The Architecture Billings Index showed renewed strength in January, with a jump to 54.2 from 51.2 in December (any score above 50 indicates positive growth). All four regions were in positive territory with the Midwest leading at 54.4, the long struggling West showing strength at 53.4, the South came in at 51.7, and the Northeast at 50.3. The Index posted the strongest gains since November 2007.
Another weekend, another Modernism Week. One of our favorites: a look inside the Palm Springs Art Museum’s future Architecture and Design Center, located inside E. Stewart Williams’ sleek Santa Fe Federal Savings & Loan (1960). The International Style building is being renovated by Marmol Radziner, who also worked on Richard Neutra’s nearby Kaufmann House. The museum has already raised more than $4 million to buy and renovate the building, and is now just $1 million shy of what’s needed to get work underway. The organizers hope to break ground in the next few months and open the center by fall 2014. But for now, its interior is still lots of quirky fun, including a chance to walk inside the old bank vaults, check out the old drive through teller, and explore the old kitchens and mechanical systems.
Hudson Yards broke ground late last year, but the Kohn Pedersen Fox-designed tower that will one day be the headquarters of fashion-label Coach isn’t the only construction activity causing a buzz on the 26-acre site on Manhattan’s West Side. Wrapping around the south and west sides of the Hudson Yards site, construction crews are busy building out the final segment of the High Line, including sandblasting and refurbishing the steel viaduct, repainting the steel structure’s beams, girders, and columns with the High Line’s signature “Greenblack” color, and removing and storing existing railroad tracks. Landscape construction is expected to begin later this spring.
The Friends of the High Line recently stopped by the construction site with photographer Timothy Schenck to take these photos of work in progress. Be sure to take a look at James Corner Field Operations’ design for the final segment here.
Even though Brooklyn has morphed into a hub of cultural activity, there has been a notable shortage of hotels to serve the spike in visitors, especially in south Brooklyn. But this will soon change. The New York Post reported that a new 200-room hotel, designed by Thomas Leeser, is in the works for the Brooklyn Downtown Cultural District, which recently saw plans for new towers by TEN Arquitectos.
The hotel, with asymmetrical splits in the facade, will replace a five-story building at 95 Rockwell Place, and include a basement performance space, a rooftop bar, a banquet hall, and a restaurant that looks onto an outdoor arts plaza. It will be in a prime location—right next to The Theater for a New Audience and close to a 32-story mixed-use complex from Two Trees and a 50,000-square-feet cultural space that will be occupied by BAM, 651 ARTS, and the Brooklyn Public Library.
Developer Second Development Services (SDS) predicts they will break ground next fall and complete construction within two years.
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CTC realized Piano’s design concept by designing and fabricating a cladding system of a structural steel tube framework covered by extensive FRP panels.
For his design of the Resnick Pavilion at the Los Angeles County Museum of Art (LACMA), Renzo Piano revived an idea he first explored with Richard Rogers in their design of the Centre George Pompidou in Paris: the idea of the building as an organic breathing machine. At Pompidou, the architects turned the museum’s mechanical systems into expressive elements, color coding the pipes, ducts, gantries, and escalators and pulling them to the exterior of the structure. At the Resnick Pavilion, Piano located the mechanical rooms and air handling units prominently outside the four corners of the 45,000-square-foot building, applying cladding to the ductwork in a bright red color used in circulation corridors throughout the LACMA campus.
Piano turned to Capastrano Beach, California-based design/build firm CTC (Creative Teknologies Corporation) to realize his design concept. “We took in data from three parties,” said CTC president Eric Adickes. “Piano gave us perspective sketches of how he wanted the air handling units to look, the air conditioning contractor, Acco, gave us Revit drawings, and the general contractor, MATT Construction, gave us 2D Autocad documents of the building and concrete foundation.” From those sources, CTC developed 3D models of a cladding system for the ventilation ducts using CATIA.
Fifty years ago, the St. Louis waterfront was one gigantic parking lot after 40 blocks of the city’s gritty industrial quarter were cleared in the late 1930s to create a site for a new Jefferson National Expansion Memorial. It took another two decades to get anything built, but on February 12, 1963, the missing slice of St. Louis began to change as ground was broken for Eero Saarinen’s famous Gateway Arch that still defines St. Louis in one dramatic gesture.
Graphic designer José Guizar is documenting the variety of windows to be found across New York City. His project, Windows of New York, adds a distinctive aperture each week rendered in stunning simplicity, reminding us of another ambitious graphic design project James Gulliver Hancock‘s All the Buildings of New York. According to Guizar, Windows of New York “is a collection of windows that somehow have caught my restless eye out from the never-ending buzz of the city. This project is part an ode to architecture and part a self-challenge to never stop looking up.” [Via Swiss Miss.]
The Philadelphia Live Arts Festival & Philly Fringe, entering its 17th year of performances, will celebrate the groundbreaking of its new 10,000-square-foot headquarters on February 25th. The arts organization has purchased a former fire hydrant pumping station, built over a century ago, right near the Old City and the Delaware River waterfront. Partner Antonio Fiol-Silva of landscape architecture firm WRT (formerly Wallace Roberts Todd), will lead the renovation. The new headquarters will include a 225-seat theater, a rehearsal studio, a gastro-pub style restaurant, an outdoor plaza for performances and outdoor dining, administrative offices, and a permanent festival hub.