Video> Model Performance

East
Thursday, March 17, 2011
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Dave Munson's palm sized World Trade Center site.

Microsol Resources’ Tuesday night presentation of Z Printers at Cooper Union was notable for scale of output, both small and large (very large). The 3-D printers produce a powder-based model where all unused excess material gets recycled within the machine. The copier makes tiny models with extraordinary precision. The prices run from $15,000 to $65,000. But a panel of four presenters said the printer’s primary advantage is speed, allowing for new models to be created within 24 hours.

Two firms made notable presentations.  Xavier De Kestelier, an associate partner at Foster + Partners, veered from the script a bit when he showed a video of a cement printer being developed at Loughborough University in the UK. That hanger sized 3-D printer makes modular units that can be adapted as building components. Then, Wesley Wright, a designer with Pelli Clarke Pelli, brought the conversation back to the Z Printer, which he said has become an integral part of the firm’s design process.

The firm has four machines operating round the clock. Sketching right onto the models during the review process is not uncommon. In a video, no less than the maestro himself, César Pelli,  intones on the importance of model making in general and on 3-D printers in particular. Wright has graciously, and exclusively, shared his video with AN. We nabbed the Foster/Loughborough video from YouTube.

Watch both videos after the jump.

AN Mixed Media> The Furniture Debates

East, Newsletter
Wednesday, March 16, 2011
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Michael Graves discusses furniture design (BK / The Architect's Newspaper)

Michael Graves discusses furniture design (BK / The Architect's Newspaper)

“Drafted: the evolving role of architects in furniture design.” It was a MAD idea: To talk about why American manufacturers don’t do the job they once did in supporting American architects and designers at making furniture. Held March 10 at the Museum of Arts & Design’s own restored and midcentury soigné auditorium, the assembled panel really knew what they were talking about:

Michael Graves recalled his early days working for George Nelson in riveting detail and why Target has dropped independent designers; Jeffrey Bernett, one of the few American designers routinely designing for B&B, summed up Italy versus Herman Miller; Gisue Hariri of Hariri & Hariri eloquently addressed why architects feel compelled to make furniture, and what happened when her architecture firm tried to go there on a larger scale; and Granger Moorhead of Moorhead & Moorhead gave great reason for everyone to hope there is another golden age, especially for New York furniture designers, just ahead.

Watch the highlight reel after the jump.

Manufacturers Trust Gets Yellow Light

East, East Coast
Wednesday, March 16, 2011
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Manufacturers Trust Company Building in 1955 (Courtesy Municipal Art Society)

Manufacturers Trust Company Building in 1955 (Courtesy Municipal Art Society)

“Sometimes the best way to restore a historic structure is to reuse it.” The comment came from Landmarks Preservation Commissioner Robert Tierney at the conclusion of Tuesday’s landmarks hearing on revisions proposed by Vornado Realty for interiors of the recently landmarked Manufacturers Trust Building on Fifth Avenue. The statement summed up the mood of the commission with regard to changes in the space, originally designed by Gordon Bunschaft, which include dividing the first floor to make space for two retail tenants. Most of the commission picked apart the specifics while maintaining that the architects from SOM overseeing the renovation were generally on the right track.

Continue reading after the jump.

Gowanus On My Mind

East
Friday, March 11, 2011
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A view of the Gowanus Canal (all images courtesy of Gowanus By Design)

 

The Gowanus Canal has been in the news a lot lately, with its superfund designation and sunken schooner. The canal and surrounding neighborhood have long fascinated architects and urbanists, and has been the subject of numerous architecture school design studios. A new ideas competition looks to develop that fascination into a series of proposals for the site, which would improve connectivity across and around the polluted waterway and take better advantage of the area’s unique history, character, and economic potential.

Read More

Su11′s K-Residence: Associated Fabrication

Fabrikator
Friday, March 11, 2011
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Brought to you with support from:
Fabrikator
Fabrikator Brought to you by:

Associated Fabrication’s thermoformed Corian shelf, designed by su11 (Associated Fabrication)

A combination banquette and shelving system gives a young family a new way to live in a 620-square-foot apartment.

Corian has become a darling of the digital fabrication set, its reputation as a dowdy countertop material giving way to explorations of the acrylic as a shape-shifting wonder with practical applications, from healthcare environments to art installations. For a couple that had nearly outgrown a 620-square-foot Murray Hill apartment, Corian served handily in the form of a new banquette and shelving unit that allowed the family to grow into the space, rather than move out of it. The project’s designer, su11 architecture + design, hired Brooklyn-based Associated Fabrication to create its vision of a functional sculpture that morphs from bench to windowsill to storage space.

Read more after the jump.

