Review> IIDA Explores the Client-Designer Relationship in “What Clients Want”

National
Monday, July 2, 2012
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What Clients Want.

What Clients Want.

At NeoCon this year, IIDA (International Interior Design Association) presented copies of What Clients Want, the first-ever study of the client/designer relationship told from the point of view of the client, written and edited by Melissa Feldman, IIDA’s executive vice president. IIDA CEO Cheryl Durst called it “a groundbreaking account of how some C-suite executives have been able to alter their companies’ destinations through design [by] firms who got inside their corporate DNA and pushed them to be better.”

Durst is referring to companies like Autodesk, The Cosmopolitan of Las Vegas, the Cowboys Stadium, and Facebook, which enlisted the services of Primo Orpilla and Verda Alexander of Studio O+A, a husband and wife duo who have designed interiors for a roster of “techie brands” like Aol, eBay, Microsoft, and PayPal. In 2008, O+A was commissioned to consolidate Facebook’s spread of ten office buildings in Palo Alto, California, and merge them into Hewlett Packard’s former HQ. Studio O+A credits the extensive research they conduct on potential clients prior to any design work for landing the gig.

Continue reading after the jump.

Wendy Arrives in Queens

East
Friday, June 29, 2012
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Wendy scales a wall in the MoMA PS1 courtyard. (Branden Klayko/AN)

Wendy scales a wall in the MoMA PS1 courtyard. (Branden Klayko/AN)

Last night, crowds of young architecture types filled the courtyard at MoMA PS1 in Queens to meet Wendy, this year’s Young Architects Program winner by HWKN. Visible from the nearby elevated subway station and from the streets around MoMA PS1, Wendy is comprised of pollution-fighting fabric spikes set in a grid of scaffolding intersecting the concrete courtyard walls. Yesterday’s crowds were given special access to the interior of the installation, revealing a complex structure of poles, fans, and misters that will cool visitors this summer.

MoMA PS1 will host its annual Warm Up music series in the courtyard beginning on July 7, showcasing “the best in experimental live music, sound, performance, and DJs.” Wendy will officially open to the public on July 1. Meanwhile, at a taxi garage across the street, small fragments of last year’s installation by Interboro called Holding Pattern are still in use on the sidewalk.

View a slideshow after the jump.

SOM and Virginia Tech’s Hanging Garden Automatically Responds to Weather

Fabrikator
Friday, June 29, 2012
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Brought to you with support from:
Fabrikator
Fabrikator Brought to you by:

Hanging Garden

A motorized green wall that reads the weather and adjusts automatically

Two years ago six students and three faculty from Virginia Tech’s School of Architecture + Design spent three weeks at SOM‘s Chicago office applying industrial fabrication solutions to the problem of high density housing for Southworks, a housing development that’s currently being planned for a large vacant section south of the city. The result was LumenHAUS, an aggressively energy efficient home that won the international Solar Decathlon Competition that June for sustainable solutions to high density construction. LumenHAUS is not only net zero, it actually creates more energy than it uses by implementing, among other innovations, a modular system that autonomously responds to external weather information and internal environmental conditions to optimize energy use. This Fall Virginia Tech’s Center for Design Research will begin construction on a full scale prototype of six housing modules, including a working prototype of Hanging Garden, a dynamic plant wall that reads the weather and responds by sliding along the walls and windows to either block or allow sunlight into the living unit.

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Videos> 32 Years After Whyte, Seagram Plaza Still a Flurry of Activity

East
Thursday, June 28, 2012
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For the past eleven years, photographer Jesse David Harris has had unfettered access to two of the most architecturally significant buildings in New York: the Seagram Building and Lever House, both owned by RFR Holdings. As staff photographer for the Lever House Art Collection he began to shoot the Seagram Building with deference to Ezra Stoller. The photographer’s familiarity with the building evolved alongside technology. Last year, Harris began a time-lapse project that reflects his time with Mies van der Rohe’s masterpiece.

Revisit Holly Whyte’s vantage point after the jump.

Unveiled> DS+R Designs Columbia’s Medical and Graduate Education Building

East
Wednesday, June 27, 2012
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(Courtesy Diller Scofidio + Renfro)

(Courtesy Diller Scofidio + Renfro)

Medical and Graduate Education Building
Architect: Diller Scofidio + Renfro
Architect of Record: Gensler
Client: Columbia University Medical Center
Location: Haven Avenue and 171st Street
Groundbreaking: Early 2013
Completion: 2016

Columbia University Medical Center has unveiled plans for the Diller Scofidio + Renfro-designed Medical and Graduate Education Building on its campus in Washington Heights. Visible from nearby George Washington Bridge and Riverside Park, the 14-story tower will become a major landmark in the skyline of northern Manhattan, with a south-facing multi-story glass façade punctuated by jutting floorplates and exposed interior spaces.

Continue reading after the jump.

Álvaro Siza Wins The Golden Lion

International, Newsletter
Wednesday, June 27, 2012
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Álvaro Siza Vieira to receive the Golden Lion for Lifetime Achievement . (Courtesy Álvaro Siza office)

Álvaro Siza Vieira to receive the Golden Lion for Lifetime Achievement . (Courtesy Álvaro Siza office)

Portuguese architect Álvaro Siza Vieira has been awarded the Golden Lion for Lifetime Achievement of the 13th International Architecture Exhibition at the Venice Biennale. The announcement was made today by Biennale board director Paolo Baratta and director David Chipperfield, who noted Siza’s authority on designing with bold forms, shaping light, and creating reflective compositions. “Secured by his isolated location, he exudes worldly wisdom. Experimenting with forms of extreme geometry he manages to produce buildings of great rigor. Developing an architectural language that is uniquely his, he seems to speak to all of us. While his work exudes the security of judgment, it is clearly intensified through cautious reflection. While we are dazzled by the lightness of his buildings, we feel the seriousness of their substance,” Baratta and Chipperfield said in a statement.

