I finally got around to reading Robert Sharoff’s fascinating Chicago Magazine piece on the life and work of Harry Weese, the architect of one of my favorite works of modern of architecture, infrastructure, and urban design, the D.C. Metro. The piece is packed with 20th century Chicago architectural history, compelling biography, and insightful analysis of Weese’s work. Sharoff draws on Robert Bruegmann’s forthcoming book on the architect, and both make the case that Weese should be considered one of the preeminent figures in Postwar American architecture. Like his friend Eero Saarinen, he seemed to reinvent himself with each new project, pushing modernism in new, diverse directions and offering an alternative to Miesian orthodoxy. Sadly, his prolific career was brought to a premature end by alcoholism, but even so he made an indelible mark on the American landscape.