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Members of the Gehry Technologies New York office outline a collaboration that spanned between four U.S. cities and Dubai
Editor’s Note: The following has been excerpted from Knowledge Engineering: The Capture and Reuse of Design and Fabrication Intelligence on the Burj Khalifa Office Ceiling by Neil Meredith and James Kotronis of Gehry Technologies:
Behind schedule and with the finish date of the building fast approaching, Gehry Technologies was presented with a unique problem. A complex, double-curved wood ceiling for one of the main entrances to the Burj Khalifa (then Burj Dubai) was under construction and it was becoming apparent that the proposed system would not work as designed. Instead of delaying the schedule or scrapping the design, an integrated team was quickly mobilized. This team was based in different design and fabrication domains, with all participants working toward the shared goals of redesign, fabrication, delivery, and installation of the new ceiling, all within a tight timeframe and construction site. Partners included Skidmore Owings and Merrill (SOM), Imperial Woodworking Company (IWA), ICON Integrated Construction and Gehry Technologies/New York (GT). Working through the design issues, the new team developed a strategy to strip the design back down to essential geometry and redesign the system from the ground up, satisfying design intent and a host of fabrication and constructability constraints through a shared parametric model.
Architecture lovers, time to get motivated. This Earth Day (April 22) you can celebrate Richard Neutra’s 120th birthday by participating in the Neutra Run-Walk for Health, a 4k or 8k jaunt around LA’s Silver Lake Reservoir. “Neutra always stood for health, so it made sense to host this event,” said Dion Neutra, son of the famous architect. Neutra says he hopes the walk will become an annual event for the Neutra Institute.
Stirling Prize winner David Chipperfield will renovate of Mies van der Rohe’s Neue Nationalgalerie in Berlin, beating out more than 20 competing proposals. The museum, which houses the Prussian Cultural Heritage Foundation’s modern art collection, has not undergone any major renovation since it was completed in 1968.
The Venice Biennale is staged in an enormous old Arsenal building and in an urban park a few blocks away that houses 30 national pavilions. The first of these pavilions opened in 1907 and several were designed by famous architects like Josef Hoffmann (Austria), BBPR (Canada), Alvar Aalto (Finland), and Sverre Fehn (Nordic). The United States pavilion was designed by William Adams Delano. There have been very few buildings built in the garden since James Sterling designed the biennial book store in 1991, but just behind the U.S. pavilion the Australians are building a new exhibition space designed by Denton Corker Marshall. The Australian architects describe the pavilion as a simple structure or “a white box contained within a black box.” The pavilion will open in 2015 for the 56th art biennale and its $6 million price tag will be paid for with private funds.
Rumors have been circulating that Paul Goldberger was leaving his prized perch as architecture critic at the New Yorker. It appears he’s been given a golden parachute from Condé Nast in the form of a contributing editor title at Vanity Fair, where he will cover architecture and design. AN has obtained an undated press release from that magazine confirming the move. “This is an appointment that thrills me profoundly,” Graydon Carter, editor in chief of Vanity Fair, said in a statement. “Paul is about as gifted a commentator on architecture, urban planning, and design as anyone you’re going to find these days—in other words, he’s just a brilliant writer.”
Coca-Cola has big plans for an Olympic Park pavilion for London’s 2012 sporting extravaganza. London-based architects Pernilla & Asif have created the “Coca-Cola Beatbox,” a spiraling structure clad in red and white panels that appear to be suspended in frozen animation. It’s not only an intriguing structure but an interactive musical instrument. The experimental architecture works with cutting edge sound technology, encouraging people to interact and “play the pavilion.”
Inspired by sounds of the Olympic games—the plunge of an archer’s arrow into a target, athlete’s quickened heartbeats, squeaking sneakers—the Beatbox will be imbedded with sound-bites created by Grammy Award-winning producer Mark Ronson that allow visitors to remix their own mashed-up productions.
In the interest of getting students to build physical things, three years ago, USC introduced Top Fuel, a week-long design-build workshop accompanied by lectures, exhibitions, and panels. This year’s workshop, “Filters Funnels Flows,” wrapped up earlier this week. It focused on pneumatic (aka inflatable) structures, teaching students about the “inseparable relation between form and performance of pneumatic systems.” Indeed, produce the wrong form here (or material, or structure) and the piece doesn’t inflate. Students also explored lighting, temperature, and other environmental issues.
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A temporary installation spruces up the burger stand’s site ahead of its summer opening
Two years ago, Mario Gentile founded Phildelphia-based Shift_Design after being laid off from Peter Marino Architects. With an infant son in tow, he began to design and manufacture a range of systems for outdoor garden environments. The company was part of the GoodCompany incubation program for socially responsible products and will complete a green roof, living wall, and rainwater harvesting system at the Urban Outfitters headquarters at the Philadelphia Navy Yard in September. They are also working with Philadelphia’s Water Department to design new stormwater-collecting planters. Though functional and environmentally minded, the group’s work has a lighthearted appeal for urban environments—something that’s apparent in its newly completed installation at the construction site of Danny Meyer’s first Philadelphia Shake Shack, scheduled to open this summer.