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…then you may be a good candidate to join the team at The Architect’s Newspaper as an editorial intern! AN is a national publication with three regional editions and a dynamic online presence, covering breaking news, reviews, and features on what matters right now in the world of architecture and design.
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A 56-foot-long aluminum sculpture leaps into Sacramento’s new airport.
Whether they need a reminder that they’re late (for a very important gate!) or welcome a distraction from the hassle of modern travel, visitors to Sacramento’s International Airport will not miss Denver-based artist Lawrence Argent’s Leap sculpture. Completed last month in the new Corgan Associates-designed Terminal B, the 56-foot-long red rabbit is suspended mid-jump in the building’s three-story central atrium. An oversize “vortical suitcase” placed in the baggage claim below completes the piece. Argent worked with California-based Kreysler & Associates, a specialist in the design, engineering, and fabrication of large-scale sculptural and architectural objects, to build his vision while meeting the airport’s safety requirements.
Continue reading after the jump.
Yesterday Queen City voters nixed a ballot measure that would have banned all rail funding, which would effectively have killed the Cincinnati’s planned streetcar. In defeating Issue 48, voters cleared the way for construction to begin on the downtown to the Over-the-Rhine light rail line early next year. The margin was tight, only a percent and a half, but it was large enough to avoid a recount. According to UrbanCity.com, the election also solidified support for the line on the city council, with three new pro-streetcar council members elected, for a seven to two majority.
After rejecting two plans for the Museum of the American Revolution at Valley Forge, the American Revolution Center (ARC) made a land swap with the National Park Service to secure a prime location in Center City Philadelphia. In exchange for donating their 78-acre property at the Valley Forge site, the Park Service will give the museum nearly two-thirds of the space of the former National Park Visitors Center near Independence Mall on Third Street. ARC selected Robert A.M. Stern to design the $150 million building. Stern told ThePhiladelphia Inquirer he plans to use “the language of traditional Philadelphia architecture.” The 1970s era building designed by Cambridge Seven and its redbrick modernist bell tower holding the Bicentennial Bell, a gift to United States from Queen Elizabeth II, will be demolished, and critics worry the future of the bell itself is uncertain.
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Faceted steel screens solve acoustical problems while keeping the theater’s ornate 1920s architecture on view
The Allen Theater is one of eight venues in Cleveland’s Playhouse Square performing arts district. Opened in 1921 as a silent movie house, the Italian Renaissance-style building was renovated in 1998, when it began to host large Broadway productions and concerts. More than ten years later, the Broadway productions had moved to the nearby State Theater, leaving the door open to new resident companies Cleveland State University and Cleveland Play House. Last year, the 81,500-square-foot theater closed to undergo a dramatic transformation from its 2,500-seat format to a more intimate 500-seat proscenium theater. In the new space, designed by Westlake Reed Leskosky (WRL) and opened in September, faceted steel screens created by Toronto-based architectural fabricator Eventscape not only enhance acoustics but also hide or reveal the theater’s traditional interior finishes depending on the desired aesthetic.
Studio Gang has long partnered with nonprofits and community groups to realize their unconventional designs. For her recent Harvard GSD studio, principal Jeanne Gang partnered with one of the nation’s largest environmental groups, the Natural Resources Defense Council (NRDC), to tackle an issue with repercussions across the northern Midwest: separating the South Branch of Chicago River to prevent invasive Asian carp from decimating the Great Lakes.
The New Museum has been transformed into a real-life game of chutes and ladders, or perhaps a Fun Palace a la Cedric Price, for its new exhibition Carsten Höller: Experience that opened this week and is running through January 15, 2012. The centerpiece of the show is a spiraling stainless steel slide traversing the fourth through second floors and providing what certainly must be the most rapid vertical circulation in the entire city short of a plummeting elevator . We stopped by to check out the slide and, after signing our lives away on a waiver, took a couple rides ourselves.
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Design of a prefabricated retail location is the latest competition hosted by a challenge-based design technology community
Launched last year, DesignByMany is a challenge-based virtual design community for architects, engineers, students, and construction-industry members interested in publicly sharing technical design knowledge. The site lets users post projects online in response to community-generated challenges or as submissions to frequent sponsored challenges (the sponsor is Hewlett-Packard).
With the goal of bringing more functionality to small, under-utilized urban spaces, the site’s current challenge is to design a rapidly constructible or prefabricated freestanding shop that occupies less than 200 square feet. While permitting issues were left out of the entry criteria, contestants were urged to consider foot traffic and visibility, as well as a location or multiple locations where the project could be deployed. Community voting will end Sunday before a panel of judges selects the final winner. AN‘s Fabrikator takes a look at three designs in the running: