The Chicago office of SOM has designed a modern take on the menorah, which recently took top prize in a charity competition sponsored by Steelcase. The solid wax menorah, which was created by Colin Gorsuch, burns so that the eight inch square frame is revealed with the passing of each night of Chanukkah. Read More
Big. Bold. Visionary: Chicago Considers the Next Century, another event commemorating the Burnham Plan Centennial, taps local architects, planners, and landscape architects to envision the ideal Windy City of the future. Some designers took a creative and sometimes whimsical approach, while others offered up more practical concepts. Read More
Sixty-eight degrees happens to be the best angle for the streets in San Francisco’s Treasure Island project, a utopian vision of green, pedestrian-centric living. The planners have realized that nobody will walk if they’re buffeted by blasts of wind that sweep the island from the southwest, so they came up with a compromise that blocks wind while giving cars enough clearance to turn.
It was just one of the interesting factoids that came up during yesterday’s tour, organized by the AIA SF for their Architecture + the City Festival, going on right now (still time to catch one of the other tours and get in on the learning and schmoozing!). Read More
We’ve been following Chicago’s Olympic bid rather closely of late, and not only because we’re on the way to inaugurating a Midwest edition of the paper. First, there was SOM’s intriguing proposal to create “sustainable,” “low-impact” Olympics that would have few legacy costs by using temporary facilities, an approach the IOC apparently favored. Then there was the impact of that plan, which still called for the demolition of some buildings—as well as hundreds of trees in Washington Park—most notably at the Walter Gropius-designed Michael Reese hospital campus. Outcry from preservationists led the city to delay demolition, which made time for the preservationists to develop alternative plans. Olympic opponents may be catching another break now, as, ironically enough, the very things the IOC purportedly liked about Chicago’s bid-lite may also be its undoing. Read More
In our pilot Midwest issue, I wrote about The Ledge, a new viewing platform at the Sears Tower (now Willis Tower) in Chicago. At the time, only renderings were available of the SOM-designed all-glass cubes that protrude off of the tower’s west face, and the project was expected to open in mid June. Well, it appears that the dizzying new viewing experience is now accepting visitors, as a whole rash of pictures have popped up on flickr. Among them is the above image, which reminds us that sometimes the highest achievement that architecture can aspire to is to fuel the dreams of a child.
The Monacelli Press has announced publication of a five-volume monograph on SOM. According to the publisher, the five books offer a near complete history of the iconic firm’s work from the 1950s to the present. Each project featured is illustrated with archival and new photographs, as well as drawings, and each volume begins with an essay from such well-known architecture critics as Henry-Russell Hitchcock, Albert Bush Brown, and Kenneth Frampton. The first three volumes are reprints of editions published by Verlag Gerd Hatje in 1963, 1974, and 1984, though their layouts have been updated and their covers redesigned to create a consistent aesthetic with the two new volumes. The monographs go on sale in October, though they are currently available for pre-order on Random House’s website.
Thursday night was my first at Postopolis! LA, and while I saw lots of cool presentations from cool people, I couldn’t help but start with the most unexpected, unusual, and exciting. Mike the Poet is a tour guide by day and a spoken word poet/rapper/genius by night. (Here‘s a nice profile from the LAT.) And while it’s true that discussions about gentrifying vampires and planning for World of Warcraft is cool, can you really top a dude rapping about urban density? Or SOM!