On View> Tim Burton Descends on LACMA

West
Friday, June 24, 2011
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(Courtesy LACMA)

(Courtesy LACMA)

Tim Burton
Los Angeles County Museum of Art
Los Angeles
Through October 31

Best known for directing films like The Nightmare Before Christmas, Edward Scissorhands, Batman Returns, and Beetle Juice, Tim Burton and his work as an illustrator, writer, and artist are being honored with a retrospective at the Los Angeles County Museum of Art. This new show celebrates the way that Burton has managed to put his own spin on movies in an industry known for its fear of the unknown. With over 700 items on display, including drawings, paintings, photographs, film and video works, storyboards, puppets, concept artworks, maquettes, costumes, and assorted cinematic ephemera, visitors get a glimpse into the mind of this modern day Renaissance man.

Though the show debuted on the east coast at New York’s Museum of Modern Art, the LACMA version of the show, organized by Britt Salvesen, offers its own take on the Burbank native’s body of work. Burton collaborated with the exhibition designers to transform the museum’s Resnick Pavilion into an appropriately “Burtonesque” environment. He also created several new pieces for the exhibition, including what the museum describes as a “revolving multimedia, black-light carousel installation that hangs from the ceiling.”

More images after the jump.

Seeyond’s Parametric Building System

Fabrikator
Friday, June 24, 2011
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Brought to you with support from:
Fabrikator
Fabrikator Brought to you by: 

A cable-suspended ceiling cloud (Seeyond)

Self-supporting tessellations can take almost any form.

“People are pretty burned out on the office cubicle and panel systems,” said Nat Porter, general manager of Seeyond Architectural Solutions. The company, which launched this month, aims to give architects an alternative to standard space dividers with its new user-controlled parametric design and digital fabrication building system. Seeyond’s history goes back ten years, to sculptor and designer Jonas Hauptman’s experimentations with folded materials. For a class he was teaching, he turned for materials to Liberty Diversified International (LDI), whose roots are in the corrugated fiberboard industry. Hauptman teamed up with Paul James, a mathematician, economist, and industrial designer already working with LDI (now Seeyond’s parent company). They presented their business proposal in 2009 and the new fabrication system was born.
Continue reading after the jump.

Video> Theo Jansen’s Walking Strandbeests

International
Thursday, June 23, 2011
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Strandbeests by Theo Jansen made from yellow piping.

Strandbeests by Theo Jansen made from yellow piping.

In his own words, Dutch artist Theo Jansen is “creating new forms of life.” His mechanical creatures, the Strandbeests, are comprised of hundreds of yellow plastic tubes forming a skeletal structure that is able to walk along the beach with only the help of the wind. According to Jansen’s web site, he is looking “to put these animals out in herds on the beaches so they will live their own lives.” He has given his latest creations “stomachs” able to store the wind using a series of bicycle pumps powered by sails or wings on the Strandbeests. The air is compressed into plastic bottles that can power the machine when the wind dies down.

Watch the videos after the jump.

A Bittersweet Archi Film from Cuba

International, West
Tuesday, June 21, 2011
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Porro's School of Plastic Arts.

We got to see one of our favorite new architectural documentaries on Sunday, called Unfinished Spaces: Cuba’s Architecture of Revolution, by Alysa Nahmias and Ben Murray. The film documents the creation, and subsequent scuttling, of Cuba’s National Arts Schools. Designed by architects Ricardo Porro, Roberto Gottardi and Vittorio Garatti, the highly expressive Modernist schools, built mostly of Terra Cotta, were an example of visionary architecture and idealistic arts education for all, from dance to visual arts. But after the Castro government wearied of creative expression and embraced Soviet-style building, they changed their minds, shutting down construction, although classes later continued in the schools’ ruins.  Now the country has once again done an about-face and is hoping to save them, despite a lack of government funding. Look at our next issue for a full review. And if you’re in LA, check out more screenings of the film on June 24 and June 25.  Read More

Revealing The Airplane Of The Future

International, Newsletter
Monday, June 20, 2011
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Aircraft manufacturer Airbus unveiled its conceptual designs for a futuristic, see-through plane last week in advance of the 2011 Paris Airshow, which began today. The “Concept Cabin” showcases what commercial air travel could look like in 2050, and is packed with interfacing technologies and design features to give passengers an ultra-personalized and otherworldly experience.

Continue reading after the jump.

Whiz Kids at New York AIGA

Dean's List, East
Friday, June 17, 2011
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Yoon Park's iPad app for studying type, Typography Insight.

Last week the New York chapter of the AIGA held its second annual “Fresh Blood” event, featuring top graduating students from design programs across the region. Ten students were given five minutes each to dazzle the crowd at St. Ann’s Warehouse in Brooklyn with presentations related to their thesis research.  Scott Stowell, the evening’s MC, kept things lively, peppering the students with questions about their work and cracking jokes that stoked school rivalries.

All the presentations were excellent, but here are a few that we just can’t stop talking about:

Continue reading after the jump.

