Daniel Libeskind has unveiled his plans for a new apartment complex in the emerging Berlin suburb of Chausseestrasse. Set for completion in 2015, the 8-story building called Chausseestrasse 43, will accommodate retail functions on street level and 73 individual apartments on the upper levels.
Diller, Scofidio + Renfro announced today that their reorganization of the Museum of Modern Art will include the replacement of Tod Williams and Billie Tsien’s former American Folk Art Museum at 45 West 53rd street. Liz Diller said in her briefing that DS+R hoped to save the Folk Art building and repurpose it into a usable exhibit space or a connecting bridge between the new Jean Nouvel tower (which will have three floors of MoMA galleries) and the older parts of MoMA. However, “saving” the structure with its misaligned floors (to MOMA existing galleries) would mean compromising the integrity of the Williams Tsien structure.
One can imagine the logic of DS+R’s decision, but Williams and Tsien are, like any architects, sad to see the demise of their 2001 building that Herbert Muschamp said “transcend(s) cultural categories even as it helps define them.”
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ikon.5 Architects designs a reflective, fritted facade in the visual tradition of the campus’ original craftsmanship.
In the wake of Hurricane Katrina, New Jersey–based ikon.5 Architects had an opportunity to reinvent the image of Lousiana State University’s E.J. Ourso College of Business. The original campus, designed in 1928 by the Olmsted Group, was planned as an Italian Renaissance village, which functioned as the economic engine of Louisiana and the Gulf of Mexico region for nearly 75 years. ikon.5 and local firm Coleman Partners Architects, used the circumstances of Katrina’s aftermath to give the business school a progressive image, while staying true to the University’s prescriptive aesthetic guidelines.
Maintaining the classical layout of the main square—head houses at either end with smaller classrooms lining an expanse of lawn—the design committee made several concessions in the 2012 update. In the past, guidelines dictated that all buildings feature the original craftsmen’s stucco formula, which was made from crushed white pebbles and seashells. But for the 21st century, LSU’s Design Committee decided that updating materiality would be a forward-thinking representation of the school’s influence and thus approved a new glass skin for the business school’s graduate and undergraduate classroom buildings. Read More
Designer Naoya Matsumoto and her peers at Seian University of Art and Design have created a unique meeting space for students on the Japanese campus. Their creation, a pop-up bar, is created from six panels of locally-sourced reeds called Yoshi. The chaotic construction resembles a traditional gabled roof structure in abstract form. Each year, students of the design school are challenged to create objects from the Yoshi reeds which grow freely around Lake Biwa, an area close to the university campus.
Aaron Betsky, director of the Cincinnati Art Museum for seven years, announced Thursday he’ll step down.
Cincinnati’s WVXU reported that the museum’s board will set up a search committee, and that Betsky will help pick his successor. Betsky, an architect, oversaw the first phase of a renovation for which he helped raise more $13 million, and increased the art museum’s endowment by 18 percent. His leadership was at times controversial, as when he oversaw an exhibit by artist Todd Pavlisko that included firing a .30-caliber rifle in the 132-year-old museum’s Schmidlapp Gallery.
Construction has recently been completed on UNStudio’s Hanjie Wanda Square, a new luxury shopping center in Wuhan, China. The firm boldly coated the exterior of the building in over 42,333 metallic spheres, bestowing a fluidity to the facade that extends into the interior of the structure. There, curved walkways and corridors flow together in order to carry shoppers throughout the upscale retail stores, catering outlets, and movie theaters within the center. Read More
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Southside Precast Products fabricates landscape architecture firm West 8’s designs for an organic system of concrete benches and curbs.
When Dutch landscape architecture firm West 8 envisioned a new terrain for Governors Island in New York’s East River, part of the plan included a section dubbed The Hills. The recently completed curving expanse of green space is defined by nearly one dozen curved sections, or “petals,” of seamless, white concrete bench and curb edges fabricated by Buffalo, New York-based Southside Precast Products.
Ellen Cavanagh, Director of Park Design and Construction for the Governors Island Trust, said that the concrete pathways along the petals help define areas where the ground was formed to rise and recede. “They call it eyeliner,” she told AN in a recent interview. “Thick and bold white stripes give your eye an anchor so you have a better sense of depth as opposed to one solid color.” At approximately 24 inches in width, the curbs along Governor’s Island are decidedly more massive than standard street curbs. Read More
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Austin’s Circuit of the Americas gets an iconic observation tower using 350 tons of steel.
The Circuit of the Americas (COTA) in Austin, Texas, will host the United States Grand Prix from 2012 to 2021. While German Formula 1 specialist Hermann Tilke designed the racecourse and technical facilities, COTA’s owners hired local firm Miró Rivera Architects to turn out a main grandstand and amenities for the 9,000 fans expected to attend the races. In addition to imbuing the project with a variety of programmatic functions that go beyond racing, Miró Rivera created a sleek observation tower that gives spectators unrestricted views across the racetrack’s twisting expanse.
“Our idea for the tower was to be able to go way up and see the track from one focal point in a structure that was an iconographic symbol for the track,” said Miguel Rivera, founder and principal of the architecture firm. “Our inspiration came from Formula 1 cars, where speed and efficiency are so important.” Just like the track’s feature attractions, the tower’s design didn’t feature any excesses. Structural engineers at Walter P Moore helped ensure every piece of steel did some kind of work so the tower was as efficient as possible. Read More
Now that we’re well into this winter’s snow season in New York and elsewhere, Chicago-based designers Natalya Egon and Noel Turgeon offer up some inspiration for alternative means of dealing with the wintery accumulation. The duo calls for an approach to snow clearance more deliberate in nature than the hastily-formed soot-grey masses so often seen lining city streets. Their Second Hinterlands project advocates reshaping snow over outright removal, treating the snow as a material that can be used in the creation of interactive landscapes within designated urban areas.