[Editor's Note: This the first in a three-part series documenting the winners of the AIA 2013 Honor Awards, which are broken down into three categories: architecture, interiors, and urban design. This list covers the architecture awards, but additional segments spotlight winners in interior architecture and urban design.]
The American Institute of Architects has announced the 2013 recipients of the Institute Honor Awards for Architecture. The list is comprised of a range of projects from across the country, including the new building housing The Barnes Foundation in Philadelphia, a centralized operations facility for Mason Lane Farm in Kentucky, the exterior restoration of The New York Public Library, and the Vancouver Convention Center.
The eight-person jury that selected this year’s AIA Architecture Honor Award winners included: Mary Katherine Lanzillotta, Hartman-Cox Architects; Brian Fitzsimmons, Fitzsimmons Architects; John Kane, Architekton; William Leddy, Leddy Maytum Stacy Architects; Philip Loheed, BTA Architects; Robert Maschke, robert maschke ARCHITECTS; Douglas L. Milburn, Isaksen Glerum Wachter; and Becky Joyce Yannes, Drexel University.
The AIA will honor the recipients at the AIA 2013 National Convention and Design Exposition in Denver in late June.
Brooklyn has increasingly become home to a number of internet start-ups, and now the crowd-funding site, Kickstarter, is the most recent one to put roots down in the borough. Greenpointers reported today that Kickstarter has already started construction on its new 29,000-sq-ft headquarters at the former Eberhard Faber Pencil Co. Factory in Greenpoint.
Officials broke ground today on the long anticipated restoration of New York’s High Bridge connecting the Bronx with Manhattan. Built in 1848 and today the city’s oldest bridge, the 1,200-foot-long span had long been a popular strolling bridge, even making an appearance in Edith Wharton’s 1913 novel Custom of the Country. The landmarked bridge was closed to the public in the 1970s, but after construction wraps up on the $61 million rehabilitation, strolling New Yorkers and bicyclists can once again cross high above the Harlem River—116 feet—and connect with the city’s growing waterfront Greenway. (See also: Photos of High Bridge before renovation.)
Improvements include pedestrian safety measures like accessibility ramps, viewing platforms, and new lighting. An eight-foot-tall cable mesh fence to prevent jumpers and throwing trash will also line each side, a point that drew criticism from some in the community who believe it’s unnecessary and will spoil views. In a statement released at the groundbreaking ceremony, Mayor Michael Bloomberg called High Bridge “one of our city’s great treasures.” He continued, “It will bring people here from all over the five boroughs, and even all over the world, to see some of the most spectacular views in the city.”
After years of litigation, preservationists have lost the battle to save Richard Neutra’s Gettysburg cyclorama building, an iconic example of modern architecture from the 1960s. The bulldozers could raze this circular visitor center as early as February, the Philadelphia Inquirer reported. The National Park Service commissioned the glass and concrete building as part of its Mission 66 initiative—a billion-dollar program to update park services across the country—at the Gettysburg Battlefield site. The rotunda was designed specifically to house the 1883 panoramic painting of the Battle of Gettysburg by Paul Philippoteaux.
Beginning on January 22, Pelli Clarke Pelli’s glass Winter Garden at Manhattan’s World Financial Center will be twinkling with strands of LED lights. Lighting artist and theater designer Anne Militello designed the Light Cycles installation, inspired by the jewel-tone color of lights found in nature such as the Aurora Borealis. LED lights will be attached to strings of mirrored discs hanging from the ten-story barrel-vaulted ceiling. The lights will feature “shifting movements and patterns” programmed by the artist. According to the World Financial Center, “Like charms on a bracelet, the jeweled discs entrance through a softly evolving manipulation of color and texture.” The installation runs through March 30, 2013.
We’ve all become accustomed to seeing aerial photography from apps like Google Maps, but this aerial panorama by Russian photographer Sergey Semonov presents Manhattan’s Central Park and its surrounding cityscape with fascinating new detail. The Atlantic found the image, submitted as part of the Epson International Photographic Pano Awards. Created in collaboration with aerial-panorama-makers AirPano, the team photographed the park from a helicopter and later stitched the various images together creating the unique, albeit slightly distorted, view of the city.
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Made from approximately 14,000 pieces, Bloom is the first architectural application of a laminated metal material that includes nickel and manganese with a bit of iron.
Architecture has long been valued for its static nature and sense of permanence. Increasingly, however, architects are working to make buildings more responsive to their users and to the climate. Often this is accomplished through mechanical means, but architect Doris Kim Sung, principal of LA-based DOSU studio architecture, is looking at how building materials themselves can be responsive, integrating changeability into the structure itself.
The dramatic shell-like form of her recent pavilion, called Bloom, suggests, at first glance, that Sung is interested in cutting-edge digital design. While this is certainly the case, Bloom’s true innovation happens more slowly, through the bending of its metal panels according to heat levels generated by the sun.
The legendary architecture critic Ada Louise Huxtable has died at 91. Winner of the first Pulitzer Prize for Criticism, Huxtable served at architecture critic for the New York Times and was also a contributor of numerous editorials about the city’s built environment. She later served as architecture critic for the Wall Street Journal, where she most recently wrote a scathing critique of the proposed renovation of the New York Public Library by Foster + Partners (“You don’t ‘update’ a masterpiece. ‘Modernization’ may be the most dangerously misused word in the English language.”). Known for the crystalline clarity of her arguments and the cutting precision of her words, Huxtable was unmatched in her lifetime as an architecture critic. She made the city and its architects better. Julie V. Iovine has penned a full remembrance that will run in the next print edition of AN.
Almost a year ago, reports surfaces that, without an anchor tenant, the 80-story Three World Trade tower by Pritzker-winner Richard Rogers of Rogers, Stirk, Harbour + Partners would be lopped off at seven stories. Without an anchor tenant signing up for at least 400,000 square feet of space in the $300 million tower, the Port Authority of New York & New Jersey will not guarantee the project’s debt. Mayor Bloomberg is optimistic, though, telling the New York Post last week that the tower is “closer than anyone realizes” to landing that all-important tenant, which could be GroupM, a subsidiary of advertising giant WPP. The Post said the company is interested in 550,000 square feet of the tower’s 2.8 million total square feet. If a deal is signed and construction continues, the tower could be complete in 2015.
Bloomberg also delivered the not-unexpected news that Norman Foster’s 88-story Two World Trade tower will likely remain a stump for the near future. SOM’s One World Trade and Fumihiko Maki’s Four World Trade are expected to be finished by the end of the year. In the meantime, take a look back at Silverstein’s blockbuster video rendering of the complete World Trade Center site.
In 2010, AN wrote about an identity theft scandal involving some high profile British architects and Chinese impostors leaving some observers at the time to wonder if starchitects like Norman Foster or Zaha Hadid might be next. It now appears the archi-pirates have indeed set their eyes on Hadid’s curvaceous designs, setting of a construction race to see whether the copy-cat can outbuild the original and an international debate about intellectual property. Spiegel reported that Hadid’s Wangjing SOHO tower complex, proposed in 2011 for Beijing and now under construction, has been copied and rebranded as the Meiquan 22nd Century in Chongqing. When placed side by side (above), it’s tough not to see the distinct resemblance.