Tietz-Baccon Dials Down The Volume in a Textural Chicago Office
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Raw material was juxtaposed against lacquered MDF at the bottom that alternates for textural variation as well as durability. (Christopher Barrett)
Tietz-Baccon fabricated a 7-foot by 23-foot freestanding wall, and a 10-foot by 160-foot decorative wall for Enova’s Chicago offices.
As more and more companies embrace open workspaces that support collaborative and impromptu group work, acoustics are of utmost importance to employee productivity. To craft sound-absorbing feature walls for the Chicago offices of financial firm Enova, Brininstool + Lynch turned to fabrication studio Tietz-Baccon. Their six-person facility in Long Island City, New York, makes bespoke solutions for a variety of design-minded clients who appreciate—and ultimately benefit from—the founders’ architectural background: Erik Tietz and Andrew Baccon met as students at Harvard’s Graduate School of Design.
“On the fabrication end, we take nonstandard projects and make them achievable by relying heavily on our digital capabilities,” Baccon said. “Brininstool + Lynch had a concept that was worked out very well and was looking for someone who could execute on a tight budget in a short period of time.” According to Baccon, the architects came to the fabricators with a family of shapes and a way of aggregating them, which was then applied to different materials, helping Tietz-Baccon deliver finished projects very close to the firm’s original requests. “There was good collaborative discussion, and a back-and-forth to tweak and bring the concept to realization. They didn’t have to compromise their idea that much.”
Winners of the 2013 eVolo Skyscraper Competition Announced
The winners of eVolo magazine’s 7th Skyscraper Competition have been announced! This year the publication, which has hosted the prestigious competition since 2006, received 625 submissions from 83 different countries, but only 3 of the most thought-provoking projects were selected as the winners. From floating (on-water and in-midair) skyscrapers to morphing structures, each of these futuristic designs not only resembles something out of a sci-fi film, but more importantly, radically defies our understanding of vertical architecture, creatively explores new technologies, and proposes solutions for a more sustainable urban future.
Brazilian Architect Carla Juaçaba Wins First arcVision Prize For Women in Architecture
Thanks to the Italcementi Group, International Women’s Day just became that much more special. This year the group found a unique way to celebrate the holiday by instituting the very first competition its arcVision—Women in Architecture prize, an award that valorizes the increasingly important role women have and continue to play in architecture.
The jury selected 19 finalists from 15 different countries including but not limited to Egypt, Switzerland, Singapore, Italy, and Thailand. The architects were judged according to their creative approach in designing an unconventional structure as well as their ability to design a building that responds to the context of its site.
The prize was bestowed to Brazilian architect Carla Juaçaba at a press conference at the group’s i.lab Research Center (designed by Richard Meier) in Bergamo on March 7th, and was publicly announced the following day for International Women’s Day.
Providence Takes Top Award in Bloomberg Mayors Challenge

Bloomberg Philanthropies gives Providence $5 million to implement system to monitor low-income families. (Martha Heinemann Bixby / Flickr)
Bloomberg Philanthropies has announced the winners of its Mayors Challenge, a competition meant to generate innovative ideas for the improvement of city life. Out of the 300 cities that submitted proposals, the giving institution created by New York City Mayor Michael R. Bloomberg gave the Grand Prize for Innovation to Providence, RI, and its mayor, Angel Taveras. The city was awarded $5 million to implement its project, what Bloomberg Philanthropies called a “cutting-edge early education initiative.” Under the initiative, participating children will wear a recording device home that will monitor the conversations they have with their parents or other adults. The transcripts of these conversations will then be used to develop weekly coaching sessions in which government monitors or someone will coach the grownups on how better to speak with their children.
Before & After> WXY’s Blueway Plan To Transform Manhattan’s Waterfront


WXY architecture + urban design has a game plan to revive Manhattan’s East River waterfront, softening its hard edges with wetlands, beaches, and new pedestrian and cyclist amenities to create a model city based on resilient sustainability and community-driven recreation. AN spoke with WXY principal Claire Weisz about her firm’s East River Blueway plan to find out a new waterfront can help New York stand up to the next major storm. Below, slide between the current views of the East River waterfront and the proposed changes under the Blueway plan.
Brooklyn Navy Yards’ Concrete Monolith To See Major Renovation

Building 77 at the Brooklyn Navy Yard. (emma.maria / Flickr)
The Brooklyn Navy Yard has emerged as one of those rare, post-industrial-era success stories. The former shipyard, which closed in 1966, is now home to a mix of industries such as construction, cleantech, metal fabrication, film production, design, contracting, and even urban agriculture. The Wall Street Journal reported that the non-profit Brooklyn Navy Yard Development Corp. will soon announce an $80 million renovation of Building 77, a monolithic concrete former ammunition depot and the largest structure on the 300-acre park.
Floodwaters Surround Mies Van Der Rohe’s Farnsworth House
Just over four years ago, the Fox River spilled its banks, sending floodwaters into Mies van der Rohe’s Farnsworth House and causing significant damage. Built in 1951 and located outside Chicago, the river is again rising, now fully surrounding the stilted abode turned museum, and the house, operated by the National Trust for Historic Preservation, has shared watery photos on its Farnsworth blog, stating: ”The house is fully surrounded by river water, but neither the lower deck nor the upper deck has yet to be breached.” Water is not expected to enter the house, but all precautions are being taken, including elevating interior furnishings on milk crates.When the site is not flooded, tours of the house are available to the public.
Three Winning Teams Imagine Sustainable Infrastructure for Infill Philadelphia: Soak It Up!
On Friday, three winners of the Infill Philadelphia: Soak It Up! design competition were announced following deliberation by a jury of sustainable stormwater infrastructure industry insiders at Drexel University on Thursday. Created by the Philadelphia Water Department, the United States Environmental Protection Agency (EPA), and the Community Design Collaborative, the competition called for creative and sustainable solutions for Philadelphia’s stormwater management. Architects, landscape architects, engineers, and other professionals formed 28 teams to provide innovative means for urban infrastructure to transform the city. From nine finalists, three winners were selected, each responding to a different urban context (industrial, commercial, and neighborhood) and cashing in on the $10,000 prize.
Veyko’s Four Star Installation for Le Bernardin
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The main metal screen in the dining room of Le Bernardin measures 32 1/2 by 11 1/2 feet. (Eduard Hueber)
Veyko’s custom metal screens are composed of 284 aluminum strips, each containing several varying 45-degree angles.
After 25 successful years, it was time to update the interior of Le Bernardin—a New York restaurant renowned for its constantly evolving menu. Owners Eric Ripert and Maguy Le Coze turned to New York-based architecture firm Bentel & Bentel Architects & Planners to design an interior that matched its trend-setting carte du jour. Part of the sophisticated new palette includes three metal screens that offer privacy and transparency in the main dining area, a new lounge, and the entry foyer. To craft the screens’ 284 undulating aluminum strips and frames, the architects turned to Veyko, an ornamental metal fabrication studio outside of Philadelphia.
Jumping off from a two dimensional drawing, Veyko owner Richard Goloveyko said the specific form of the screens developed organically through the design and fabrication process. “We spent a lot of time establishing our ability to bend each bar consistently,” he said. “One of the intricacies of the project was keeping the bends consistent to form a pattern; if a bend isn’t consistent it can start to read.”
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