On View> “On the Thresholds of Space-Making” at Washington University in St. Louis

Midwest, On View
Thursday, March 27, 2014
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Shinohara Kazuo, Great room (hiroma), House in White, Suginami Ward, Tokyo, 1964‐66. (Murai Osamu / Courtesy Tokyo Institute of Technology)

Shinohara Kazuo, Great room (hiroma), House in White, Suginami Ward, Tokyo, 1964‐66. (Murai Osamu / Courtesy Tokyo Institute of Technology)

On the Thresholds of Space-Making
Sam Fox School, Washington University
One Brookings Drive
St. Louis, Missouri
Through April 20

The work of Shinohara Kazuo (1925–2006), one of Japan’s most influential architects of the postwar generation, is surveyed in On the Thresholds of Space-Making. Shinohara gained popularity as an architect with his series of sublime purist houses designed over a thirty-year period that went through the 1980s. Shinohara scrutinized and reframed fundamental architectural conventions, such as public/private, body/space, and openness/enclosure.

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Ten Roads Whose Time Has Come: Congress for the New Urbanism Releases List of Freeways Ripe for Removal

highways_to_boulevards_2

Detroit's I-375 made the list.

Detroit’s I-375 made the list. (gab482/flickr)

The Congress for the New Urbanism has released their annual list of Freeways Without Futures. The organization selected the top 10 urban American (and one Canadian) highways most in need of removal. The final list was culled from nominations from more than 50 cities. Criteria for inclusion included age of the freeway, the potential that removal would have to positively effect the areas where the roadways are currently situated, and the amount of momentum to realize such removals. Additionally the CNU highlighted campaigns in Dallas, the Bronx, Pasadena, Buffalo, and Niagra Falls, that are taking significant steps towards removing freeways (some of which have been included in past lists) as illustrations of broader institutional and political shifts on urban infrastructural thinking.

The dubious list after the jump.

“Sculpture City” Invites Dialogue On Public Art in St. Louis

Midwest
Tuesday, February 18, 2014
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St. Louis' Gateway Arch under construction. (Courtesy Missouri State Archives)

St. Louis’ Gateway Arch under construction. (Courtesy Missouri State Archives)

It’s open season for public art in St. Louis, according to the groups behind Sculpture City St. Louis 2014—an ongoing festival “intended to draw attention to the rich presence sculpture has in the visual landscape of our region.” The programming leads up to and continues after an April conference.

Art exhibitions throughout the year aim to continue the conversation. For instance, Art of Its Own Making, a show at the Pulitzer Foundation for the Arts that features sculpture, installation, film, and performance works through August 20.

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On View> “Takeshi Murata: Melter 2″ at the Contemporary Art Museum of St. Louis

Art, Midwest, On View
Tuesday, February 4, 2014
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(Courtesy Contemporary Art Museum of St. Louis)

(Courtesy Contemporary Art Museum of St. Louis)

Takeshi Murata: Melter 2
Contemporary Art Museum of St. Louis
3750 Washington Road, Saint Louis, MO
Through April 27

New York–based artist Takeshi Murata will be transforming the facade of the Contemporary Art Museum of St. Louis through the installation of Melter 2. Created in 2003, the playful piece of video is being enlarged from its original form in order to fit the museum’s 62-by-18-foot metal facade. Melter 2 is reflective of the vibrant and psychedelic animations that have formed a major component of Murata’s practice. Its colorful floral forms that seem to melt and fuse over the course of the video will be visible once night falls through April 27. The work is the second in the museum’s ongoing series of expansive video-art installations, Street Views.

St. Louis Architect Wants Public Art for Public Health

Midwest
Tuesday, December 3, 2013
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The "Space-Time Transformation Footbridge"  is coated with a photovoltaic film to generate electricity to power shape changes and light the bridge at night. (Michael Jantzen)

The “Space-Time Transformation Footbridge” is coated with a photovoltaic film to generate electricity to power shape changes and light the bridge at night. (Michael Jantzen)

One St. Louis architect thinks his city’s public art needs a shot in the arm. Michael Jantzen says public art should further public health, and his work—interactive designs replete with solar film and meant to encourage exercise—shows how.

Continue reading after the jump.

Video> Jennifer Steinkamp Turns the St. Louis Contemporary Art Museum Inside Out

Midwest
Tuesday, November 12, 2013
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(Jennifer Steinkamp)

(Jennifer Steinkamp)

Digital artist Jennifer Steinkamp’s first installation in a series at St. Louis’ Contemporary Art Museum is up and running, transforming the museum’s facade into a projection screen for large-scale video art. Steinkamp’s installation, Orbit, features trees, vines, and other plants whipped up by turbulent windAN brought you images from the work back in October, but take a look at the newest video of the project below.

Watch the video after the jump.

On View> Jennifer Steinkamp Turns the Contemporary Art Museum St. Louis Inside Out

Midwest, On View
Tuesday, October 15, 2013
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(Jennifer Steinkamp)

(Jennifer Steinkamp)

Jennifer Steinkamp: Street Views
Contemporary Art Museum St. Louis
3750 Washington Blvd, St. Louis, MO
Through December 23

The Contemporary Art Museum of St. Louis has inaugurated Street Views, an exhibition featuring a series of works by digital installation media artist Jennifer Steinkamp. As part of the 10th anniversary of CAM’s building, the museum will be turned inside out, as its exterior will be transformed into a gallery with large-scale video art being projected onto its facade.

