Of the 85 proposals submitted to a playground design competition hosted by Go Play!, few were as innovative as AnneMarie van Splunter’s RubberTree, which landed an honorable mention. The Dutch designer’s imaginative reuse of old car and motorcycle tires recalls the simplicity of children playing around a tree, inspired, in fact, by the rubber tree and its heavily exposed root system. Van Splunter sought to create a place where refugee children on the border of Burma and Thailand can be “rooted in solid ground.”
Mayor Bloomberg’s vision for a pedestrian-friendly Times Square is about to be written in stone. On September 27, Snøhetta gave Community Board 5 a preview of things to come at the Crossroads of the World, and they look a lot more permanent than lawn chairs and painted pavements. Principal Craig Dykers presented designs for dark and darker pavers that largely eliminate any bias for an automotive Broadway, stepping the plaza streetscape up to sidewalk grade and adding elongated benches to indicate long-gone traffic patterns. In homage to New York noir, the designers have also embedded nickel-sized reflectors adding a hard bit of glitz to the dark stones that will not compete with the glam above.
According to an email from Seth Solomonow, Press Secretary at the NYC Department of Transportation: “This long-planned redesign will restore the aging utilities below the street, which itself hasn’t been rebuilt in more than 50 years and still has trolley tracks beneath the asphalt. On the surface, this simple, flexible design will clear obstructions and support the growing number of programs occurring in Times Square, which more than 350,000 people visit every day.”
|Brought to you by:|
Lisa Iwamoto and Craig Scott, principals at IwamotoScott Architecture first established a relationship with Obscura Digital, a digital media company, three years ago in order to collaborate on a new hemispheric theater encased in a geodesic dome in Dubai. While the project was scuttled by the recession, the two firms stayed in touch, and when Obscura acquired new office space in a 1940s-era warehouse in an up-and-coming San Francisco neighborhood, they again called on IwamotoScott to design it, and even invited the architects to move into their new space.
Working with a tight budget, IwamotoScott injected digitally fabricated details that would give focus and add drama to the large industrial space. A black-box conference room that Scott describes as bringing “shrink-wrap to seismic bracing” is perched on the edge of a second-floor mezzanine while a 32-foot laser-cut screen wall comprised of cells that appear to collapse into fluid scales sequesters the architect’s space within the digital media company’s headquarters.
|Brought to you by:|
Students and architects create a curving plywood canopy during this summer’s Digital Architecture Laboratory workshop
This summer, Hunan University’s School of Architecture sponsored the Digital Architecture Laboratory (DAL), a workshop created to bring architects and students together to explore digital fabrication techniques. Hosted in Changsha, China, the workshop was led by Biao Hu, a professor with the university, and Yu Du, an architect with Zaha Hadid Architects. Suryansh Chandra, also with Zaha Hadid Architects, and Shuojiong Zhang, of UNstudio, were invited to participate as tutors for the workshop, which with a theme of “aggregated porosity” would explore variations in material density and the juxtaposition of solid forms with skeletal ones. Additionally, the project had to be a structure that provided shade and fit within an approximately 10-by-10-by-20-foot area.
Perched on the rooftop of a parking garage in Lower Manhattan a few blocks from the World Trade Center site, two groups of 44 light cannons pointing skyward will soon project high-intensity beams of light into the night sky for Tribute in Light, marking the tenth anniversary of the 911 World Trade Center attacks. Last week, as a crew of 30 workers was positioning the lights and laying cable to a large generator on the sidewalk, we stopped by to learn more what’s involved with the massive display.
511 W 25th St. #607
Through September 17
In honor of the tenth anniversary of September 11th, 1500 Gallery in West Chelsea will present PIIOTOS_WTC, an exhibition of photographs of the Twin Towers taken by 22 of Brazil’s most notable photographers. The images, which all have the World Trade Center site as their subject, span the last three decades of the 20th century. Selected photographers include Victor Andrade, Ali Karakas, and Roberto Linsker, among others. The selection is diverse, with works ranging from distant portrait landscapes of the towers from the Hudson River, to bold aerial views, black and white night shots, glowing, hazy sunsets, andclose-up structural shots, like the work of Tuca Reines, above. Gallery 1500—the only gallery in the world to focus specifically on Brazilian photography—brings together these poetic works, capturing the power, strength, and beauty of the city as it is no longer.
Discussion: Eva Hagberg & Roy McMakin
University Press Books
Thursday, September 8, 2011
6:00 – 7:30 p.m.
Writer Eva Hagberg’s new book, Nature Framed: At Home in the Landscape (The Monacelli Press, 2011, $50), has a granola-crunchy-sounding title, but the architecture inside is as sharp as it gets. From a delicate floating house on Lake Huron by MOS to Anderson Anderson Architecture’s acrylic-clad Chameleon House in Michigan, these houses are not, for the most part, about blending in.
Among the 24 projects included in the book is True House in Seattle by artist/furniture designer/architect Roy McMakin, who also recently published a monograph titled Roy McMakin: When is a chair not a chair? where he details his often-whimsical furniture designs from the past 30 years.
Catch both minds at Berkeley’s University Press Books for a discussion on design this Thursday!