Kudos to Young Turks

West
Thursday, March 10, 2011
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Patterns' FYF Residence in Argentina

AIA/LA has just announced the winners of its second annual “Arch Is” competition, open to California designers who have graduated from architecture school in the past five to twelve years. The victors are two of our favorites: FreelandBuck, headed by David Freeland and Brennan Buck, and P-A-T-T-E-R-N-S, led by Georgina Huljich and Marcelo Spina. Both are on the cutting edge of digital fabrication and complex, layered (not to mention curvy) design. See some of their work, below. And stop drooling. And check out a public forum featuring the winners at LA’s A+D Museum on March 24 a 7pm. Read More

Event> Organic Architecture for the 21st Century

Midwest
Monday, March 7, 2011
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Courtesy Milwaukee Art Museum

Courtesy Milwaukee Art Museum

  • Frank Lloyd Wright: Organic Architecture for the 21st Century
  • Milwaukee Art Museum
  • 700 North Art Museum Dr.
  • Milwaukee, WI
  • Through May 15

Architect Frank Lloyd Wright is the single subject of the Milwaukee Art Museum’s new exhibit. Organic Architecture for the 21st Century, which celebrates the 100th anniversary of Taliesen, Wright’s Spring Green home and studio, also marks the debut of 33 never before seen drawings by the Wisconsin native. The show implores visitors to take a fresh look at Wright and his works, both built and unrealized, and how he envisioned architecture as something that had an essential relationship to context, time, and the people who lived or worked there. Sustainability, which we often think of as a 21st century innovation, is in keeping with many of Wright’s designs, especially those for a newly suburban America, including the outdoor arcade for the proposed Arizona State Capitol, Phoenix (above).

Organic Architecture for the 21st Century explores the idea that the famously outspoken architect was a visionary who foresaw trends including the use of mass produced materials, utilization of natural light, and attention to the surrounding environment. In addition to covering his major works, like Fallingwater, the Johnson Wax factory, and the Unity Temple, the exhibit also showcases plans for Living City, a culmination of Wright’s work and his utopian vision for suburbia.

Mixed Media> SHoP Talk: Botswana Innovation Hub

International
Monday, March 7, 2011
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The roofscape of the SHoP-designed Botswana Innovation Hub.

With over 270,000 square feet and costs projected at $50 million, the Botswana Information Hub is ambitious on many levels, both literally and figuratively. The winner of an international competition, the SHoP-designed research campus brings green technology to the Gaborone, Botswana.

The sinuous structure merges into the landscape, with various levels seeming to kinetically lift from the earth. An “energy blanket” roofscape blends solar and water re-use systems into the sweeping composition. Gregg Pasquarelli tells AN all about it.

Check out the interview after the jump.

Unveiled> SOM-Day in Danang

International
Friday, March 4, 2011
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Courtesy SOM

Courtesy SOM

SOM Chicago has been selected to master plan a new technology, university, and residential city outside Danang, Vietnam. FTP City, named after a growing telecommunications company, will cover 445 acres, and included buisness districts, a town center, residential neighborhoods, and a university campus. Unlike nearby single communities being developed nearby, the SOM plan calls for a diverse, mixed-use community, according to a statement from the firm.

Read more after the jump.

SEPTA Station Benches: Veyko

Fabrikator
Friday, March 4, 2011
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Brought to you with support from:
Fabrikator
Fabrikator Brought to you by:

Veyko's SEPTA bench (Todd Mason/Barry Halkin Photography)

Bent stainless steel benches in Philly’s SEPTA station are designed to stand the ultimate urban test.

A subway bench never proves itself on the first day. That was one of the things that interested the designers at Veyko, a Philadelphia-based metal fabrication shop, when they set out to compete for a federally-funded Art In Transit commission to design benches for Philadelphia’s 8th Street SEPTA station.

Read more after the jump.

A Pictorial Description of Broadway in 1899

East
Thursday, March 3, 2011
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Broadway, East Side. Wall to Liberty St. (Courtesy NYPL)

Broadway, East Side. Wall to Liberty St. (Courtesy NYPL)

Last week, we came across illustrator James Gilliver Hancock’s series of playful block elevations titled “All the Buildings in New York.” It turns out this impulse to sketch block upon block of New York’s architecture has been around for quite some time. In 1899, the Mail & Express newspaper company published a graphic journey down Manhattan’s Broadway in a book called A Pictorial description of Broadway now archived at the New York Public Library.

The stroll down Broadway 112 years ago reveals just how much New York has evolved over the past century. As the NYPL says, “The result, as you can see here, is a 19th century version of Google’s Street View, allowing us to flip through the images block by block, passing parks, churches, novelty stores, furriers, glaziers, and other businesses of the city’s past.”

Check out some of our favorite blocks after the jump.

Neon Baby!

Newsletter, West
Wednesday, March 2, 2011
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A sign from the Golden Nugget, which was taken down when Steve Wynne renovated the casino.

We’ve recently returned from Las Vegas, where we visited one of the coolest institutions in the world: The Neon Museum, located on the far northern end of The Strip. The museum, about to celebrate its 15th anniversary, and ready to open its new visitors center next year (a rehab of the swooping, Paul Williams-designed La Concha Hotel), features a beautiful jumble of over 150 old signs that tell the story of Vegas, from mobster Bugsy Siegal’s El Cortes Hotel and Casino to the Moulin Rouge, Vegas’ first integrated casino, to the Atomic Age Stardust.

 

 

Read more after the jump.

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