Since an unofficial concept ad was leaked (above, left) in September proclaiming “Ice Cube celebrates Ray & Charles Eames,” the web has been abuzz about the rapper’s upcoming film on the architects’ influence on his life, part of the Getty’s Pacific Standard Time series of exhibitions in Los Angeles. For the exhibition on Ray and Charles Eames, Ice Cube recreated an old ad (above, right) from the 1950s, complete with a pipe and a 1953 DAT Chair. Cube, it appears, studied architectural drafting, although he never got his degree. He joins LA stars like Red Hot Chili Peppers singer Anthony Kiedis and actor Jason Schwartzman in promoting the epic series, which continues through next year.
Attention Frank Lloyd Wright fans! You can satisfy two Wright cravings with this one event. Head over the the Solomon R. Guggenheim Museum to catch a screening of Kenneth Love’s lush new documentary Fallingwater: Frank Lloyd Wright’s Masterwork with Reflections of Edgar Kaufmann Jr. The film, which was supported by the James Marston Fitch Charitable Foundation, the Estate of Edgar Tafel, and the Laurel Foundation, will be screened in the museum’s New Media Theatre on October 21 and 28 and November 4 and 18 at 1:00 and 3:00 pm. The screenings are free with the price of admission to the museum. It’s the perfect marriage of content and container. Wright would approve.
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Cast stone and steel become the medium for collaboration at Trahan Architects’ newest project.
Trahan Architects’ Louisiana State Sports Hall Of Fame and Regional History Museum was designed with northern Louisiana’s geography in mind. Located in Natchitoches, the oldest settlement in the Louisiana Purchase, the 28,000-square-foot building overlooks Cane River Lake at the boundary of the Red River Valley. While the museum’s exterior will be clad in a skin of cypress planks, a nod to the area’s timber-rich building stock, the interior spaces will be formed by a skin of more than 1,000 cast stone panels resembling land shaped by eons of moving water. As the panels begin to be installed, AN went behind the scenes to learn how the project is taking shape.
Ten Sukkahs—small temporary structures built for the Jewish festival of Sukkot—will be on display at Washington University in St. Louis. The ten winning projects, by architects and designers from across the country, were chosen out of a group of 40 competition entries. Sukkot recognizes the struggle of the Israelites’ exodus from Egypt, and Sukkahs recall the fragile structures they inhabited.
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Ductal concrete technology used for the architect’s shapely “icebergs” in Paris
Frank Gehry has referred to his design for the Louis Vuitton Foundation for Creation, a new home for the contemporary art collection of LVMH mogul Bernard Arnaud, as “a veritable ship amongst trees.” The project, located at the northern entrance of Paris’ Bois de Boulogne near the Jardin d’Acclimatation, hasn’t been without its share of controversy and delays, but the nearly 130,000-square-foot, 150-foot-tall building is moving ahead and is slated for completion in 2012. Though a hovering glass carapace will enshroud the museum, models of the design show the sails parting at various points to reveal concrete “icebergs” that form the building’s core. Since 2006, building material manufacturer Lafarge has been working with the building’s project team, prototype designer Cogitech Design, and precast concrete manufacturer Bonna Sabla to realize the design with Lafarge’s Ductal ultra-high performance concrete (UHPC).
A passerby might mistake the Art Museum at DePaul University as an enduring Lincoln Park fixture, even though the brand new building just opened. Bucking the trend for cutting-edge art museum architecture in favor of a contextual approach was a deliberate decision by the university and its longtime architect, Antunovich Associates.
If you’ve ever wanted to know more about LA’s architects than the results of their projects in steel and stone, check out Success By Design by writer and photographer Jenn Kennedy. The book profiles 25 of them, including Steven Ehrlich, Barton Myers, Ray Kappe, the late Stephen Kanner, and Hodgetts + Fung. Architects divulge all sorts of secrets like Myers’ insecurities about getting upstaged by students; Art Gensler’s original desire to start a “small” firm (his firm, Gensler, has over 2,000 employees); Randy Peterson of HMC’s amazing lack of free time; Kanner’s struggles with fees; and Kappe’s surprising facility with the business end of architecture. The book recently launched its digital version and a web site. See some interesting quotes below.
A South London state-funded school is a far cry from an international exhibition center, but in the last two years the annual Stirling Prize, organized by the RIBA, has recognized Zaha Hadid’s designs for both as exceptional examples of British architecture. This year’s winner, the Evelyn Grace Academy in Brixton was the London-based practice’s second consecutive win after last year’s prize for the enigmatic Maxxi Museum in Rome. Hadid’s design was up against a swathe of accomplished competitors including Hopkins’ London Olympics Velodrome, the Royal Shakespeare and Swan Theatres in Stratford by Bennetts Associates and Chipperfield’s Folkwang Museum in Essen, Germany.
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A new cultural focal point takes shape in Dallas
When the Dallas Museum of Nature & Science was created from the 2006 merger of three city museums—the Museum of Natural History, The Science Place, and the Dallas Children’s Museum—the new institution set its sites on expanding programming with a new facility in the city’s Victory Park neighborhood. Now, the 180,000-square-foot Morphosis-designed Perot Museum of Nature & Science is slated for completion in 2013. Located at the northwest corner of Woodall Rodgers Freeway and Field Street, it marks the future crossroads of the city’s Trinity River Corridor Project and the city’s cultural districts. Floating atop an irregularly shaped plinth that will be the base for a one-acre rooftop ecosystem, the museum’s striated concrete facade offers a first glimpse at the dynamic transformation of the site.