Perkins + Will, Goettsch Partners, and Adrian Smith + Gordon Gill will compete to design a successor to Bertrand Goldberg’s celebrated Prentice Women’s Hospital, which Northwestern University will soon demolish.
Booth Hansen will serve as the local architect of record. Northwestern, whose politically expedited approval from the Landmarks commission angered preservationists, selected the three firms from a larger pool based on their responses to a Request for Qualifications.
The winning firm will be chosen by December, according to their written timeline, but no construction work is planned until March 2017, according to Curbed.
Goettsch also designed Northwestern’s lake front Bienen School of Music, which is currently under construction.
This is second of a two part interview of Ken Yeang one of the earliest thinkers and designers in the field of sustainable architecture. The interview was conducted by Mic Patterson of Enclos who will be introducing Yeang at The Architect’s Newspaper’s Facades+PERFORMANCE conference on July 11 in San Francisco.
Mic Patterson: Your work clearly demonstrates that concepts of bioclimatic design are readily scalable from the residence to the skyscraper to the urban environment. How do the considerations of bioclimatic design apply at the scale of building subassembly or the the building skin?
Ken Yeang: At the sub-assembly level, we have developed devices such as the ‘raincheck’ wall being a glazing façade system that lets in ventilation but keeps out rain. Another device we are working on is a ‘solar chimney’ that uses a double-glazed glass-shaft to naturally ventilate internal spaces.
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An ambitious designer used Rhino to design and fabricate 20 variations on a chair in four months.
For a designer aiming to streamline the gap between design and manufacturing, parametric modeling tools are a natural solution. LA-based Alexander Purcell Rodrigues found a place to work in just such a way at the Neal Feay Company (NF), a 60-year old fabrication studio in Santa Barbara, California, that is known for its exceptional metalworking. Together, the designer and the fabrication studio created the Cartesian Collection of chairs, aptly named for the analytic geometry that helped facilitate close to 20 design variations on the same aluminum frame in just under four months. “Not only were we pushing the boundaries of aluminum fabrication, the aim was to simultaneously create a lean manufacturing process,” said Rodrigues.
Using Rhino with a Grasshopper plugin, Rodrigues developed a design for a chair that weaves together the simplicity of Western design with the complex ornamentation of traditional Eastern aesthetics. While the lines of the chair are clean and smooth, intricate embellishments on the back traverse multiple planes and angles, all on a shrunken scale. The time savings involved in designing with Rhino allowed the creation of another 19 variations on the theme. Read More
The battle over LG Electronic’s proposed office complex in New Jersey is getting increasingly political. Now New York City government officials are chiming in and expressing their opposition to the company’s plans to build a 143-foot-high HOK-designed headquarters atop the leafy Palisades along the Hudson River facing Manhattan.
Yesterday, Manhattan Borough President Scott M. Stringer and Bronx Borough President Ruben Diaz Jr. sent a letter addressed to New Jersey Governor Chris Christie asking him to step in and stop the proposed plans for the office complex and urge a redesign of the building.
The All England Club has unveiled its Grimshaw-designed Wimbledon Master Plan, which establishes a vision for the future of the site and a structure to direct the ongoing development and improvement of the Club. The Master Plan draws on existing assets and reflects the history of The Championships while resolving certain challenges that the site presents. Three new grass courts will be repositioned to ease overcrowding, No. 1 Court will be reworked and a fresh landscape scheme will enhance and define public areas.
At the AIA’s National Convention in Denver, held from June 19–22, AN’s Emily Hooper sat down with Spanish architect Francisco Mangado, who was in attendance to receive an honorary fellowship. Mangado discussed foreboding amendments to Spain’s law of professional services that would allow engineers, or anyone deemed “competent” in construction, to design and erect buildings across the nation. The law was introduced at a council meeting of Government Ministers in April of 2013, and a final pass-or-fail decision will be reached by the end of this year. Read More
Andrew Geller‘s infamous Pearlroth House, a uniquely designed beach residence located on Dune Road in Westhampton Beach, New York, is undergoing a significant restoration. The task is being carried out by Richard Reinhardt of Reinhardt/O’Brien Contracting and is being supervised by architect Rick Cook, of Cook + Fox Architects, owners Jonathan Pearlroth and Holly Posner, and Andrew Geller’s grandson, Jake Gorst. The one-of-a-kind house was originally built in 1958 for Arthur Pearlroth, an executive for the New York Port Authority, who once had a reputation for being a “lady’s man,” but Gellar collaborated more closely on its actual design with Pearlroth’s wife, Mitch. The couple commissioned Gellar, who often drafted his designs only after carefully studying the projected site and the family’s living habits, to design a summer house that didn’t resemble their ordinary four-walled New York City apartment. The clever design has come to be referred to colloquially as the “square brassiere.”
Don’t look now, but LAX—the airport everyone loves to hate—is starting to complete its major makeover. The biggest change is the brand new $1.9 billion (yes, billion) addition to the Tom Bradley International Terminal, designed by Fentress Architects and unveiled in 2008. Its curving roofline, emulating waves breaking on the nearby beach, pops up behind the original Tom Bradley structure, which itself was recently renovated (for the cost of $723 million) by Leo A Daly.