Four Finalists Imagine a More Resilient Rockaways in the Far Roc Competition

East
Friday, July 19, 2013
.
Seeding Office's rendering of Rockaways' new boardwalk (Courtesy of Seeding Office)

Seeding Office’s rendering of Rockaways’ new boardwalk (Courtesy Seeding Office)

Seeding Office's rendering of Rockaways' new boardwalk (Courtesy Seeding Office)

Seeding Office’s rendering of Rockaways’ new boardwalk (Courtesy Seeding Office)

Four teams of architects have been selected to envision new possibilities for a long stretch of vacant land along the Sandy-battered coast in the Rockaways. The ideas presented at Thursday’s announcement range from practical resiliency tactics to creative design solutions such as dune sand filters, elevated undulating boardwalks, and clusters of low-rise and mid-rise housing.

The New York City Department of Housing Preservation and Development (HPD) along with private developers and the American Institute of Architects New York Chapter, launched the Far Roc Competition back in April to generate proposals to turn an 80-plus-acre site, called Averne East, into a resilient mixed-use waterfront community. The competition calls on architects to think expansively about the challenges facing the Rockaways and come up with a multi-layered proposals that offer concrete ideas for sustainable mixed-income housing, flood protection measures, and recreation and park land.

Continue reading after the jump.

Ball-Nogues Hangs San Francisco’s Transamerica Pyramid From the Nevada Art Museum’s Ceiling

West
Friday, July 19, 2013
.
(Daniel Berlin)

A portion of the giant hanging installation. (Daniel Berlin)

Things didn’t work out for installation experts Ball-Nogues Studio at MOCA’s New Sculpturalism show, but the firm has rebounded nicely. They’ve  just completed mounting one of their most ambitious works yet: a 70-foot-tall upside-down replica of William Pereira’s Transamerica Pyramid, for the show Modernist Maverick: The Architecture of William Pereira, on view at the Nevada Art Museum in Reno, NV. The installation, made out of chain link and stainless steel plates, hangs from the ceiling via steel cables attached to the museum building’s structure.

“We distilled it to its barest essentials. It looks like the ghost of the building,” said Ball-Nogues principal Gaston Nogues.  Each chain could only be attached at a specific point, so the hardest part was fine tuning the model, stretching and moving each possible iteration, added Nogues. “It’s quite labor intensive to make sure it looked flat, and that each chain had the right tension,” he said. The show, which opens next week, runs from through October 13. It  looks at many other noted Pereira projects, including the Los Angeles County Museum of Art; the University of California, San Diego Geisel Library, and the Theme Building at LAX.

 

NeoCon Taken by “Force”

Fabrikator
Friday, July 19, 2013
.
Brought to you with support from:
Fabrikator
Fabrikator
The Guild fabricated a site-specific installation for Chicago's Merchandise Mart during NeoCon 2013. (James Shanks)

The Guild fabricated a site-specific installation for Chicago’s Merchandise Mart. (James Shanks)

Wolf-Gordon’s “Force of Nature” spirals through Chicago’s Merchandise Mart during NeoCon 2013.

Based on the success of Wolf-Gordon’s inaugural NeoCon installation in 2012, chief creative officer Marybeth Shaw commissioned yet another show-stopping design piece for 2013. With the working title “Forces of Nature,” she turned once again to New York City–based design studio karlssonwilker and Brooklyn-based design-build collaborative The Guild to create a sculpture that would showcase the breadth of the company’s textiles and wall coverings. “The title ended up being quite appropriate to the final form, as the sculpture is a geometric construct with all of the resulting physical forces that might spin it out of the Mart’s ‘town square,’” Shaw recently told AN.

Karlssonwilker initially conceived of a kinetic sculpture, but Shaw wanted a large installation—nearly 30 feet long and 14 feet wide. At that size, there was no room for movement within the given space, a double-height ceiling over an escalator that would carry 42,000 show attendees. “We wanted it to rotate like a rotisserie chicken, but we went for a larger form,” said Graham Kelman, creative manager for The Guild. Ultimately, the team decided on a static sculpture resembling a twisted spine that gives a sense of movement through color and form. “I lost sleep over whether it would fit because if there was flex in the spine, it wouldn’t work.”