View a gallery of Siza’s work after the jump.

On View> Unseen City: Designs for a Future Chicago

Midwest, Newsletter
Tuesday, June 26, 2012
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Clean Tower by Kyle Bigart & Peter Binggeser.

Clean Tower by Kyle Bigart & Peter Binggeser.

There were about as many ideas for development on Chicago’s high-profile real estate at Wolf Point as there are Chicagoans. One you didn’t hear about during Alderman Brendan Reilly’s initial public meeting was The Clean Tower—a supertall that would return filtered wastewater to the Chicago River beneath its slanted profile.

The Clean Tower wasn’t actually on the table for Wolf Point, but it does occupy real estate on the Chicago Architecture Foundation’s model of downtown. That’s because it’s part of Unseen City: Designs for a Future Chicago, an exhibition of imaginative projects from Illinois Institute of Technology’s “Hi-Rise, Lo-Carb” studio.

Continue reading after the jump.

Projecting the Social Life of Small Urban Stoops

International
Monday, June 25, 2012
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Oh.No.Sumo's "Stairway Cinema" in New Zealand. (Simon Devitt/Courtesy Oh.No.Sumo)

Oh.No.Sumo's "Stairway Cinema" in New Zealand. (Simon Devitt/Courtesy Oh.No.Sumo)

New Yorkers like to believe that they’ve perfected stoop sitting culture, but half a world away in Auckland, New Zealand, experimental design collaborative Oh.No.Sumo has taken stoop sitting a step higher. As part of St. Paul Street Gallery‘s 2012 exhibition program of curatorial practice, Oh.No.Sumo created a small-scale tactical intervention forming an unexpected theater on a small stoop where the steps are the seats. Responding to the intersection’s lack of social life and the public’s retreat into smart-phone isolation, the Stairway Cinema creates a communal node and conversation piece.

Continue reading after the jump.

A Spinning Piper Seneca Lands in Central Park

East
Monday, June 25, 2012
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(Courtesy Public Art Fund)

It’s a bird! It’s a plane! No, it’s actually a plane. On the corner of 60th Street and 5th Avenue in Manhattan, a six-seat, twin-engine Piper Seneca aircraft balances on two vertical steel posts positioned at the end of its wings, playfully rotating on its own axis and likely confusing visitors to Central Park. After doing a double take on the surreal scene, find a plaque located nearby and you’ll learn that this mysterious aircraft is actually an installation by artist Paola Pivi, whose portfolio includes scenes of zebras on snowy mountaintops and arenas of screaming people. Working with the Public Art Fund, an organization dedicated to present artists’ work throughout New York City, Paola Pivi opened her newest installation featuring the Piper Seneca, How I Roll last Wednesday, June 20th.

Watch a video after the jump.

A Film About Rem By his Son and OMA

Eavesdroplet, International
Monday, June 25, 2012
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CCTV Building. (Courtesy Tomas Koolhaas)

CCTV Building. (Courtesy Tomas Koolhaas)

The film My Architect, the story of Louis Kahn’s son on a mission to discover and understand his father, won over the hearts and praise of even the lay-est of architectural laypersons. The effects of which—a fresh spotlight on the work and life of a brilliant designer—did not fall on blind eyes. Tomas Koolhaas is making a film about his father, Rem Koolhaassee the Facebook page!—called REM set to debut in 2013. It also appears from rough clips that the CCTV building in China will play a central role in the story. Awesome! We can’t wait to see this quaint little film about a humble and modest architect and his role in designing the media headquarters for political oppression and censorship in China. We’ll get the popcorn!

Teaser clips from Tomas Koolhaas after the jump.

Unveiled> Bjarke Ingels Builds an Arch Filled With Culture for Bordeaux, France

International
Friday, June 22, 2012
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Rendering of MÉCA as seen from Bordeaux. (Courtesy BIG)

Rendering of MÉCA as seen from Bordeaux. (Courtesy BIG)

Bjarke Ingels has again thrown us for a loop, this time in Bordeaux, France. Ingels’ firm BIG has revealed its latest competition-winner called the Maison de l’Économie Créative et de la Culture en Aquitaine, or, for the rest of us, MÉCA. As AN noted in April, BIG won the commission working with Paris-based FREAKS freearchitects, beating out the likes of SANAA and Toulouse-based W-Architectures, but the renderings have been kept under wraps until now. Ingels’ explained the design using his signature diagram-based narrative as an array of three visual and performing arts agencies arranged around a 120-foot-tall arch-shaped building.

Continue reading after the jump.

Meet Wendy, HWKN’s pollutant-fighting pavilion at MoMA PS1

Fabrikator
Friday, June 22, 2012
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Brought to you with support from:
Fabrikator
Fabrikator Brought to you by:
Wendy, by HWKN

Volunteers pitch in to install Wendy in the MoMA PS1 courtyard

Wendy will eat the smog of the equivalent of 260 cars this summer

“I cannot wait for the data to come in so we can show people,” said Matthias Hollwich, a principal of the Manhattan-based architecture firm HWKN. Hollwich is talking about the air quality monitoring system that will be hooked up to Wendy, the 3,000 square-foot star-shaped pavilion HWKN is currently installing in the courtyard of MoMA PS1 for the annual Young Architect’s Program. Because PS1′s Kraftwerk exhibition occupied the museum’s courtyard until May 14th, HWKN only had six weeks to build Wendy, which will not only house a pool, a misting station, a water canon, an elevated dj booth and an exhibition space, it will “eat” smog all summer long thanks to a special little ingredient called TiO2.

Continue reading after the jump.

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