Product> Contract Furnishings & Materials: Six picks from this year’s NeoCon

Design, Interiors, National, Product
Friday, August 22, 2014
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Steelcase4766

(Courtesy Steelcase)

As thinking on workplace design continues to evolve—should we stand or sit? Collaborate or isolate? Specialize or multi-task?—the need for comfortable, well organized, and aesthetic environments remains unquestioned. Here are a few items from NeoCon 2014 that caught our attention.

Soto II Tools
Steelcase

A collection of multi-functional organizers leverages the limited desktop space of the modern office. Includes monitor bridge, shelves, and USB hub.

More after the jump.

Louisville Names Winners in Competition to Creatively Reuse Abandoned Lots Across the City

(dye scape)

(dye scape)

In January Louisville Mayor Greg Fischer implored local designers and developers to propose ideas for 250 of the city’s several thousand vacant lots. Last week they announced four winners, which included gardens of dye plants for local textile production; a Habitat for Humanity–style homeownership program; environmental remediation via lavender fields; and meditation gardens made of recycled materials.

See the winning proposals after the jump.

Product> Grethe Sørensen for Wolf-Gordon Textiles and Wallcoverings

Product
Monday, January 20, 2014
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Millions of Colors by Grethe Sorensen for Wolf-Gordon

Millions of Colors by Grethe Sørensen for Wolf-Gordon

This March, Wolf-Gordon will launch a collection of upholstery and wallcoverings featuring the designs of Danish textile designer Grethe Sørensen. The offerings highlight the artist’s ground-breaking technique of translating pixels to threads, most recently displayed in her exhibition Rush Hour/Shanghai 5 at Fuori Salone in Milan. Sørensen’s work often features variations of light and color found in night settings and urban landscapes, which she manipulates in Photoshop before translating on to fabric. Cooper-Hewitt plans to acquire her work once its new building opens in late 2014.

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NeoCon Taken by “Force”

Fabrikator
Friday, July 19, 2013
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Brought to you with support from:
Fabrikator
Fabrikator
The Guild fabricated a site-specific installation for Chicago's Merchandise Mart during NeoCon 2013. (James Shanks)

The Guild fabricated a site-specific installation for Chicago’s Merchandise Mart. (James Shanks)

Wolf-Gordon’s “Force of Nature” spirals through Chicago’s Merchandise Mart during NeoCon 2013.

Based on the success of Wolf-Gordon’s inaugural NeoCon installation in 2012, chief creative officer Marybeth Shaw commissioned yet another show-stopping design piece for 2013. With the working title “Forces of Nature,” she turned once again to New York City–based design studio karlssonwilker and Brooklyn-based design-build collaborative The Guild to create a sculpture that would showcase the breadth of the company’s textiles and wall coverings. “The title ended up being quite appropriate to the final form, as the sculpture is a geometric construct with all of the resulting physical forces that might spin it out of the Mart’s ‘town square,’” Shaw recently told AN.

Karlssonwilker initially conceived of a kinetic sculpture, but Shaw wanted a large installation—nearly 30 feet long and 14 feet wide. At that size, there was no room for movement within the given space, a double-height ceiling over an escalator that would carry 42,000 show attendees. “We wanted it to rotate like a rotisserie chicken, but we went for a larger form,” said Graham Kelman, creative manager for The Guild. Ultimately, the team decided on a static sculpture resembling a twisted spine that gives a sense of movement through color and form. “I lost sleep over whether it would fit because if there was flex in the spine, it wouldn’t work.”

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Product > Finds from the Floor at NeoCon 2013

Midwest, Newsletter, Product
Wednesday, June 19, 2013
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Cliffy 6000 from SIXINCH.

Cliffy 6000 from SIXINCH.

Nearly 42,000 architects, interior designers, facilities planners, furniture dealers, and distributors converged on NeoCon, the A&D industry’s largest exhibition of office, residential, health care, hospitality, institutional, and government design products. Held from June 10–12, the show included education components and keynote presentations from Bjarke Ingels, founder of BIG; Michael Vanderbyl, principal of Vanderbyl Design; Holly Hunt, president & CEO of Holly Hunt; and Lauren Rottet, interior architect and founder of Rottet Studio. AN was present to cover a handful of educational seminars and sessions (see our live tweets from Ingels’s presentation on our Twitter feed), and we scoured the showrooms in search of 2013’s new product trends. Following are a few we saw at the show.

Check out AN’s top picks after the jump.

Get AIA CES Credits At Designx/Francis Bitoni Workshop.  Get AIA CES Credits At Designx/Francis Bitoni WorkshopJoin us for four days of hands-on digital design and fabrication workshops and at DesignX, hosted by the International Contemporary Furniture Fair, and earn your AIA CES credits! From May 18-21, you can join the industry’s leading experts at the Jacob Javits Center to get your hands dirty with the latest in web-based design apps, parametric design, and interactive modeling services. Stop by Saturday to get the lowdown on 3D printed fabrics from Francis Bitoni, the man behind Dita Von Teese’s miraculously printed gown. Learn how 3D printing is transforming the textile and fashion industries, and get started with the fundamentals of Rhino3D—the world’s leading modeling software. The workshop will cover the basics for creating your design, manipulating geometries, and preparing your textile model for 3D printing. Visit deisgnX.is to reserve your space now, and for more information of the workshops and events.

 

On View> Andrea Zittel: Fluid Panel State

East
Thursday, October 11, 2012
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(Courtesy Andrea Rosen Gallery)

(Courtesy Andrea Rosen Gallery)

Andrea Zittel: Fluid Panel State
Andrea Rosen Gallery
New York
524 West 24 Street
Through October 27

Andrea Zittel’s tenth solo show, Fluid Panel State, at the Andrea Rosen Gallery, her expands on her previous ideas that our culture is fixated on assigning order to a chaotic world by defining the personal and social significance of objects and by creating a distinction between everyday objects and art. Zittel demonstrates through a panel, a nebulous form, how an object can exceed functional properties, such as shelter or clothing, to convert into an art object, such as a tapestry or a painting. The gallery is compiled mostly of handmade textiles, designed by Zittel, but also includes large enamel paintings, smaller framed paintings on paper, and a large carpet placed in the center of the installation. A PowerPoint presentation further discusses the properties of the fluid panel state expanding on the importance positioning has in attributing meaning to a flat panel. Ultimately the exhibit leaves viewers to decide if they are experiencing art or object.

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