Read More

Hirshhorn Museum Abandons DS+R’s Bubble Project, Director Resigns

East
Thursday, July 18, 2013
.
05artsbeat-bubble-blog480-v2

(Courtesy of Diller Scofidio + Renfro)

The Hirshhorn Museum and Sculpture Garden in Wahington D.C., designed by SOM in 1974, is undeniably striking in its design—the distinctively cylinder shaped structure is unlike anything else in the city. In 2009 Richard Koshalek, director of the modern and contemporary art museum, in a bold effort to place the museum at the forefront of our nation’s cultural institutions, came up with a radical new plan that would make the building stand out even more among the countries’ leading museums and significantly augment the city’s arts culture. Koshalek proposed his new vision for a 15-story inflatable balloon, designed by Diller Scofidio & Renfro, that would bubble out of the donut-shaped museum’s central courtyard twice a year. The project, dubbed the “Seasonal Inflatable Structure,” would serve as a unique space for installations and performances.

Continue reading after the jump.

Rem Koolhaas Knocks out Bjarke Ingels in Final Round of Miami Beach Convention Center Competition

East
Thursday, July 18, 2013
.
(Courtesy OMA)

(Courtesy OMA)

After months of fierce rivalry and contentious one-upping, Rem Koolhaas’ OMA has beat out Bjarke Ingels (BIG) in the competition for the Miami Beach Convention Center commission. At times, it appeared as if BIG was in the lead, but OMA crept up and ultimately took home the prize.

OMA has proposed a $600 million overhaul of the 52-acre convention center to build a more integrated facility in addition to tacking on more open space and park land. This plan calls for reconfiguring the layout of the convention center to provide enhanced access to Lincoln Road, green space, and existing hotel on the beach.

Continue reading after the jump.

Reinventing the Facade: SKIN Competition Names Four First Stage Finalists

International, Newsletter
Tuesday, July 16, 2013
.
Robotic Assisted Sheet Metal Fabrication, Finalist. (Courtesy Tex-Fab)

Robotic Assisted Sheet Metal Fabrication, Finalist. (Courtesy Tex-Fab)

Tex-Fab has concluded the initial stage of its international competition called SKIN. The two-stage competition invited architects, designers, and researchers to rethink the traditional building envelope by exploring the performative qualities of a facade. Participants selected any context, real or virtual, at any scale and on any building type. Phase one jurors narrowed down 68 entries from across the world to four finalists and four honorable mentions.

Continue reading after the jump.

SCAPE, Rogers Marvel to Design Water Works Park in Minneapolis

City Terrain, Midwest
Tuesday, July 16, 2013
.
Water Works

The new park in Minneapolis will be developed adjacent to St. Anthony Falls, where the city’s milling industry once thrived. (Minneapolis Parks Foundation)

The Minneapolis Parks Foundation and the Minneapolis Park & Recreation Board have announced that two New York-based firms, SCAPE / Landscape Architecture and Rogers Marvel Architects, will collaborate to design Water Works Park, part of the city’s ongoing RiverFirst project.

Slated for completion in early 2014, Water Works Park will be incorporated into the existing Central Mississippi Riverfront Regional Park above St. Anthony Falls, the only true waterfall along the Mississippi River and an important part of Minneapolis’ history. The park already draws 1.6 million visitors each year, a number that officials expect to increase with the addition of the year-round, multi-use park.

Continue reading after the jump.

NBBJ to Overhaul Lexington’s Rupp Arena, Convention Center

Midwest
Friday, July 12, 2013
.
Rupp Arena in Lexington, Ky. is targeted for renovation. (NBBJ)

Rupp Arena in Lexington, Ky. is targeted for renovation. (NBBJ)

NBBJ‘s Los Angeles office will lead design on renovations to Lexington, KY’s Rupp Arena and the city’s convention center.

With more than 23,000 seats, Rupp is the largest arena designed specifically for basketball in the United States. NBBJ, which will be working in collaboration with Lexington-based EOP, elected renovation over expansion or replacement after studying the 3-year-old arena. Renovation, they concluded, would save the city $215 million in construction costs.

Continue reading after the jump.

