MAD Museum gets Out of Hand

Fabrikator
Friday, November 1, 2013
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The ICD/ITKE Research Pavilion by Achim Menges and Jan Knippers is part of MAD Museum's new exhibition. (Achim Menges)

The ICD/ITKE Research Pavilion by Achim Menges and Jan Knippers is part of MAD Museum’s new exhibition. (Achim Menges)

A cross-section of postdigital design work illustrates the role of parametrics in the built environment.

Spawned from his 2011 show on Patrick Jouin, Museum of Arts & Design (MAD) curator Ronald Labaco conceived Out of Hand as a more comprehensive show that clarified the role of digital design, from its capabilities to its significance in our daily lives. “People just didn’t get it,” said Labaco of Jouin’s 2011 MAD show. “Unless you’re immersed in it, it can be hard to understand so I thought if we showed something like this in the galleries again, we needed to provide information that can be digested more clearly.”

Staged across three floors of the museum, with two exterior sculptures, Labaco said the show is an important program for MAD among other New York art institutions like MoMA, Cooper Hewitt, and the New Museum. The goal to raise awareness of 3D printing is timely, by chance. “Paolo Antonelli’s Design and the Elastic Mind, and two shows from Material Connection were complements to my show for the uninitiated,” Labaco explained. Out of Hand’s broad scope includes digital designing and fabrication processes like CNC milling, digital weaving and knitting, laser cutting, and 3D printing to display how these technologies influence the built environment. “It’s a historical look at the last 8 years and works from as early as 2005 are incorporated because, in my mind, that was when the major shift between rapid prototyping and 3D printing really occurred,” said Labaco. Read More

Review> MAXXI Takes To the Highway: Exhibition Explores Energy & Architecture

International, Newsletter
Tuesday, October 29, 2013
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OBR Open Building Research, Right to Energy. (Courtesy OBR Open Building Research)

OBR Open Building Research, Right to Energy. (Courtesy OBR Open Building Research)

One of the most curious artifacts in the current exhibition, Energy: Oil and Post-Oil Architecture and Grids, currently running through November 10, is the one you run into just outside the entrance doors to Rome’s MAXXI museum. It’s one of those ubiquitous mini AGIP filling stations, of the kind you normally would find curbside in any one of Italy’s many town centers. The look is ultra modern, with a cantilevered steel structure sheltering a smartly-constructed metal-and-glass shed designed for the gas station attendant and his stock of replacement windshield wipers and engine oils. Next to one of the pumps is AGIP’s bright yellow icon featuring a black, six-legged, fire-breathing dog. The filling station wouldn’t seem so odd if it were not for where it sits: on the pavement just under one of Zaha Hadid’s flying concrete viaducts. The architecture of Hadid’s MAXXI suggests a series of highway overpasses crashing into one of the remaining buildings preserved on the former barracks site. The miniature service station with all its loaded petro-symbolism seems to fit perfectly under the shadows of this massive Ballardian road wreck.

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A River of Light Flows Through Detroit’s Renovated First National Building

Midwest, Newsletter
Tuesday, October 29, 2013
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(Courtesy Chris & Michelle Gerard)

(Courtesy Chris & Michelle Gerard)

Curbed Detroit drew our attention to that city’s Fist National Building and its year-long renovation. The Albert Kahn-designed building opened in 1930. Its interiors have fallen into disrepair, including the original plaster ceiling.

Continue reading after the jump.

Rebuild by Design> Ten Proposals for a Resilient East Coast Revealed

City Terrain, East
Tuesday, October 29, 2013
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SCAPE/Landscape Architecture's proposal (Courtesy of SCAPE/Landscape Architecture)

SCAPE/Landscape Architecture’s proposal. (Courtesy SCAPE/Landscape Architecture)

A year ago, Hurricane Sandy swept through the East coast—destroying thousands of homes, shutting down infrastructure, and knocking out substations—which resulted in $68 billion in damage. Yesterday, a day before the anniversary of the super storm, ten finalists in the Rebuild by Design competition  unveiled their proposals to remake a more resilient coastline. The competition—launched by Hurricane Sandy Rebuilding Task Force and U.S. Department of Housing and Urban Development (HUD), among other participating organizations—called on the final teams to provide ideas for making the affected coastal areas more resilient to withstand future storms and climate change.

View the proposals after the jump.

Bjarke Ingels Reinvents the Bridge as a Mountain of Landscaped Trails

City Terrain, International
Tuesday, October 29, 2013
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(Courtesy BIG)

(Courtesy BIG)

The Swedish Transport Administration launched a conceptual design competition in 2011 for a new bridge in Skuru, Sweden. The competition received great national and international response, including one fanciful proposal by Danish firm, Bjarke Ingels Group (BIG). The competition brief stated that the new bridge should adhere to high aesthetic standards and coincide with the existing bridge and the surrounding valuable cultural and natural landscape. Ingels deploys his characteristic hedonistic sustainability to bring nature onto the bridge itself.

Continue reading after the jump.

Product> Finds from the Floor at NeoCon East 2013

East, Product
Monday, October 28, 2013
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06-Tonic-Watson-NeoCon-East-Archpaper

Tonic by Watson

The 11th edition of NeoCon East, the sister show to Chicago’s summer contract furniture fair, was held October 16 and 17. Despite the government shutdown that legally prevented some GSA employees from attending,  more than 7,000 visitors attended the show at Baltimore‘s Convention Center to peruse the wares of over 250 exhibitors. Keynote addresses from Michael Graves—who launched a new collection of textiles with cf stinson—and Suzanne Tick were augmented with ongoing educational seminars.

