To get a sense of Jason Kelly Johnson’s vision for buildings of the future, drop by the Buckminster Fuller show on view at SFMOMA through July 29. Johnson’s San Francisco-based studio Future Cities Lab was one of the firms chosen to represent Fuller’s legacy in the Bay Area. You’ll see the motorized model for the HYDRAMAX Port Machine, a waterfront “urban-scale robotic structure” that harvests rainwater and fog, designed by Johnson and his partner Nataly Gattegno—a dynamic concept that makes today’s built environment look positively lazy by comparison.
Better yet, go learn from Johnson firsthand. On July 27 Johnson will explore how technical tools like Grasshopper, Firefly, and Arduino can help tap the potential of buildings in “Responsive Building Facades,” a special workshop that is part of AN‘s upcoming conference Collaboration: the Art and Science of Building Facades, taking place July 26-27 in San Francisco.
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The firm continues its exploration of creating complex shapes with rope
The West Coast’s design show Dwell on Design brings tens of thousands of visitors to the Los Angeles Convention center for three days of modern design each summer. This year, the show commissioned a project from Oyler Wu Collaborative, the LA-based architecture firm of Jenny Wu and Dwayne Oyler. The most recent of seven installations (including “Netscape,” the SCI-Arc 2011 graduation pavilion) that the duo has designed since 2007, “Screenplay” is a 22-foot-long, 9-foot-high steel frame over which is woven an impossibly complex web of silver polypropylene rope.
California’s tallest residential-only tower and, according to some, the ugliest building in San Francisco has been given a new purpose following the installation last month of 72 accelerographs, or strong motion seismographs, within the building. Through a collaboration between the California Geological Survey, the U.S. Geological Survey, and Madnusson Klemencic Associates, the building’s structural engineers, the 641-foot southern tower of the One Rincon Hill luxury condominium development at the base of the Bay Bridge is now home to the “densest network of seismic monitoring instruments ever installed in an American high-rise,” the San Francisco Chronicle reported. These instruments, located at strategic points throughout 24 floors of the building, will provide “unprecedented” seismic data, which will in turn lead to better building codes and guidelines for structural engineers and future high-rise builders.
Canadian/Norwegian architect Jason Mrdeza has won Washington University in Saint Louis’ 2012 Steedman Fellowship in Architecture International Design Competition. Sponsored by the College of Architecture and the Graduate School of Architecture & Urban Design at the Sam Fox School of Design & Visual Arts, the biennial competition is open to young architects from around the world within the first eight yeas of practice. The winner receives a $50,000 prize, one of the largest competition prizes in the U.S., to support study and research abroad. Mrdeza’s winning project, “Mediating Adjacencies: Inspiring Collaboration within Context,” was chosen out of 120 entrees.
The New York City Economic Development Corporation sent out an RFP for a forward thinking urban farmer to run a 200,000 square foot rooftop farm atop one of the city’s major food distribution centers at 600 Food Center Drive in the Hunts Point section of the Bronx. Talk about cutting out the middleman. Once harvested the veggies merely have to make the trip downstairs and down the street for distribution at the City’s 329-acre Food Distribution Center.
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A new installation at the NY Hall of Science celebrates DIY culture
The recently opened Maker Space at the New York Hall of Science is just what its name implies—a place to make things. The initial installation is by Singer Sewing Company, which donated 18 sewing machines, a garment steamer, finishing iron, and other equipment that will teach children and families the basics of sewing and quilting. Programming will also include workshops about conductive fabrics and soft circuits that can be used in a range of applications. The space is a symbol of work that can come out of fostering a culture of scientific learning through hands-on projects. Designed and fabricated by Brooklyn-based Situ Studio, the Maker Space itself is contained within a plywood 3-pin arch structure based on themes of craft and assembly.
Beating out shortlisted competition including John Friedman Alice Kimm and Brooks+Scarpa, Italian firm Studio Fuksas has been awarded the commission to revamp the Beverly Center, the legendary (not to mention, ahem, aesthetically challenging) high end shopping mall in Beverly Hills. The job, overseen by Michigan-based developer Taubman Group, calls for revamping a building that has become tired both inside and out. Read More