Shimoda Design’s Steelcase Showroom: Formglas

Fabrikator
Friday, June 17, 2011
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Brought to you with support from:
Fabrikator
Fabrikator Brought to you by: 

Faceted column covers at Steelcase's Merchandise Mart showroom (Shimoda Design)

Molded gypsum shapes a Chicago Merchandise Mart space.

The Steelcase Worklife Center is one of the Chicago Merchandise Mart’s largest showrooms, spanning 45,000 square feet and encompassing four areas displaying the furniture manufacturers’ various brands. The company hired Los Angeles-based architect Joey Shimoda, who also designed the Steelcase center in Santa Monica, to create interiors that would unify the showroom with the common corridor bisecting it. After reading about a project by molded gypsum, concrete, and fiberglass fabricator Formglas in a magazine, he called the company and was on a plane to its Toronto headquarters the next day to discuss a series of geometric architectural elements he envisioned for the space.

Continue reading after the jump.

National Trust Turns Its Eyes on Prentice

Midwest
Thursday, June 16, 2011
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(photo: courtesy National Trust)

Yesterday that National Trust for Historic Preservation announced Bertrand Goldberg’s Prentice Women’s Hospital had made its annual 11 Most Endangered List, bringing national attention to the fight to save the quatrefoil-plan, concrete building. Also yesterday, the local group Save Prentice staged a rally outside the building featuring speakers including Zurich Esposito of the Chicago AIA and Jim Peters from Landmarks Illinois.

Read More

The Scenic Route: NYC from the East River Ferry

East
Thursday, June 16, 2011
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All aboard! The East River Ferry service launched on June 13.

We tried the new East River Ferry service this week and found some of the best views of the biggest projects in town.  Though many of the renderings in circulation for developments like Domino Sugar Factory and Hunters Point show views from the river-front perspective, it’s rare that you actually get to see the sites from that angle–until now. We decided to give the ferry service a test-run to check out the viability of getting from an office in downtown Manhattan, such as ours on Murray Street, to Brooklyn and Queens, then completed the loop by heading back the 34th Street terminal.

Read More

747 House Sneak Peek

West
Thursday, June 16, 2011
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©Sara Jane Boyers

David Hertz’s 747 House in Malibu— literally made from the wings and fuselage of a a retired 747— is not quite done (it’s residents are moving in now). But we’ve been able to get a few pictures of the house from photographer Sara Jane Boyers, who has been documenting the project since June 2008. Hertz obtained the 747 for $50,000, and has used every bit of it in the construction of the main residence and six ancillary structures (note the wing roofs and the engine fountain, for starters). Besides the obvious green-ness of being recycled from an airplane, the house also uses Solar power, radiant heating and natural ventilation. Enjoy these pix and stay tuned for more as the house finishes up.

Check out a slideshow after the jump.

Paris’ Lost Cafe from Hell

International, Newsletter
Wednesday, June 15, 2011
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Le Café de L’Enfer (Via How to be a Retronaut)

Le Café de L’Enfer (Via How to be a Retronaut)

Tucked away in in the bohemian enclave of Montmartre in Paris, Le Café de L’Enfer—the Cafe of Hell—welcomed all who dared pass through the mouth of a giant ghoul and a doorman dressed as the devil proclaiming, “Enter and be damned!” The exterior facade appears to be molten rock surrounding misshapen windows and dripping off the building while inside, caldrons of fire and ghostly bodies of humans and beasts covered the walls and ceiling. From an account published in Morrow and Cucuel‘s Bohemian Paris of Today (1899):

Red-hot bars and gratings through which flaming coals gleamed appeared in the walls within the red mouth. A placard announced that should the temperature of this inferno make one thirsty, innumerable bocks might be had at sixty-five centimes each. A little red imp guarded the throat of the monster into whose mouth we had walked; he was cutting extraordinary capers, and made a great show of stirring the fires. The red imp opened the imitation heavy metal door for our passage to the interior, crying, – “Ah, ah, ah! still they come! Oh, how they will roast!”

Quite a site! (In an epic battle of good and evil, another entrepreneur opened Le Ciel—”Heaven”—next door that was filled with clouds, angels, and harps.) The Café de L’Enfer operated from the late 19th through the middle of the 20th century. (Via How to be a Retronaut.)

A few more photos after the jump.

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LPC Approves Adjmi’s Concrete Riff on Cast Iron

East, Newsletter
Tuesday, June 14, 2011
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Detail rendering of a cast iron facade in reverse.

With unanimous approval from the Landmarks Preservation Commission, Morris Adjmi‘s deceptively subtle take on the classic cast iron building is on its way to becoming reality. What at first glance appears to be a cast iron facade is actually a reverse bas relief cast in glass reinforced concrete—essentially a form in which you could mold a true cast iron facade. “This makes  you think of how these buildings were built, from the initial casting to being assembled as components,” said Adjmi. “So this is really taking that and inverting it so it becomes a record of the process.”

Continue reading after the jump.

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