Shimoda Design Group’s Museum of Neon Art, whose future had been placed in Jeopardy with the closing of California’s redevelopment agencies, has been saved, says the Glendale News-Press. Last week an oversight board composed of various Glendale officials voted to leave the museum’s contract in place. The two-story, 7,300 square foot building with an adjacent 5,000 square foot plaza is anticipated to become the southern anchor for Glendale’s emerging arts and entertainment district. It will contain, among many other items, the Virginia Court Motel Diver, a large, bright red and white marquee dating from the 1940’s that will be placed on the museum’s roof; and a 20-foot-tall Clayton Plumbers Sign, with its giant neon faucet and neon blue drips, which will be located in the open air plaza.
This morning Cornell University unveiled more detailed renderings of their NYC Tech campus on Roosevelt Island. The latest plans for the graduate campus include a five story eco-friendly academic center designed by Pritzker Prize winner Thom Mayne and a campus layout by Skidmore Owings & Merrill. The roomy organization of this campus hub brings to mind the vast, expansive interiors of Silicon Valley, putting a priority on shared communal space over isolated classrooms.
It’s probably best to eat before you get to the to the new Barclays Center—a can of Red Bull and a bag of chips will set you back almost $12. But at a recent sneak peek of the arena guests were treated to complimentary hors d’oeuvres, an open bar, and an up-close look at the intricate and oddly sweet-smelling building model—wait, that’s no model, that’s a cake! The confection was a tour de force by Brooklyn-based BCakeNY, who carefully rendered the delicious-looking Core-ten exterior in chocolate and cinnamon, “Your cake looks better than the actual building!” wrote one of BCakeNY’s Facebook fans. Take note architects—a model of devil’s food rather than foam core might be just the thing for your next community board meeting.
An easy to build structure brings advanced parametric design together with Kebony’s revolutionary EcoTimber
For the next 48 hours the busy plaza located in London’s Greenwich Peninsula by the O2 Arena (where the Olympic gymnastics were held this summer) will house the modular, geometrically sophisticated pavilion KREOD. Developed by Chun Qing Li of Pavilion Architecture, KREOD is a sturdy, secure, and weatherproof structure built as an exhibition space for London Design Festival. The three interchangeable pods that make up its body can be arranged in a variety of configurations for a number of purposes, from a temporary pavilion to an outdoor bike shed to free standing meeting pods or dining areas. Read More
The Freelon Group showed off renderings for their renovation of Mies van der Rohe’s Martin Luther King Jr. Memorial Library in downtown Washington, D.C. Presented to the library’s Board of Directors as part of a long-running discussion over what to do with the central library, the scheme includes a four-story atrium, two additional floors for new tenants, a landscaped public roof garden, and a new ground-level café. According to developer Jair Lynch, the project would cost $175 to $200 million.
We just got our first look at next year’s SCI-Arc graduation pavilion, League of Shadows, by Los Angeles-firm P-A-T-T-E-R-N-S. Whoah. The pavilion, which will seat 1,200 people, will be built in the SCI-Arc parking lot for graduation events in spring 2013. The three-fingered structure will be made up of multi-story, angled frames (ahem) patterned with dark, vaulted, and layered multi-colored fabric strips, with seams like sails. The pavilion’s significant height will provide long shadows (hence the project’s name) and its location on the south end of the SCI-Arc parking lot will make it a sign for the school. Entries from the four competing architects will be on display in the SCI-Arc Library Gallery from October 19 to December 2.
With the last digitally fabricated piece of rusty Cor-ten steel in place, crowds have begun to pack the newly opened SHoP-designed Barclays Center in Brooklyn. Last week, AN spotlighted the arena and its adjacent Atlantic Yards mega-project in a three-part feature on the arena’s design and public space, a look at the next phase of AY set to break ground by the end of the year, a 32-story residential tower that could be the largest modular construction building in the world, and a look at the complex digital design and fabrication process employed by SHoP Architects to design and build the complex geometry of the structure.
While we’re waiting for the next phase of construction to begin, take a look back at this time lapse construction view of the arena. [h/t Gothamist.]
A materially simple yet structurally complex pavilion welcomed visitors to an international architectural competition that took over Montpelier’s 16th-century French hotels.
For the seventh annual Festival des Architectures Vives, or the Festival of Lively Architecture, held this year in Montpelier, France, design studio Atelier Vecteur (AV) was asked to create a pavilion to welcome visitors to the city-wide outdoor installation competition. This year 11 international architecture teams were each assigned a courtyard in one of Montpelier’s many historic hotels. Dating back to the 16th-century, these quiet, private spaces act like refuges from the city streets. They also offered the competing teams a unique venue for their site-specific installations as well as a challenge to come up with the best use of the interior outdoor space. AV was assigned the 18th-century Hôtel Saint-Côme, a former center for medical study and practice funded by Louis XV’s surgeon, who used it until it closed in 1792 during the French Revolution.
Residents of Barcelona had the opportunity to see Antoni Gaudi’s 120-year-old La Sagrada Familia in a new light recently as Montreal-based media studio and light artists Moment Factory projection mapped a multimedia display over the cathedral’s facade. While Gaudi’s signature stone carvings portraying dripping stone, fanciful plant forms, and intricate religious displays in their normally sand-colored hue are usually enough to dazzle the viewers eye, the gaudy splash provided one psychedelic experience.