After less than four years under construction, the massive De Rotterdam towers, OMA’s grand experiment in urban density and scale, were completed a few weeks ago. With over 1,700,000 square feet of floor space, Rem Koolhaas’ glass-clad “vertical city” is the largest multifunctional building in the Netherlands.
A team led by Bjarke Ingels Group (BIG) has won an international design completion for the new Museum of the Human Body in Montpellier, France. Recalling the forms of some of BIG’s other recent projects, most notably Blaavard Bunker Museum in Varde, Denmark (which has just received funding to move forward) and the 200-acre EuropaCity mega-development outside Paris, the 84,000 square foot museum will rise from the surrounding landscape with grass-capped roofs, and a seemingly continuous, curving glass façade.
From Los Angeles to Chicago, city governments across the nation have been following San Francisco’s early lead and popping up parklets on their streets, mini sidewalk-side public parks for rest, small group gatherings, and people watching.
This summer, Boston joined in on the trend, installing its first parklet in Mission Hill in September and another in Jamaica Plain at Hyde Square. While these spaces have seen success in other cities, the Boston Globe reported that the Boston parklets have shown disappointing usage during what should have been their prime season.
In the same futuristic spirit of its design, One Thousand Museum, the proposed Zaha Hadid-designed condominium building in Miami, Florida, has recently been rendered in hologram form. As anticipation builds about what will be the Pritzker Prize–winning architect’s first residential building in the United States, Zaha Hadid Architects continued the hype with a Miami party and holographic unveiling of the 705-foot condo tower. According to the South Florida Business Journal, the new digital rendering underscores Hadid’s commitment to curvilinear forms, especially prevalent in this sculptural tower that will soon join the Magic City skyline.
In the midst of Greenbuild’s International Conference & Expo, held from November 18–22 in Philadelphia, AN sought out the newest and most innovative sustainable building products. We found attractive new finishes and furnishings, including a new chair derived from carbon polymers, and a plethora of building components that aim to harness the Earth’s energy for optimal building performance.
Xero Flor America
This vegetated green roofing solution (above) rolls out in a mat system for easy application, as well as rapid access for repairs. Each 40-inch wide panel is comprised of a root barrier, drain mat, water retention fleece, growing medium, and pre-vegetated layer of sedum. Also known as stonecrop, each order is grown in one of Xero Flor’s six regional fields, so living roofs are acclimated to the installation environment and contribute to local LEED credits. Read More
The design team at MODU, in collaboration with Ho-Yan Cheung of Arup, have created an urban public space for the 5th China International Architecture Biennial. Their design pays homage to Beijing’s iconic Olympic Park, while drawing attention to environmental issues in the country’s densely populated capital. The biennial committee has also commissioned designs from leading international architects such as Wang Shu, Zaha Hadid, and Mohsen Mostafavi.
Bad news for biking enthusiasts in Los Angeles. According to LA Downtown News, Bike Nation’s deal with the city of Los Angeles to create a Bike Share program is now basically dead. The plan, originally slated to open this April, called for an eventual 125 stations in Downtown and 400 (containing 4,000 bikes) across Los Angeles.
San Diego’s New Central Library, which opened earlier this fall, was a long time coming. The project has been in the works since at least 1971, when the first of 46 studies on the subject of a new library building was published. Rob Wellington Quigley, FAIA, who designed the $184.9 million structure with Tucker Sadler & Associates, came on board in 1995. Why did he stick with it so long, through budget problems and four site changes? “It’s in my backyard,” Quigley said. “It was just too important a project, culturally, to the city, and to all of us…though it was very difficult, economically, to withstand all the stops and starts.”
In Griffis Sculpture Park near Buffalo, New York, a twisting triangular tower serves more than a purely aesthetic purpose. Designed by architect and assistant professor at the University of Buffalo, Joyce Hwang, the 12-foot-tall sculpture of stained plywood panels is conceptualized as a protective home for bats. Constructed conspicuously but practically, the University reports that Hwang’s Bat Tower is an effort to raise awareness for the recent disease-caused decline of these flying mammals, usually considered pests.