Isa Genzken: Retrospective
Museum of Modern Art
Through March 10, 2014
In the home stretch before it closes on March 10, Isa Genzken: Retrospective at MoMA shows a sculptor whose work is infused with architecture from her sleek early works of lacquered wood in the engineered Hyperbolos and Ellipsoids series to rougher experiments in plaster, concrete, and steel which resemble architectural maquettes on pedestals including Bank (1985), Rosa Zimmer (Pink Room) (1987), Galerie (1987), Kleiner Pavilion (1989), and Fenster (Window) (1990).
Brooklyn, New York
Through March 2, 2014
Traverse is an exhibition of new works by Melissa Murray and Erica Stoller at A.I.R Gallery in Brooklyn’s DUMBO neighborhood. Murray’s work focuses on pausing her daily life to examine personalized images that are swiftly tucked away in her subconscious. Stoller makes wall related sculptures that relate to the plane of the wall and garners meaning from the surrounding area.
It’s open season for public art in St. Louis, according to the groups behind Sculpture City St. Louis 2014—an ongoing festival “intended to draw attention to the rich presence sculpture has in the visual landscape of our region.” The programming leads up to and continues after an April conference.
Art exhibitions throughout the year aim to continue the conversation. For instance, Art of Its Own Making, a show at the Pulitzer Foundation for the Arts that features sculpture, installation, film, and performance works through August 20.
Richard Serra: Early Work
David Zwirner Gallery
537 West 20th Street
New York, NY
Through June 15
David Zwirner presents an exposition of early work by artist Richard Serra. The works on display, dating from 1966 to 1971 and compiled from museum and private collections, represent Serra’s earliest innovative, process-oriented experiments that employ nontraditional materials. He uses vulcanized rubber, neon, and lead to emphasize weight in relationship to the nature of materials. The exhibition, on view through June 15 at David Zwirner, examines the innovative methods and ideas that so decisively place Serra in the history of Twentieth-Century art.
‘Butter Cow Lady’ Dies at 81: Norma Lyon, known for sculpting tons of butter into life-size figures of cows, famous people, and even a diorama of the Last Supper at the Iowa State Fair, has passed away, the New York Times reports. Ms. Lyon got her start in butter sculpting in 1960 as the sculptor of the Butter Cow at the fair, after studying animal science and taking studio classes at Iowa State University. In 2007, she created a sculpture of then-Senator Obama from 23 pounds of butter, and Politico credited her endorsement for his victory in the Iowa caucus.
New Plans for the Essex Street Market: The decades-old market is part of the Seward Park Urban Renewal Area on the Lower East Side, an area targeted for dramatic housing and economic development in the coming years. So what does that mean for the Essex Street Market? Planning officials presented renderings to show what a new market in a two-story mixed-use development might look like.
Europe Hates Drivers: Cities across Europe are making driving more expensive and inconvenient to steer residents away from cars. Is it a good idea or a road trip to hell on earth? In Zurich, the Times reports:
Closely spaced red lights have been added on roads into town, causing delays and angst for commuters. Pedestrian underpasses that once allowed traffic to flow freely across major intersections have been removed. Operators in the city’s ever expanding tram system can turn traffic lights in their favor as they approach, forcing cars to halt.
Talk About a Space Saver: JDS Architects put a rolling playground atop three penthouse apartments in a turn-of-the-century building in Copenhagen. The roof includes a grassy hill with curved steps and a wooden deck, a playground and a suspension bridge. Fast Company Design reports the budget for the penthouses and the roof was $1.35 million.
6 Alternatives to Plastic: For its newest project, Studio Formafantasma dug into centuries-old technology to design plastic-like objects “designed as if the oil-based era, in which we are living, never took place.” Read on to see what they used.
Buffalo-based architect Dennis Maher has devised his own version of adaptive reuse – he’s remaking abandoned buildings into sculptures. Inspired by the shrinking Rust Belt city where he lives and works, his sculptures “honor the former lives of these raw materials” in a way that is striking and thought-provoking. The large works of art in Undone-Redone City are complex, and offer us a new way of seeing buildings, or at least their elements. In Maher’s creations, a door and some flooring and a window frame might all mesh together to form a new shape and a new function that the original builders probably never imagined.
Click through for a slideshow of Maher’s sculptures.
Portuguese artist Alexandre Farto, aka Vhils, sculpts architecture. Using mallets, picks, and jackhammers, Vhils chips away layers of plaster to create large murals in relief. His series of wall etchings called Scratching the Surface appears around the world from Moscow to Italy to the United States. Via Today and Tomorrow.
What do kitchen counter tops, shower-wall cladding, and the Grand Concourse have in common? Corian, of course. Thanks to performance-artist-turned-designer (and Bronx native) Vito Acconci and Acconci Studio designers Adam Jakubowski and Bradley Rothenberg, the Bronx Museum can now boast its very own DuPont fabricated sculpture. Acconci’s large, porous installation is titled Lobby-For-The-Time-Being and provides an imaginative, fabric-like reconsideration of the now ubiquitous polymer, originally developed in 1967 to replace human bones. In what seems like the most recent installment in a worldwide series of Corian-centric, site-specific sculpture, Lobby-For-The-Time-Being incorporates seating (take that Philadelphia), as well as lighting and projections by Taylor Levy and Che-Wei Wang. Technically, Acconci’s first foray into architecture was way back in 1971, the year the
Bronx Museum opened. Though it’s unlikely anyone remembers Seedbed for its central wooden structure…