Continue reading after the jump.

St. Louis Plan Calls for Form-Based Code to Push Transit-Oriented Development

Midwest
Monday, September 16, 2013
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stl-tod-01

For nextSTL, Richard Bose takes a close look at what’s next for St. Louis’ transit-oriented neighborhood. The Skinker-DeBaliviere neighborhood and the area near the Delmar and Forest Park MetroLink stations (both Red and Blue lines) have six bus routes. They’re near the forthcoming Loop Trolley line. A Department of Housing and Urban Development–funded sustainability plan, called OneSTL is examining opportunities for transit-oriented development near MetroLink stops.

Continue reading after the jump.

On View> “Thomas Bayrle: Chrysler Tapete” Opens September 6 at the Contemporary Art Museum St. Louis

Midwest
Thursday, September 5, 2013
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(Courtesy Contemporary Art Museum St. Louis)

(Courtesy Contemporary Art Museum St. Louis)

Thomas Bayrle: Chrysler Tapete
Contemporary Art Museum St. Louis
3750 Washington Blvd, St. Louis, MO
September 6, 2013 to October 27, 2013

From September 6 to October 27, the Contemporary Art Museum St. Louis and chief curator Dominic Molon present Chrysler Tapete (1970) as part of the institution’s ongoing Front Room program. One of a series of wallpaper works that German artist Thomas Bayrle has produced since the late 1960s, Chrysler Tapete features the repeated image of an automobile until its distinctiveness subsides into a colossal collectiveness. The purpose is to signify the tension between positive, shared experiences and the feeling of oppressive uniformity. Bayrle, a leader in European Pop Art—frequently referred to as Grey Pop—continues to experiment with painting, sculpture, fashion, and graphic design and currently lives and works in Frankfurt am Main, Germany. Through solo and group exhibitions, his objective is to uncover how our society of mass production and consumption influences our understanding of the world. Bayrle investigates how physical space, scale, and pattern influence the observer. Chrysler Tapete, consisting of silkscreen print on paper, has an intense visual presence that provides visitors with a new way to experience the exhibition space itself, a fitting role as the installation coincides with the tenth anniversary of the Contemporary Art Museum’s building.

Six Outstanding Libraries Honored by the AIA and American Library Association

National, Newsletter
Monday, June 3, 2013
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South Mountain Community Library. (Bill Timmerman / Mark Boisclair)

South Mountain Community Library. (Bill Timmerman / Mark Boisclair)

As cities across the country struggle to bring new life to aging athenaeums and cash-strapped local libraries, the AIA has honored six outstanding examples of library design in this year’s AIA/ALA Library Building Awards. In the past we have seen a Walmart transformed into a library, a controversial starchitect renovation in New York, and an interactive, LED light-show—now take a look at these honored projects. From democratic design in the nation’s capital to a stunning Beaux-Arts restoration in St. Louis and high-tech solutions in North Carolina, this year’s winning projects present a range of answers to the challenges facing our fading repositories.

View the winners after the jump.

Anheuser-Busch Taps Plans For St. Louis Biergarten

City Terrain, Midwest
Wednesday, May 8, 2013
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A new outdoor "biergarten" at the Anheuser-Busch brewery in St. Louis will be a first for any of the beer conglomerate's 12 U.S. breweries. (Courtesy Anheuser-Busch)

A new outdoor “biergarten” at the Anheuser-Busch brewery in St. Louis will be a first for any of the beer conglomerate’s 12 U.S. breweries. (Courtesy Anheuser-Busch)

An 18-foot, bright red “B” plucked from St. Louis’ Anheuser-Busch brewery will find a permanent home in the beer conglomerate’s first U.S. “biergarten.” The “B” is a relic of the neon Budweiser sign replaced by LEDs in February.

Located adjacent to the brewery’s tour center at 12th and Lynch streets, the beer garden joins what is already one of the region’s largest tourist attractions, drawing 350,000 visitors annually. Five of the dozen U.S. breweries are owned by A-B, which itself is a wholly-owned subsidiary of Belgium-based A-B InBev, but the St. Louis location is so far the only one with a beer garden on tap.

Continue reading after the jump.

Massive Monsanto Expansion in St. Louis Suburbs has Urbanists Asking, “Why not downtown?”

Midwest
Thursday, April 25, 2013
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Cannon Design's life sciences research center for agribusiness giant Monsanto in Chesterfield, Missouri. (Courtesy Cannon Design)

Cannon Design’s life sciences research center for agribusiness giant Monsanto in Chesterfield, Missouri. (Courtesy Cannon Design)

Agribusiness titan Monsanto has pledged hundreds of millions of dollars in upgrades to its research facility outside St. Louis, and design details are starting to pop up. Cannon Design will plan, design and engineer a new 400,000 square foot center for life sciences research.

Continue reading after the jump.

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