Brooklyn-based architecture practice Bureau V unleashed a spectacular design for the Original Music Workshop, a new non-profit arts organization which will open in 2013 with a wide range of musical programming, from classical to jazz to experimental sound. Located in the heart of Williamsburg, Brooklyn, the performance center was designed in collaboration with engineering gurus Arup and features state of the art acoustical technologies.
It wasn’t a usual trip to the World Trade Center site today as AN segued over to the river to get a glimpse of the Space Shuttle Enterprise’s flyover. We caught the shuttle on its second loop at 10:55 on the dot. The pristine prototype shuttle skimmed south over New Jersey on its way round the Statue of Liberty. In all, a very uplifting day when combined with news that the One World Trade will likely surpass the Empire State Building as the city’s tallest building by this Monday. Come summer the shuttle will make a barge trip up the river to its new home at the Intrepid Museum. No news yet on speculation that new building across the street from the museum might house the shuttle.
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A wayfinding beacon for New Orleans’ electronic music festival
With a successful debut last month at Mardi Gras World in New Orleans last, the electronic music festival Buku Music and Art Project could become a mainstay of city’s lineup destination events. Envisioning what a success the event would be, Tulane architecture professors Nathan Petty and Sheena A. Garcia jumped at the opportunity to create a temporary installation for the event site at the edge of the Mississippi River. Petty and Garcia founded their design office, Npsag, in 2008 to work with radical architectural forms and emerging technology. While much of their work is speculative, the Buku installation had the practical purpose of being a wayfinding device at the event’s main entrance.
Lloyd Wright, Frank Lloyd Wright’s son, was one of California’s most talented modernist architects, but he was overshadowed by his father’s fame and notoriety. Wright’s lack of press largely led to the destruction yesterday of his Moore House (1958) in Palos Verdes, a ritzy beach town near Los Angeles. Apparently, when the owners of the property planned the demolition they had never heard of the architect. The city council denied an appeal from the Los Angeles Conservancy, and now the winged, x-shaped house is gone. According to Curbed, the owner wants to build a Mediterranean McMansion in its place. Read More
An avid cyclist plans to bring his passion for bike racing to Brooklyn Bridge Park. Joshua Rechnitz announced Thursday that his nonprofit, the New York City Fieldhouse, will build a $40 million multi-purpose recreation center on the inland edge of the park bordering the BQE. Now occupied by a deteriorating industrial building used for storage by the Brooklyn Bridge Park Corporation, the new facility designed by Thomas Phifer and Partners will include a modern velodrome along with space for a variety of other recreational activities.
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New learning center gives an in-progress look at lightweight structural design
Construction is underway on the first academic facility in almost two decades to be built on the Claremont, California, campus of Harvey Mudd College. Designed in 1956 by Edward Durrell Stone, the 39-acre school is a private engineering, science, and math institution, which is planning for growth in the coming decade.
“A lot of their current classrooms are underground so they were literally wanting to bring these into the light,” said Amy Donohue, a principal at Boora Architects. The Portland-based firm has designed a new 70,000-square-foot Teaching and Learning Center to create a bridge between academic facilities located to the west and dorms to the east. Though the design emphasizes transparency, energy efficiency, and a range of academic and social functions, a unique bi-axial hollow slab structural system concealed in the building’s concrete will have one of the greatest impacts on reducing material use as it targets LEED Platinum certification.
[Editor's Note: Following the unveiling of proposals to redesign the National Mall, AN will be running a three-part series to display the proposals for each of the three segments of the Mall: Constitution Gardens, Union Square, and the Washington Monument Grounds.]
Even for most Washingtonians, the name “Union Square” evokes a place in New York City. But the National Mall Plan of 2010 calls for this disconnected, little-used area—which has a reflecting pool and large equestrian statue of Ulysses S. Grant on the west front of the U.S. Capitol—to become a prime site for demonstrations and other large gatherings, thereby relieving some of the strain on the Mall. (The Mall receives 25 million visitors per year.)
Recently, control of the square passed from the National Park Service to the Architect of the Capitol, raising doubts about how a renovation would proceed. The National Mall Design Competition is organized by the Trust for the National Mall, a private organization that partners with the National Park Service.
The Architecture Billings Index (ABI) has registered promising gains since late last fall, and, according to the AIA’s latest report on March billings, the ABI continues to find its footing in positive territory—but just barely. The overall March score was 50.4, indicating slight growth in demand for services (any score above 50 reflects increase in billings) but less growth than the previous month (the ABI was 51.0 in February).