Fallen Angels Rescued Parametrically

Fabrikator
Friday, July 12, 2013
.
Brought to you with support from:
Fabrikator
Fabrikator
Boston Valley Terra Cotta restored four original 20-foot decorative angels in New York. (courtesy Boston Valley Terra Cotta)

Boston Valley Terra Cotta restored four decorative angels from the 23rd floor of a Beaux Arts building in New York. (courtesy Boston Valley Terra Cotta)

Classically trained sculptors breath new life into four 20-foot angels with the help of Rhino.

When Old Structures Engineering engaged Boston Valley Terra Cotta in the restoration of the 1896 vintage Beaux-Arts building at 150 Nassau Street in New York—one of the city’s original steel frame structures—the four decorative angelic figures, or seraphs, that adorned the corners of the uppermost story were in serious decay. “Up close, they were in an appalling state,” said Andrew Evans, engineering project manager. “The biggest issue we had with the angels was understanding what happened with the originals.”

The seraphs were carved from stone by Spanish immigrant Ferdinand Miranda in 1895 and had suffered years of exposure and improper maintenance. By the time the facade was up for rehabilitation, the angels were haphazardly strapped to the building with steel bands and supported with bricks. Their state was such that repairs would not suffice and Boston Valley’s artisans began the task of recreating the 20-foot-tall Amazonian figures.

COntinue reading after the jump.

Synthesis Design+Architecture Takes Electric Car Power To Go

West
Thursday, July 11, 2013
.
(Courtesy SDA)

(Courtesy SDA)

Los Angeles-based firm Synthesis Design + Architecture (SDA) has won the “Switch to Pure Volvo” competition to design a portable pavilion showing off the Swedish car company’s V60 plug-in electric hybrid. The 13-foot-tall, 16-foot-wide project’s sinuous form is composed of a moiré-patterned, vinyl-coated polyster fabric imbedded with flexible photovoltaic panels tensioned over CNC-bent aluminum rods. The display’s  three sections echo the three modes of the car—hybrid, gas, and all-electric—and its curving form is also practical—its torqued compression between frame and skin enables the structure to stand without any extra support.

Read More

Zaha Hadid Unveils New Details About Her Miami Skyscraper

East
Thursday, July 11, 2013
.
New renderings of Zaha Hadid's One Thousand Museum tower in Miami. (Courtesy 1000 Museum)

New renderings of Zaha Hadid’s One Thousand Museum tower in Miami. (Courtesy 1000 Museum)

Miami’s development scene has been heating up in the past year with starchitects lining up for a chance to build in the Magic CityZaha Hadid has been equally as hot with several irons in the fire since the last series of renderings for her first U.S. skyscraper, the residential One Thousand Museum tower on the city’s waterfront, were unveiled in April. Along with designing a stadium for the 2022 World Cup and the New National Stadium in Japan, she managed to find time to make plans for the already dramatic tower even more extraordinary. New details have recently surfaced on the project’s website about the fanciful sculptural structure, detailing the building’s sky lounge, aquatic center, and curvy-furniture-stocked lobby, not to mention Miami’s first private helipad placed on a residential complex.

Continue reading after the jump.

Columbus Art Museum to Add New Wing

Midwest
Thursday, July 11, 2013
.
Columbus Museum of Art's new wing. (DesignGroup)

Columbus Museum of Art’s new wing. (DesignGroup)

In August the Columbus Museum of Art will break ground on the third and final phase of its renovation and expansion project: a new 50,000-square-foot wing that will bring the facility up to par with other major art museums in Ohio.

“In 1931, when we owned 500 pieces of art, we had 10 gallery spaces,” reads a statement on the museum’s website. “Today our collection numbers more than 10,000, yet those same 10 galleries remain.”

Columbus-based architecture firm DesignGroup is heading the $37.6 million project, which also includes renovations to the nearly 40-year-old Ross Wing and lobby area.

More renderings after the jump.

Page 40 of 109« First...102030...3839404142...506070...Last »

Advertise on The Architect's Newspaper.

Submit your competitions for online listing.

Submit your events to AN's online calendar.




Archives

Categories

Copyright © 2014 | The Architect's Newspaper, LLC | AN Blog Admin Log in. The Architect's Newspaper LLC, 21 Murray Street 5th Floor | New York, New York 10007 | tel. 212.966.0630
Creative Commons License