Skyscraper: Art and Architecture Against Gravity
Museum of Contemporary Art Chicago
220 East Chicago Avenue, Chicago
Through September 23
The Museum of Contemporary Art Chicago brings together 50 international 20th and 21st century artists for a show that investigates our enduring fascination with building into the sky. Skyscraper: Art and Architecture Against Gravity presents a history of these iconic structures and their impact on our understanding of technology, society, and myth. The exhibition is divided into five themed sections. “Verticality” reflects the optimism of building upward and the pursuit of iconic form. “Personification of Architecture” juxtaposes human and architectural form, placing the body in terms of building and vice-versa. “Urban Critique” examines the effects of modern housing on its inhabitants and the dislocation and alienation that can result from architecture’s utopian impulse. “Improvisation” records occupants’ responses to their built environment and the ways they transform and humanize buildings as documented in Marie Bovo’s courtyard perspective, above. “Vulnerability of Icons” considers our changing relationship to tall buildings post-9/11.
Bjarke Ingels, architect of mountains, now has set his eyes on Everest. The New York and Copenhagen-based architect’s firm BIG has been tapped by the Rockefellers to design one of the world’s tallest buildings at 1,929 feet for a new commercial development in Tianjin, China, a city of nearly 13 million people. Ingels revealed a cryptic, fog-shrouded rendering of the tower on his web site—indicative of the scarcity of detail yet released on the tower—but this being the information age, AN found more information and views of the tower on a clear day.
News Paper Spires
The Skyscraper Museum
39 Battery Pl.
Through July 2012
Focusing on the years between 1870 and 1930, News Paper Spires at the Skyscraper Museum considers the buildings where the most important events of the day were committed to the public record with ever-increasing speed. Just after the Civil War, The New York Times, The New-York Tribune, and The New York Post all were headquartered on the so-called “Newspaper Row” to the east of City Hall Park (above), each headquartered in early skyscrapers, where writers and editors worked above, while below typesetters and steam-engine powered printing presses churned out morning, afternoon and evening editions. In this exhibition, the history of these vertical urban factories—including their migration from downtown to midtown—is considered through films, architectural renderings, photographs, typesetting equipment, and the archival newspapers themselves.
The winners of the eVolo 2012 Skyscraper Competition have been announced; get ready for an afternoon of browsing some pretty spectacular renderings. Entries offer innovative (and sometimes outlandish) solutions in an attempt to address the social, historical, urban, and environmental responsibilities of the 21st century mega-structure.
SOM Chicago has won a competition to design a mixed-use tower in the new Chinese city of Suzhou. Located along a lake front, the tower includes a distinctive void carved out the upper portion of the tower, splitting the floorplates in half to better serve hotel uses. Offices will fill the lower, larger floorplates. “We’ve been doing these kinds of mixed-use towers since Hancock,” said Ross Wimer, a partner at SOM Chicago. “Instead of tapering the tower, we’ve carved away a slot to bring fresh air and light into the building.”