It happened suddenly, as if out of nowhere: NYU’s Gallatin opened Global Design/Elsewhere Envisioned, an exhibition that comes with two symposia, is described as an initiative, and some hope might just morph into a new school of architecture.
|Brought to you by:|
Articulated copper clads gateway building to new College of Nursing in Phoenix
Copper has certain attributes that make it an appealing facade option in arid climates. The first is that it doesn’t turn green. “Here in the desert, it weathers like a penny in your pocket,” said Mark Kranz, the SmithGroup Phoenix design principal in charge of the recently completed Arizona State University College of Nursing and Health Innovation Phase II project. Clad in an articulated and partially perforated copper skin, the 84,000-square-foot, five-story facility complements a collection of existing and new buildings that form the college’s new Phoenix campus. This month, the project won a 2011 North American Copper in Architecture Award, earning points not only for the identity it imparts to the campus, but also for a unique panel design that delivers environmental performance at a low cost.
With summer weather quickly approaching, it’s the perfect time to kick back and dream about a sweet bungalow by the beach… in Queens. Endangered bungalows throughout New York City have been on the radar for some time now, but documentary filmmaker Jennifer Callahan has focused on the fight to preserve the few bungalows left on the Rockaway Peninsula in her film Bungalows of the Rockaways, which will be screened tonight at Tenement Talks at the Tenement Museum.
When talking to Florent Morellet, don’t call it the Meatpacking District. For the eponymous owner of now-closed diner/bistro Florent on Little West 12th Street, it’s the Meat Market. Well before SoHo House and long before Pastis, there was Florent, the subject of a new documentary by David Segal, Florent: Queen of the Meat Market. I found out about the New York opening of the film while showroom hopping on Green Street last week. At Kartell, the perfectly bouffant-ed Darinka Chase encouraged me to try out Philippe Starck‘s Magic Hole. Before slinging chic plastic, Chase spent twenty years as hostess at the downtown den of dining debauchery. She vividly recalls how preservationists met at the restaurant in an effort to preserve the district. “At the time people did think it was kind of nuts, like landmarking the city dump,” she said.
|Brought to you by:|
Polycarbonate sheets become an interactive bench, part of Fort Mason Center’s upcoming SEAT exhibition.
San Francisco’s Fort Mason Center will be the stage for an outdoor chair show set to open June 23. Called SEAT, the yearlong exhibition is being curated by artist and landscape designer Topher Delaney, of Seam Studio, and will include work by more than 40 designers, artists, and architects. Each team was given a site on the former Fort’s 13-acre waterfront campus, which now serves as an arts and culture venue. As one of the invited participants, San Francisco-based Nilus Designs is preparing an interactive piece called W.E.T: West End Terminal, an anthropomorphic bench created with carefully stacked strata of clear twin-wall polycarbonate.
ICFF wraps up today and, as usual, reviews of the fair seem mixed. Professional but boring! Too safe! Appropriately sober! Practical and market-friendly! Reheated Eames! Now in its sixth year, the ICFF Studio, sponsored by Bernhardt, offers a snap shot of where young designers are looking. Most skewed toward the market-ready, while one designer went in a conceptual direction. The young Dutch designer Andreas Kowalewski’s Clamp Chairs certainly look showroom bound (above).