaction between two locals. This week, the AIANY signed the lease for 532 LaGuardia, an empty retail space owned by local lumber magnate Guy Apicella just one door south of the AIANY’s current home, the Center for Architecture at 536 LaGuardia.
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Three winning designs to be fabricated by Brooklyn-based Flatcut.
This October, winners of the ACADIA (Association for Computer Aided Design in Architecture) design and fabrication competition will show off their parametric chops as part of the organization’s annual conference, now in its 30th year. Announced last week, winners were chosen from 15 finalists by a jury that included Tod Williams of TWBTA, Chris Sharples of SHoP Architects, Tom Wiscombe of Emergent, Dror Benshetrit of Studio Dror, and Thomas Christoffersen of BIG. The competition sought designs in three categories—furniture, partitions, and lighting—and entrants were encouraged to propose hybrid material assemblies that minimized waste and maximized material performance. Tomer Ben-Gal, founder of Brooklyn-based fabrication studio and competition co-sponsor Flatcut, served as technical advisor. Flatcut will fabricate the winning designs in its 100,000-square-foot Passaic, New Jersey, machine shop before they are sent to the conference, held at the University of Calgary, where they will be displayed from October 11-16.