The Paul Rudolph townhouse at 23 Beekman Place hit the market in early December, listed at $27.5 million. The property consists of four separate apartments, including the four-level penthouse that Rudolph himself lived in, along with his pet rabbits. But buyer beware: the penthouse, which was renovated in 2006 by Della Valle and Bernheimer, retains many signature Rudolph elements, like the death-defying stairways with no rails. Potential buyers should also consider getting “some new sprinklers and a back-up security system installed,” as Chas Tenembaum, one fictional former tenant of The Royal Tenenbaums fame, noted after failing to escape the house in adequate time after a fire drill. “Four minutes and forty-eight seconds. We’re all dead. Burned to a crisp.”
Architect, teacher, and critic Alan Colquhoun has died aged 91. Alan Colquhoun, 1921-2012, emeritus professor of architecture at Princeton University passed way yesterday in his Primrose Hill home in London. Colquhoun was a rigorous critic, writer, and intellectual and influenced several generations of students at Princeton and through his writings which include: The Oxford History of Modern Architecture, the seminal Essays in Architectural Criticism, and Modernity and the Classical Tradition. The Dutch journal; OASE recently published an edition devoted to his writings and teachings. AN will publish a full obituary in our next print edition.
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Audi and GSAPP teamed with FLATCUT_ to create a 1:1500 scale model of Manhattan’s street grid from 3/16-inch-thick aluminum sheets
This September at the preview of the Lowline Park in Manhattan’s Lower East Side, visitors had the opportunity to absorb nine visions by students from Columbia University Graduate School of Architecture Planning and Preservation (GSAPP) about the future of urban living and mobility. Conducted as the culmination of a yearlong research program in partnership with Audi of America, the exhibition, Experiments in Motion, was tied together and contextualized by a hanging, 50-foot-long, 1:1500 scale model of Manhattan’s street grid. Audi and GSAPP called on New York and New Jersey-based fabrication studio FLATCUT_ to create the model, which also calls out every subway station on the island. The job required the studio to pull off a high wire balancing act: the fabrication of an object both intricate and sturdy, modular yet monolithic. Read More
On Monday, December 3, the “Jewel of Park Avenue” at 230 Park, aka The Helmsley Building, really began to sparkle as building-owner Monday Properties unveiled a new LED lighting display to a crowd huddled at the base of the building, staring upward with anticipation as rush hour traffic swirled around. Monday Properties President and CEO Anthony Westreich and Manhattan Borough President Scott Stringer stood together to push a giant red button, officially triggering the light show, which flickered into action, turning heads of passers by for blocks around as a live violinist provided musical accompaniment.
With the current rise of smartphones and tablet technology, it is easy for coin-operated payphones to be cast aside as archaic tools of urban communication, but with over 11,000 functioning payphones dotted across New York City alone, these sidewalk staples have become ubiquitous in the urban landscape. And as was a lesson during Hurricane Sandy and other disasters, the payphone can serve as a reliable back-up when cell phone batteries die.
But can the payphone be updated to thrive in the 21st century? New York City is enlisting designers to rethink the role of payphones in today’s New York City, with Mayor Michael Bloomberg officially announcing the “Reinvent Payphones” competition last week.
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At Miami Basel, a digitally fabricated pavilion marries classic origami techniques with advanced technology
For this year’s inaugural Miami Project Fair, the design team at FXFOWLE Architects, led by Sarah Gerber, created a temporary architectural pavilion, the FXFOWLE Lounge, from both cutting-edge technology and good-old-fashioned manual labor. The 24-foot-long pavilion embodies the “duality of this very high-tech and sophisticated fabrication and this very low-tech material and assembly process,” said designer Lucio Santos. Over the next few days, the sculpture will be housed in a lounge and bar area outfitted with beanbag chairs and a carbon fiber bar that FXFOWLE also designed for the event.
In past years, architects such as David Adjaye, Marc Fornes & THEVERYMANY, and Rachely Rotem and Phu Hoang (now of Modu), have designed temporary pavilions for Miami Basel—introducing their work to a wider audience. This project is “a first” Santos said, but this might be changing for FXFOWLE, which is trying to branch out on the digital side of architecture.