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A neoclassical museum in the Netherlands gets an iconic update and vertical expansion of ceramic and glass.
The Museum de Fundatie in Zwolle, the Netherlands, houses an international collection of art and sculpture. Its venerable neoclassical edifice symbolizes the city’s rise from its Medieval foundations into the 19th century period of enlightenment. Designed in 1840 by Eduard Louis de Coninck, the building reflects the dissolution of feudalism and a dynamic, forward-thinking perspective on the future. Now, a recent expansion of the museum has shown that the city has not stopped evolving, but is in fact moving quite steadily into the 21st century. The elliptical, organically formed addition, designed by Bierman Henket Architecten, perches atop the 19th century structure, its textured ceramic facade evincing a progressive aesthetic hitherto unknown to this sleepy Dutch town.
If you’re looking for change in San Francisco, look no further than the city’s South of Market (SoMa) neighborhood. Central SoMa, a 24-square-block area between the central business district and Mission Bay, has been targeted for up-zoning and other public improvements as part of the Planning Department’s Central SoMa Plan (previously the Central Corridor Plan). The neighborhood is also the site of several major construction projects, including a $56 million renovation of the Moscone Center and the extension of Muni’s T Third Line.
All of the above may be affected by another potentially more radical change: Central SoMa has been identified as San Francisco’s first eco-district, as we reported last year. The district has taken some big steps since we last checked. Read More
Ma Yansong & MAD presented their installation, dubbed the Shanshui Experiment Complex at the the Shenzhen and Hong Kong Bi-city Biennale of Urbanism\Architecture. The elaborate model is based on Nanjing Zendai Thumb Plaza, the firm’s new master-plan for the Chinese city. The model, and the proposal more generally, are indicative of the firm’s commitment to meeting the demands of modern urban China through naturalistic architectural efforts.
More Nine Inch Nails than Mount Rushmore, the upcoming Sochi Olympics will feature a new giant pinscreen that renders impressions of the faces of visitors to the Games. The pavilion for Russian mobile phone giants Megafon will play host to the installation, which was designed by British architect Asif Khan.
New Miami mayor Philip Levine has positioned himself as a major roadblock in the way of OMA‘s proposed Miami Beach Convention Center. South Beach ACE, a team lead by Rem Koolhaas, local developer Robert Wennett, and New York City developer Dan Tishman narrowly edged a design by Bjarke Ingles Group in a hotly contested competition held last year to re-design the campus.
Levine has now raised questions about the proposed $1 billion cost of the project and is calling for a new set of candidates offering smaller-scale and more affordable renovation options. On Wednesday, the city officially killed the project.
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A timber-backed glass facade provides transparency, acoustical isolation, and resiliency for a historic theater complex in the nation’s capital.
When the Mead Center for Performing Arts in Washington D.C. hired Vancouver-based Bing Thom Architects to double the institution’s square footage without disturbing two historic theaters designed by treasured architect Harry Weese, it was clear to firm principal Michael Heeney that standard solutions would not suffice. For one, the theater facilities were insufficient and outdated. More troublesome, however, was the fact that passenger jet liners taking off and landing at Regan National Airport across the Potomac River were so loud they were interrupting performances. The architects had to find a solution to mitigate this cacophony both for the existing structures as well as for the expansion—a new theater called Arena Stage.
“We had to achieve acoustical separation and isolation from exterior noise in a way that was respectful and maintained the integrity of the original structures,” Heeney told AN. Building off an approach that originated from a project in Surrey, British Columbia, the design team decided to wrap the triangular-shaped complex in glass with timber column supports, topped off with a 500-foot cantilevered roof. With the help of structural engineers at Fast + Epp and facade consultancy Heintges, the team extrapolated the Surrey solution to provide even greater transparency for the existing Weese theaters, Arena Stage, and a variety of mixed use spaces totaling 200,000 square feet. Read More
Pittsburgh’s new mayor took office this week, and with him comes a cabinet division dedicated to neighborhood development. The Steel City has largely scrubbed its image as an ailing post-industrial town in recent years, drawing in new artists and young professionals, but the revival has not touched all parts of the city equally.