The Contemporary Austin
700 Congress Avenue, Austin, Texas
Through April 20th
Charles Long’s latest exhibition CATALIN—aptly named after a toxic plastic material fabricated in the 1930s—uses a multi-media approach to simulate a feeling of impending doom. In this Gesamtkunstwerk, Long combines sculpture, film, music, fragrance, theater, performance, and grand spectacle to create a mystical and magical Wagnerian world.
It’s no secret that Houston is going through a growth spurt. The city currently has four central business districts that, if separated, would each be among the country’s top 15 employment centers. In the next 30 years, 3.5 million people are projected to move to the 8-county region, with two million of those concentrated in Harris County.
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Austin’s Circuit of the Americas gets an iconic observation tower using 350 tons of steel.
The Circuit of the Americas (COTA) in Austin, Texas, will host the United States Grand Prix from 2012 to 2021. While German Formula 1 specialist Hermann Tilke designed the racecourse and technical facilities, COTA’s owners hired local firm Miró Rivera Architects to turn out a main grandstand and amenities for the 9,000 fans expected to attend the races. In addition to imbuing the project with a variety of programmatic functions that go beyond racing, Miró Rivera created a sleek observation tower that gives spectators unrestricted views across the racetrack’s twisting expanse.
“Our idea for the tower was to be able to go way up and see the track from one focal point in a structure that was an iconographic symbol for the track,” said Miguel Rivera, founder and principal of the architecture firm. “Our inspiration came from Formula 1 cars, where speed and efficiency are so important.” Just like the track’s feature attractions, the tower’s design didn’t feature any excesses. Structural engineers at Walter P Moore helped ensure every piece of steel did some kind of work so the tower was as efficient as possible. Read More
Roads of Arabia: Archaeology and History of the Kingdom of Saudi Arabia
The Museum of Fine Arts Houston
5601 Main Street
December 19 through March 9, 2014
The Museum of Fine Arts Houston (MFAH) is hosting an eye-opening exhibition this winter that will uncover the rich history of the ancient trade routes of the Arabian Peninsula. Organized by the Smithsonian’s Arthur M. Sackler Gallery in Washington, D.C., in association with the Saudi Commission for Tourism and Antiquities (SCTA), Roads of Arabia will feature objects recently excavated from more than 10 archaeological sites, and give insight into the culture and economy of this ancient civilization. Recently discovered objects along the trade routes include alabaster bowls and fragile glassware as well as heavy gold earrings and monumental statues. All of the artifacts are testament to the lively exchange between Arabs and their neighbors, including the Egyptians, Syrians, Babylonians, and Greco-Romans.
Form/Unformed: Design from 1960 to the Present
The Dallas Museum of Art
1717 North Harwood Street
Extended through December 2014
The Dallas Museum of Art is celebrating the work of prolific designers and architects from the 1960s to the present with its first comprehensive design exhibition. Some of the featured designers include Robert Venturi, Frank Gehry, Aldo Rossi, Zaha Hadid, and Donald Judd. Drawn entirely from the Museum’s own collection, the exhibition reveals the evolution of forms and ideologies that have shaped international design over the last half century.
“Several of the works on view are recent acquisitions that reflect the continuing expansion of the Museum’s decorative arts and design program to include historic American and European work, as well as contemporary objects of international significance,” said Bonnie Pitman, The Eugene McDermott Director of the Dallas Museum of Art. From modern jewelry like The Golden Fleece, to iconic furniture, the exhibition spotlights the extraordinary work of some of the best designers of our time.
According to a very confidential source, engineers currently working on the Waller Creek tunnel believe that Austin sits on top of some of the most optimal conditions for tunneling in the entire U.S. These number-crunching problem solvers claimed that a subway tunnel beneath the Texas State Capital’s downtown would cost 1/10th of the amount it would in most places in the country. However, the brainiacs also said that there are those in high places who do not want that knowledge spread around (read TxDOT) because the construction of more freeways is making certain people a great deal of money.
Yesterday, Houston voters killed a $200 million ballot initiative to renovate the unused Astrodome. Fifty-three percent opposed the measure and 47 percent supported it. The plan would have turned the stadium—the first domed and air-conditioned professional stadium—into a multi-use event and convention space. Houston’s professional sports teams now play in Reliant Stadium next door and Minute Made Park in downtown Houston. Without funding for renovation, the dome appears destined for demolition.
Tomorrow, AN will release the results of the “Re-imagine the Astrodome” competition, which includes both pragmatic and visionary ideas for re-using the Space Age structure. To celebrate, join us for coffee and refreshments at the Texas Society of Architects in the Grand Lobby of Fort Worth Convention Center from 10:00-11:00 a.m. We’ll also be launching the inaugural issue of the Southwest edition. Stop by meet AN‘s new Southwest Aaron Seward.
Austin, Texas–based architects Dan Cheetham and Michelle Tarsney have given a new face to some of the city’s underutilized spaces: alleyways. Their one-of-a-kind community art installation, 20ft WIDE, seeks to resolve conflict between architecture, art, and humanism in order to create places of lasting value. The once forgotten alley between Ninth and Tenth streets, which connects Congress Avenue and Brazos Street in Downtown Austin, has been transformed into a collaborative space to bring attention to public urban places and foster discussion about the new possibilities for their uses
Austin’s new temporary art installation, THIRST, is inspired by Texas’ ongoing periods of severe drought since 2011. According to studies conducted by Texas A&M Forest Services, over 300 million trees have succumbed to the state’s extremely dry conditions over the past three years. Located between the Pfluger Pedestrian Crossway and the Lamar Boulevard Bridge, a white-ghostly tree now hovers over Lady Bird Lake and is surrounded by a floating barrier.
As Harris County voters prepare to make their decision on the fate of Houston’s iconic Astrodome, some lucky locals will have an opportunity to bring home a piece of the historic stadium this Saturday. In preparation for the stadium’s pending rebirth as the “New Dome Experience” (or its possible destruction), the building’s managers are tearing a page out of Minneapolis’ playbook as they put sections of the stadium up for sale.
A limited quantity of seats, genuine sections of AstroTurf, furnishings, concessions equipment, and various memorabilia—including the space helmets worn by the grounds crew for the stadium’s opening 48 years ago—are up for sale at the Astrodome Yard Sale and Live Auction at Houston’s Reliant Center on November 2.
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A Dallas pavilion’s exposed structure demanded extremely tight tolerances of Irving, Texas–based fabricator, CT&S.
Ten years ago, the Dallas Parks & Recreation Department launched a revitalization project to update 39 decrepit pavilions throughout its park system. One of them—which was to be designed by the New York office of Norwegian architecture firm Snøhetta in partnership with local practice Architexas—sat at the mouth of a meadow lined by old pecan and oak trees on the southern side of College Park. Speaking about the site, Snøhetta director Elaine Molinar said, “You’re aware you’ve left the surrounding neighborhood and entered a more rural setting.” This is the feeling that the team wished to encourage in its design for a new pavilion.
Artists Dan Havel and Dean Ruck of Havel Ruck Projects have garnered attention for some interesting installation pieces in Houston, blurring the lines between art and architecture. Over the last eight years, the collaboration has constructed temporary artworks using old, wooden homes, bizarre shows of simultaneous deconstruction and reconstruction of architecture.
Inversion from 2005 recreates two wood bungalows, donated to the artists by Art League Houston, into a vortex of white wooden planks. In 2010, the Houston Art Alliance sponsored Havel Ruck Projects’s creation of Fifth Ward Jam. A wooden home doomed for refuse in Houston’s 5th Ward became an imaginative community stage of vertically spewed boards.