Jamie Carpenter, the world-renowned architect who has left his mark on projects like New York City’s Millennium Tower, Brooklyn Bridge Park, and others, recently revealed his latest work, Light Veil, at Dallas’ Cotton Bowl Stadium. The Cotton Bowl Public Art Project, a $25.5 million endeavor aimed at revamping the stadium, included a contest that Carpenter won out for equipping the stadium with a new facade.
Rome is home to what is likely the most iconic example of sport architecture on the planet. The Colosseum is a distant precedent for the design of most stadiums, but Woods Bagot has chosen to make the connection explicit in their new project for local soccer club AS Roma. The international firm has unveiled their vision for a new, more centrally located venue set to open at the start of the 2016–2017 season.
London-based Weston Williamson won first prize in an international competition to design the Brasilia Athletics Stadium, an innovative skeletal structure inspired by the wings of a bird in flight. The huge, feather-like formations that create the structure’s undulating roof canopy will be constructed from lightweight concrete and steel connections. This feather-like roof will be in a constant state of flux, as the individual sections respond to environmental fluctuations, such as wind and sunlight.
The Arab state of Qatar is in full swing with its plans to host the FIFA World Games 2022. Selected in 2010, it is the first time in the history of FIFA that a Middle Eastern Country has been chosen to host the tournament.
Three existing stadiums will be expanded and nine new ultra-modern stadiums will be built, including one designed by Zaha Hadid Architects. The stadiums will reach capacities from approximately 45,000 seats for the group matches, to more than 85,000 seats for the finals. The design vision involves keeping all the stadiums within a one hour drive from the FIFA headquarters, allowing fans to attend more than one game a day.
[ Editor's Note: The following story, "Il Duomo," first appeared in Texas Architect's May/June 1990 issue. It was written by the late Douglas Pegues Harvey, an architect who graduated from Rice University and worked for Marmon Mok Architecture in San Antonio. It was written on the occasion of the Houston Astrodome's 25th anniversary as a sort of homage as well as a protest for the fact that the building was not chosen for the AIA Twenty-Five Year Award. Eero Saarinen's Gateway Arch was. (Incidentally, another Houston project was chosen for the 2013 25-Year Award.) We are rerunning this story, with permission, because today, September 17, is the registration deadline for Reimagine the Astrodome, AN and YKK AP's Astrodome Reuse Design Ideas Competition. Due to the overwhelming enthusiasm surrounding the competition, we've decided to extend the registration dealing to Monday, September 23. So if you were sleeping, wake up! Sign up today! (Also, if you have the chops to write articles like "Il Duomo" and want to contribute to AN Southwest, please contact Aaron Seward, email@example.com.) ]
It’s not every building that gets to be known as The Eighth Wonder Of The World. Texas’ nominee, the Astrodome, opened 25 years ago as the world’s finest interior landscape. On Apr. 9,1965, a time when the hegemony of television and the standing of the Sunbelt in American life were not yet secure, the Astrodome opening struck a telling blow on their behalf. The occasion was a Houston Astro’s exhibition baseball game against the New York Yankees. With President Lyndon Johnson watching, Mickey Mantle (naturally) hit the first home run, but the Astro’s (necessarily) won.