We’ve known for some time that SOM will be designing the new US Courthouse in Downtown Los Angeles. We’ve even gotten some glimpses of their scheme. But the firm has just unveiled new images of the project, filling out the picture of this new landmark for the city on the corner of 1st Street and Broadway.
The familiar image of a cube-like, 550,000-square-foot structure in the middle of the city is now accompanied by a closer view of a folded glass façade imbedded with a United States seal. The building, which floats above a central core, appears to cantilever outward on all sides, with ramps and a small park leading the way to the entry. Inside we get a peek at a large central atrium rising several stories, and walls made of some kind of blond stone. Exposed central stairs appear to make climbing upward a public process. SOM is still unable to comment on their scheme, but we’ll let you know when that changes.
Manhattan’s far west side is about to become one of the busiest construction sites in the country. Last Tuesday morning, officials gathered at the corner of 9th Avenue and West 33rd Street to celebrate the second major groundbreaking in the Hudson Yards District, Brookfield Properties’ trio of new SOM-designed towers comprising the Manhattan West development to be built over a large rail yard serving Penn Station. The $4.5 billion project’s first phase, construction of the north portion of the railroad-spanning platform that will eventually support development, is now underway, and New York Mayor Michael Bloomberg speculated that the second half of the platform could be underway in coming months. Excavation has been ongoing since the fall of 2012.
A proposed 57-story residential tower designed by SOM’s Roger Duffy at the corner of Manhattan’s East 57th Street and 2nd Avenue is seeing new life after laying low through the recession. The Observer reported today that the 250 East 57th project, announced in 2006, will begin construction this year now that developer World Wide Group has filed new construction papers with the city and began clearing the site.
AN previously reported how the project is a partnership with the New York City School Construction Authority to extract the air-rights value beneath the city’s school properties. In this case, developers of 250 East 57th paid the Department of Education $325 million for a site lease and agreed to rebuild P.S. 59 adjacent to the tower’s site, including roof terraces and a large astroturf play area. Roger Duffy told AN at the time, “A lot of school sites in New York remain underdeveloped in terms of FAR (floor-area ratio).” The school opened in September 2012.
AN has been anxiously awaiting official news of an architect for Los Angeles’ long-awaited Downtown Federal Courthouse, and we’ve picked up the scent of a promising rumor. Brigham Young’s DTLA Rising blog has heard from a “source at a large architectural and design firm in Downtown LA” that SOM has won the commission, beating out a short list of teams including Yazdani Studio and Gruen Associates, Brooks + Scarpa and HMC Architects, and NBBJ Architects.
The new $322 million courthouse will be located on a 3.7-acre lot in Downtown LA at 107 South Broadway and will contain 600,000 square feet incuding 24 court rooms. The General Services Administration (GSA), the federal agency in charge of building the new courthouse, hopes to have the project completed by 2016. The former art-deco courthouse at 312 North Spring Street will be sold to help pay for the new structure, drawing criticism from some politicians.
The GSA is expected to make an official announcement soon, and we’ll be sure to keep you updated as news comes in.
Chicago’s collective IQ, no doubt already impressive, may rise a few points even higher this Thursday and Friday. The city is hosting a gathering of international thinkers and innovators who specialize in the tools that enable the creation of some of the world’s most high-tech and visually arresting building skins. The conference, Collaboration: The Art and Science of Building Facades, is sponsored by The Architect’s Newspaper and Enclos.
On Thursday, the conference features a high-powered line-up of speakers on Thursday, including Fernando Romero of FREE as the keynote. Then on Friday, the conference turns practical with a series of hands-on workshops that will lead participants through the very latest tools, programs, and applications. For example, Florin Isvoranu of Austria-based firm Evolute, which has collaborating with Zaha Hadid, Asymptote and others, will host a workshop on parametrically driven optimization of freeform facades, a topic that even has industry experts signing up to learn something new.
From students to seasoned veterans, those currently attending include staffers from firms like Sapa, Thornton Tomasetti, Interface, Cannon Design, Adrian Smith + Gordon Gill Architcture, Perkins + Will, NBBJ, SOM, and KieranTimberlake, with roles ranging from engineer to BIM manager, market analyst to company president. PhD candidates, MArchs, and undergrads are flocking in from area universities and colleges including The School of the Art Institute, IIT, and Cranbrook Academy, as well as a hefty contingent of 12 students and three profs from the University of South Dakota State University‘s new Department of Architecture (DoArch).
Collaboration is the industry conference you can’t afford to miss. There’s still time to sign up! Registration details here.
If you walk down Fifth Avenue and 14th Street toward Union Square and notice a building under construction with crooked columns, don’t worry—it is not about to collapse. According to NBC New York, the SOM-designed New School University Center, previously detailed by AN, is raising eyebrows from the local community because some of its columns are slightly skewed.
But it’s no mistake. “It’s the most efficient way to carry all of the different structural loads of the building from the top of the foundation, ” Joel Towers, Parsons The New School for Design dean told NBC. The New York City Department of Buildings has confirmed there are no safety issues with the project.
The National Building Museum‘s latest exhibit presents a new way to beat the summer heat—12 holes of mini-golf designed by prominent local architects, landscape architects, and developers. But if it’s windmills and castles you’re after, tee off elsewhere. While the course is a challenge, it offers an intriguing (and very engaging) look at Washington’s architectural history and future.
We learn from our friends at Curbed that Los Angeles’ Sixth Street Viaduct Competition, replacing one of the most famous—and fragile—landmarks in LA, has a shortlist. The 3,500-foot-long, art deco span was recently deemed beyond repair, and the winner will build a $401 million, cable-stayed bridge in its place. The teams, all present at an LA Bureau of Engineering meeting last night, are AECOM, ARUP, HNTB, Parsons, Parsons Brinckerhoff, and SOM. Three of those teams will present their plans in September, with a winner chosen in October.
While the myriad instruments lining hospital walls are revised constantly to promote patient wellness, the building is there to stay. So if design can help heal or comfort the afflicted, hospital architecture is critical.
A Skidmore Owings & Merrill masterplan for Cincinnati’s Christ Hospital is meant to have a calming influence on both patients and staff. SOM’s 1.4-million-square-foot project broke ground Thursday, with completion expected by mid-2015. Demolition of a parking garage on the south end of the site will clear way for a new Orthopaedic and Spine Center, whose downtown-facing south side will serve as the new face for the hilltop hospital.