Tonic
Watson
Designed in collaboration with San Francisco–based industrial design firm Mike & Maaike, the freestanding benching system (above) is designed with steel and MDF for both durability and flexibility. A center deck can support video and computer monitors, storage, and LED lamps with a concealed four-circuit, eight-wire raceway.

Continue reading after the jump.

New Public Art in Brooklyn Lends Transportation a Sense of Play

East
Monday, October 28, 2013
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(Courtesy NYCDOT)

(Courtesy NYCDOT)

In Brooklyn, a new temporary public artwork brings the asphalt plane of 4th Avenue to a playful, three-dimensional life. On the avenue’s concrete median between 3rd and 4th streets, the New York City Department of Transportation’s Urban Art Program has chosen work by artist Emily Weiskopf for its latest public art installation.

Unparallel Way is a 120-feet-long sculpture comprised of two parallel aluminum strips in the same bright yellow as the double traffic lines guiding vehicles driving on adjacent roads. In a clever distortion of those painted stripes, Weiskopf’s parallel lines sweep from the ground at irregular heights, creating parabolic curves that rarely match.

Continue reading after the jump.

Rojkind Arquitectos’ Mexican Treehouse

Fabrikator
Friday, October 25, 2013
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Templates for a 14-foot wooden treehouse were printed on an HP Designjet T920. (courtesy Rojkind Arquitectos)

Templates for a 14-foot wooden treehouse were printed on an HP Designjet T920. (courtesy Rojkind Arquitectos)

Francisco Saavedra fabricates a template to scale with large-format, Designjet printers from HP.

Founded in 2002, Rojkind Arquitectos is leaving an imprint across its native Mexico through a combination of civic, retail, residential, and hospitality projects. Its innovative design and production methods have garnered international recognition, particularly for projects like Nestlé’s Chocolate Museum is in Toluca and innovation lab in Querétaro, and Mexico City’s Tori Tori Japanese restaurant, but the firm also engages in smaller projects and creative diversions that explore new avenues of the design/build process.

Casa del Arbol is one such example. Conceived as an add-on for a venerable client, the project is a tree house for the family’s three young daughters. “There was a bird’s nest in the garden when we visited the site,” said Gerardo Salinas, partner at Rojkind. “And a 2-meter space between two trees in the yard was an ideal location that wouldn’t damage the existing trees.” Read More

Pictorial> BIG Opens Underground Maritime Museum in Denmark

International, Newsletter, Pictorial
Thursday, October 24, 2013
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(Rasmus Hjortshõj / Courtesy BIG)

(Rasmus Hjortshõj / Courtesy BIG)

The Bjarke Ingels Group (BIG) has completed its latest cultural offering in its homeland: the Danish Maritime Museum in the city of Helsingør. Located a mere 1,600 feet from the historic Kronborg Castle, a UNESCO World Heritage site and the setting of Shakespeare’s Hamlet, the museum honors Denmark’s historic and contemporary role as a leading maritime nation. Faced with the challenge of establishing a fitting facade while preserving the views from the nearby castle, BIG principal Bjarke Ingels tucked the 65,000-square-foot museum 23 feet below grade by carving out space around an existing, decommissioned dry dock.

Continue reading after the jump.

Unveiled> Renzo Piano’s Stacked Masses Create an Efficient Paris Judicial Complex

International, Newsletter
Wednesday, October 23, 2013
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Paris Courthouse (Renzo Piano Building Workshop)

Paris Courthouse (Renzo Piano Building Workshop)

Renzo Piano has unveiled renderings for the new Palais de Justice, positioned on the northern edge of central Paris in the urban expansion area of Clichy-Batignolles, which will provide space for and unite numerous judicial services presently scattered throughout the city. The law courts complex appears as a slender, translucent, 525-foot-tall tower comprised of four stacked rectangular masses diminishing in size as they ascend. The structure includes extensive fenestration to blend the division of the interior and exterior, in addition to two exterior glass elevators offering expansive views of the city.

Continue reading after the jump.

Stockholm-based White Arkitekter Wins FAR ROC Design Competition

City Terrain, East
Wednesday, October 23, 2013
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White Arkitekter's winning proposal (Courtesy of White Arkitekter)

White Arkitekter’s winning proposal (Courtesy of White Arkitekter)

Sweden-based firm White Arkitekter has been named the winner of the “For a Resilient Rockaway” (FAR ROC) design competition. The team’s winning proposal, Small Means & Great End, offers a set of design strategies to transform an empty swath of land, known as Averne East, along the Rockaways in Queens, New York into a resilient, mixed-use community.

The New York City Department of Housing Preservation and Development (HPD), along with private developers and the AIA New York Chapter,  shortlisted four finalists back in July, including Ennead Architects, Lateral Office, and Seeding Office.

Continue reading after the jump.

ASLA Picks The World’s Top Professional Landscape Design Projects for 2013

City Terrain, International
Tuesday, October 22, 2013
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General Design Category Winner: Lakewood Garden Mausoleum by Halvorson Design Partnership, Inc. (Courtesy ASLA)

General Design Category Winner: Lakewood Garden Mausoleum by Halvorson Design Partnership, Inc. (Courtesy ASLA)

The American Society of Landscape Architects (ASLA) announced the winners of their 2013 ASLA Professional Awards, granting landscape design projects from around the world prestigious titles as top works within the field of landscape architecture. The competition included five categories: general design, residential design, analysis and planning, communications, and research. Entries are judged on their quality, context, and effectiveness, and for the two actual design categories, on their environmental sustainability and sensitivity. This year, the winning designs range from an urban revitalization in New Orleans to a book of photographic reflection on the built landscape.

View the winners after the jump.

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