The Freelon Group showed off renderings for their renovation of Mies van der Rohe’s Martin Luther King Jr. Memorial Library in downtown Washington, D.C. Presented to the library’s Board of Directors as part of a long-running discussion over what to do with the central library, the scheme includes a four-story atrium, two additional floors for new tenants, a landscaped public roof garden, and a new ground-level café. According to developer Jair Lynch, the project would cost $175 to $200 million.
We just got our first look at next year’s SCI-Arc graduation pavilion, League of Shadows, by Los Angeles-firm P-A-T-T-E-R-N-S. Whoah. The pavilion, which will seat 1,200 people, will be built in the SCI-Arc parking lot for graduation events in spring 2013. The three-fingered structure will be made up of multi-story, angled frames (ahem) patterned with dark, vaulted, and layered multi-colored fabric strips, with seams like sails. The pavilion’s significant height will provide long shadows (hence the project’s name) and its location on the south end of the SCI-Arc parking lot will make it a sign for the school. Entries from the four competing architects will be on display in the SCI-Arc Library Gallery from October 19 to December 2.
With the last digitally fabricated piece of rusty Cor-ten steel in place, crowds have begun to pack the newly opened SHoP-designed Barclays Center in Brooklyn. Last week, AN spotlighted the arena and its adjacent Atlantic Yards mega-project in a three-part feature on the arena’s design and public space, a look at the next phase of AY set to break ground by the end of the year, a 32-story residential tower that could be the largest modular construction building in the world, and a look at the complex digital design and fabrication process employed by SHoP Architects to design and build the complex geometry of the structure.
While we’re waiting for the next phase of construction to begin, take a look back at this time lapse construction view of the arena. [h/t Gothamist.]
A materially simple yet structurally complex pavilion welcomed visitors to an international architectural competition that took over Montpelier’s 16th-century French hotels.
For the seventh annual Festival des Architectures Vives, or the Festival of Lively Architecture, held this year in Montpelier, France, design studio Atelier Vecteur (AV) was asked to create a pavilion to welcome visitors to the city-wide outdoor installation competition. This year 11 international architecture teams were each assigned a courtyard in one of Montpelier’s many historic hotels. Dating back to the 16th-century, these quiet, private spaces act like refuges from the city streets. They also offered the competing teams a unique venue for their site-specific installations as well as a challenge to come up with the best use of the interior outdoor space. AV was assigned the 18th-century Hôtel Saint-Côme, a former center for medical study and practice funded by Louis XV’s surgeon, who used it until it closed in 1792 during the French Revolution.
Residents of Barcelona had the opportunity to see Antoni Gaudi’s 120-year-old La Sagrada Familia in a new light recently as Montreal-based media studio and light artists Moment Factory projection mapped a multimedia display over the cathedral’s facade. While Gaudi’s signature stone carvings portraying dripping stone, fanciful plant forms, and intricate religious displays in their normally sand-colored hue are usually enough to dazzle the viewers eye, the gaudy splash provided one psychedelic experience.
Even as Berlin loses green space, the city remains Europe’s greenest with more than 400,000 trees. One of the grandest, a 100-year-old chestnut tree towering over Montbijoupark, was the center of Tree Concert, a public art project that took place in September to bring light, literally, to the city’s diminishing greenery with a glowing LED sculpture circling the trees trunk.
Last week AN revealed Neil Denari’s winning scheme for the $140 million Keelung Harbor Service Project, a plan to redevelop the Taiwan city’s underexploited waterfront for arts, office, recreation, and industrial uses. Above and below is one of the impressive runners up, the scheme by P-A-R (Platform for Architecture + Research) and Sériès et Sériès along with local architect Ricky Liu Associates. The project consisted of a cargo building, a 20-story office complex, and a three-story cruise ship terminal, all connected via a sloping, faceted landscape.
In September, AN reported on the three proposals to replace Los Angeles’ iconic but crumbling Sixth Street Viaduct by HNTB, AECOM, and Parsons Brinckerhoff. The three teams have notably added pedestrian amenities and adjacent lush landscaping to the 3,500-foot-long cable-stayed span. While the renderings were compelling for each design, these video renderings fly the viewer in and around each proposal for a more detail view of what might soon be built in LA. Take a look.
Twin Cities sports fans may be most excited about Sunday’s victory on the field, but a twinge of that satisfaction could be due to the team’s new stadium. Minnesota’s Sports Facilities Authority chose HKS architects to design a new home for the NFL’s Vikings.
HKS also designed Lucas Oil Stadium in Indianapolis and Cowboys Stadium in their home base of Dallas—two of the most high-profile NFL construction projects in recent memory. A decision on the lead contractor for the project has yet to come down, but news of the $975 million stadium’s designer is the latest announcement in a long and at-times contentious political process that subsidizes professional sports in Minneapolis.
Face-painted fans turned out to city council meetings as the deal cleared hurdles. With respected stadium architects on board, supporters may anticipate validation for their use of public funds. Those opposed maintain only time will tell, no matter the designer.
Little, leafy-green patches are sprouting up over Los Angeles as part of the city’s “50 Parks Initiative,” a public-private program designed to revive some of the city’s neediest, most densely populated communities. To date, there are actually 53 of these pocket parks planned, with one of the first parks, 49th Street Park in South Los Angeles, opening earlier this month. When completed, the small parks combined will cover a total of 170 acres, and many of the individual parks will be under an acre.
Not only are the parks small, but they will be somewhat self-sufficient. Requiring only four to six months to build, these micro-recreation areas will be decked out with “no mow” grass, drought tolerant plants, smart irrigation, and solar-powered, self-contained waste bins that can hold five times the average amount of trash. And to keep intruders out after hours, automatic time-lock gates and solar motion-activated cameras will be installed.