In a surprise move Stanford University announced today that they are withdrawing their bid to build a tech campus on Roosevelt Island. In a statement, the university said that several weeks’ worth of negotiations prompted the Board of Trustees to determine that the East Coast expansion was not in their best interest. “We are sorry that together we could not find a way to realize our mutual goals,” wrote Stanford president John Hennessy.
The $200 million proposal with a master plan by Ennead was largely considered a front runner until this afternoon. The campus developed in a partnership with City College was to build more than 1.9 million square feet on the site now occupied by the Goldwater Hospital that would have brought housing for 200 profs and 2,000 students. While president Hennessy promised an accelerated launch—and a pledge of $1.5 bllion from a ten-year capital campaign—back in October, the plan seems to have fizzeled under pressure from students.
“I applaud the mayor’s bold vision for this transformative project and wish the city well in turning that vision into a reality,” said Hennessy. “Stanford was very excited to participate in the competition, and we were honored to be selected as a finalist. We were looking forward to an innovative partnership with the city of New York.” The San Jose Mercury News noted that “Hennessy had cautioned that unless Stanford could get guarantees that it could build what it needs to build, plans will be abandoned.”
In a flurry of statements that followed, both the city and City College looked for the silver lining. City College noted that the two institutions established a “strong on-going relationship during this process.” And Julie Wood from the mayor’s office essentially added that the show must go on. “We are in serious negotiations with several of the other applicants, each of whom has a game-changing project queued up. We look forward to announcing a winner soon.” That leaves the Cornell proposal with a team led by SOM as the only other contender for the Roosevelt Island site.
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The designer’s most recent collaboration with Milgo/Bufkin explores mass customization
Architect-morphologist Haresh Lalvani is continuing his longtime relationship with Brooklyn-based fabricator Milgo/Bufkin with the Morphing Fruit Platter 1D Series 300, which was unveiled at this year’s Design Miami as part of the Moss exhibit, Mass Customization of Emergent Designs. The 100 platters presented at Moss represent the designer’s latest thoughts about the intersection of mathematics and manufacturing based on a process he calls Lautomation.
Guy Horton, a frequent contributor to AN, here adds his thoughts on the still-steaming controversy over MVRDV’s twin towers.
MVRDV’s design for what they call The Cloud, a twin high-rise with a connecting “cloud” above the waistline, has resulted in an blitz of negative criticism. Americans who have never heard of the Dutch firm are now phoning and emailing threats and condemnation non-stop—some are personal threats aimed at individuals. They have even been called “Al Qaeda lovers.”
The small world of classicist architecture in America–where many former Postmodernists found refuge after the dial of taste turned away from jokey historical references and pasted-on pediments–is working overtime to rehabilitate the 70s and 80s stylistic counter reformation. First was the recent conference, “Reconsidering Postmodernism,” organized by the Institute of Classical Architecture & Art, which brought out many of the movement’s old stars for presentations, chats, and a lot of hand wringing. Today, the Chicago-based Richard H. Driehaus Foundation announced that Michael Graves was this year’s winner of the $200,000 Driehaus Prize.
City Planning hasn’t missed a beat since celebrating the 50th anniversary of the 1961 Zoning Amendment with a conference in November that brought together zoning czars from academia, business, and government to discuss challenges ahead for planning in New York City. On Monday, Amanda Burden of the City Planning Commission (CPC) announced a new Zone Green initiative making it easier —at least zoning-wise—for sustainable upgrades of residential and commercial buildings across the city.
It must have been a rough day at MVRDV’s Rotterdam offices after their newly unveiled Cloud tower set to be built in Seoul, South Korea went viral in a bad way. MVRDV envisioned two towers shrouded in pixelated mist, but others saw the image of a plane hitting the World Trade Center in New York, half a world away. MVRDV released the following statement on their Facebook page along with an early conceptual drawing showing the inspiration for the tower, in a much more literal cloud:
A real media storm has started and we receive threatening emails and calls of angry people calling us Al Qaeda lovers or worse.
MVRDV regrets deeply any connotations The Cloud projects evokes regarding 9/11, it was not our intention.
The Cloud was designed based on parameters such as sunlight, outside spaces, living quality for inhabitants and the city. It is one of many projects in which MVRDV experiments with a raised city level to reinvent the often solitary typology of the skyscraper. It was not our intention to create an image resembling the attacks nor did we see the resemblance during the design process. We sincerely apologize to anyone whose feelings we have hurt, the design was not meant to provoke this.
Check out all of the renderings over here. What do you think? Is this too reminiscent of the Twin Towers? Do you see a cloud or an explosion frozen in time?
Its not everyday that construction and office workers stop to photograph a sidewalk scaffolding shed, but that’s just what they were doing today on Broadway in Lower Manhattan. Yesterday, the mayor unveiled the new Urban Umbrella shed designed by Angencie Group. The new design, the result of a competition sponsored by the AIANY and the Department of Buildings, was fabricated by the Brooklyn based Caliper Studio.
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Fabrication techniques honed for racing boats give the dome new life.
Racing boat builder Goetz Composites has crafted many icons of the sea, including ten America’s Cup boats. Now, the company is trying its hand at architectural icons. Several months ago, Goetz began the restoration of Buckminster Fuller’s Fly’s Eye Dome, one of only three existing prototypes of the prefabricated shelters that the designer patented in 1965. The piece, a 24-foot-wide fiberglass shell with Plexiglas eyes, had been neglected for years and arrived at Goetz’s Bristol, Rhode Island, headquarters with chipped corners, peeling paint, and a patina of mold.
Earlier this fall the rapper Ice Cube pleasantly surprised us by turning up in posters promoting the Getty’s exhibition series Pacific Standard Time: Art in L.A. 1945-1980, a sweeping SoCal round-up that also covers the work of architects and designers. It turns out that before founding the group N.W.A., Ice Cube studied architectural drafting, and in the process he became a fan of Ray and Charles Eames.
In a video just released by the Getty, Ice Cube communes with the designer couple’s famous Case Study #8 house in Pacific Palisades, walking around the exterior to admire the “off-the-shelf factory windows, prefabricated walls” and then kicking back in a 670 lounge chair inside to hold forth on the Eames’ approach of mixing the new with the old, comparing it to sampling in music: ” They was doing mash-ups before mash-ups even existed.” But the most instructive part of the video may be Ice Cube’s decoding of the traffic specific to L.A. freeways…watch for it here:
For more on Ice Cube’s take on design, read his interview with the New York Times.