The Hirshhorn Museum and Sculpture Garden in Wahington D.C., designed by SOM in 1974, is undeniably striking in its design—the distinctively cylinder shaped structure is unlike anything else in the city. In 2009 Richard Koshalek, director of the modern and contemporary art museum, in a bold effort to place the museum at the forefront of our nation’s cultural institutions, came up with a radical new plan that would make the building stand out even more among the countries’ leading museums and significantly augment the city’s arts culture. Koshalek proposed his new vision for a 15-story inflatable balloon, designed by Diller Scofidio & Renfro, that would bubble out of the donut-shaped museum’s central courtyard twice a year. The project, dubbed the “Seasonal Inflatable Structure,” would serve as a unique space for installations and performances.
After months of fierce rivalry and contentious one-upping, Rem Koolhaas’ OMA has beat out Bjarke Ingels (BIG) in the competition for the Miami Beach Convention Center commission. At times, it appeared as if BIG was in the lead, but OMA crept up and ultimately took home the prize.
OMA has proposed a $600 million overhaul of the 52-acre convention center to build a more integrated facility in addition to tacking on more open space and park land. This plan calls for reconfiguring the layout of the convention center to provide enhanced access to Lincoln Road, green space, and existing hotel on the beach.
The Minneapolis Parks Foundation and the Minneapolis Park & Recreation Board have announced that two New York-based firms, SCAPE / Landscape Architecture and Rogers Marvel Architects, will collaborate to design Water Works Park, part of the city’s ongoing RiverFirst project.
Slated for completion in early 2014, Water Works Park will be incorporated into the existing Central Mississippi Riverfront Regional Park above St. Anthony Falls, the only true waterfall along the Mississippi River and an important part of Minneapolis’ history. The park already draws 1.6 million visitors each year, a number that officials expect to increase with the addition of the year-round, multi-use park.
With more than 23,000 seats, Rupp is the largest arena designed specifically for basketball in the United States. NBBJ, which will be working in collaboration with Lexington-based EOP, elected renovation over expansion or replacement after studying the 3-year-old arena. Renovation, they concluded, would save the city $215 million in construction costs.
Classically trained sculptors breath new life into four 20-foot angels with the help of Rhino.
When Old Structures Engineering engaged Boston Valley Terra Cotta in the restoration of the 1896 vintage Beaux-Arts building at 150 Nassau Street in New York—one of the city’s original steel frame structures—the four decorative angelic figures, or seraphs, that adorned the corners of the uppermost story were in serious decay. “Up close, they were in an appalling state,” said Andrew Evans, engineering project manager. “The biggest issue we had with the angels was understanding what happened with the originals.”
The seraphs were carved from stone by Spanish immigrant Ferdinand Miranda in 1895 and had suffered years of exposure and improper maintenance. By the time the facade was up for rehabilitation, the angels were haphazardly strapped to the building with steel bands and supported with bricks. Their state was such that repairs would not suffice and Boston Valley’s artisans began the task of recreating the 20-foot-tall Amazonian figures.
Los Angeles-based firm Synthesis Design + Architecture (SDA) has won the “Switch to Pure Volvo” competition to design a portable pavilion showing off the Swedish car company’s V60 plug-in electric hybrid. The 13-foot-tall, 16-foot-wide project’s sinuous form is composed of a moiré-patterned, vinyl-coated polyster fabric imbedded with flexible photovoltaic panels tensioned over CNC-bent aluminum rods. The display’s three sections echo the three modes of the car—hybrid, gas, and all-electric—and its curving form is also practical—its torqued compression between frame and skin enables the structure to stand without any extra support.
Miami’s development scene has been heating up in the past year with starchitects lining up for a chance to build in the Magic City. Zaha Hadid has been equally as hot with several irons in the fire since the last series of renderings for her first U.S. skyscraper, the residential One Thousand Museum tower on the city’s waterfront, were unveiled in April. Along with designing a stadium for the 2022 World Cup and the New National Stadium in Japan, she managed to find time to make plans for the already dramatic tower even more extraordinary. New details have recently surfaced on the project’s website about the fanciful sculptural structure, detailing the building’s sky lounge, aquatic center, and curvy-furniture-stocked lobby, not to mention Miami’s first private helipad placed on a residential complex.
In August the Columbus Museum of Art will break ground on the third and final phase of its renovation and expansion project: a new 50,000-square-foot wing that will bring the facility up to par with other major art museums in Ohio.
“In 1931, when we owned 500 pieces of art, we had 10 gallery spaces,” reads a statement on the museum’s website. “Today our collection numbers more than 10,000, yet those same 10 galleries remain.”
Columbus-based architecture firm DesignGroup is heading the $37.6 million project, which also includes renovations to the nearly 40-year-old Ross Wing and lobby area.
The landmark Aluminaire House is homeless yet again. The situation is not so out of the ordinary, however, as preservationists and communities have recently been confronted with the futures of these pioneering modernist structures. In this particular battle, a team of architects is hoping to relocate the historic house, which has already been disassembled and rebuilt three times, to a vacant lot in Sunnyside Gardens, a landmarked district in Queens. The proposal to reassemble the house as part of a low-rise residential development at 39th Avenue and 50th Street is facing uncertainty from residents who would prefer the site be turned into a community park.
“The Red Line” could be Cleveland’s answer to New York’s High Line or Chicago’s Bloomingdale Trail, rails-to-trails projects that have captured the imaginations of their respective cities as an answer to questions surrounding transportation, aging infrastructure and urban placemaking.
The Rotary Club of Cleveland is pushing the idea of a three-mile greenway connecting five city neighborhoods to downtown. That would make the old RTA Red Line trail longer than both the High Line and the Bloomingdale Trail.
New York–based conceptual artist Mary Ellen Carroll will debut her newest project, PUBLIC UTILITY 2.0, at New Orleans’ contemporary art biennial, Prospect.3 in Fall 2014. In it, she identifies communities across New Orleans that remain choked for resources since Hurricane Katrina ravaged the city in 2005. Responding foremost to the lack of connectivity in these areas, Carroll is utilizing unoccupied TV channels, cultural motifs, and an innovative wireless technology developed at Rice University in Houston, Texas, to create infrastructure that will become a permanent characteristic of The Crescent City.