After attending the recent Alt Build Expo in Santa Monica it became clear to us at AN that the aging Santa Monica Civic Auditorium, a Decorative Modernist structure designed by Welton Becket back in 1958, was in serious need of an update. (Becket, by the way, designed the Capitol Records Building, the Dorothy Chandler Pavilion, and a good deal more of mid-Century Los Angeles.)
Well it looks like our wish is coming true: On May 26 the Santa Monica City Council voted to approve a $47 million remodel and seismic retrofit of the auditorium, using Santa Monica Redevelopment Agency funds (the vote to allocate funds was sped up because such monies may soon be frozen once the state budget is passed).
No firm has been chosen, but we will keep our eyes peeled on the RFP, which was posted here last month. “They anticipate a design build contract,” said Santa Monica spokesperson Carol Lemlein, who noted that perspective teams will be made up of architects, contractors, engineers, and preservation experts. Read More
Capping Santa Monica. Curbed LA got some great renderings from students at USC who where charged with imagining even more highway caps for the Pacific Coast Highway, this time from Arizona to California Avenues. Beyond freeway parks, the students proposed housing, hotels, and community centers.
Breaking Whitney. With the deal signed for the Met to take over the Whitney‘s Breuer building on Madison, directors at the ground breaking for the new branch at the High Line had all the more reason to celebrate. DNA reminds readers that the museum is actually retuning home. Ol’ Gerty got the ball rolling on 8th Street way back in 1930.
Dylan Sings. Happy B-day Bobby! Bob Dylan turned 70 on Tuesday and in celebration the Infrastructurist presents Dylan’s Ten Best Infrastructure Songs, including “The Levee’s Gonna Break” and “Marchin’ to the City.”
Old School. Design New Haven has the Robert A.M. Stern drawings for “street calming measures” at Yale that are part of the $600 million for renovations, including two new residential colleges. The plan includes mixed use buildings intended to encourage street life at all hours and improved access to the Farmington Canal Greenway .
[ Updated 02.08.2011: Added the interview video, a gallery of Scarpa's 502 Colorado project, and more. ]
You know you’ve hit the big time when you’re not only invited to appear on Oprah, but you’re interviewed by Leonard DiCaprio on Oprah. Such is the case with Larry Scarpa, of Santa Monica firm Brooks + Scarpa, who talked to Leo about his former firm Pugh + Scarpa’s 502 Colorado in Santa Monica, which DiCaprio calls the “first green affordable housing project in the country.”
AN has just learned that Gwynne Pugh of well-known Santa Monica firm Pugh + Scarpa has decided to leave the firm to start his own company, Gwynne Pugh Urban Studio. Pugh and Lawrence Scarpa have led the firm for the past 22 years—Pugh actually hired Scarpa in the ’80s. Pugh’s new company, which “specializes in the design of structures, urban design, planning, sustainability, and consultation to companies and public entities,” launched on September 1. In 2011, firm principal (and Scarpa’s wife) Angela Brooks, who now runs Pugh+Scarpa’s sustainable development department, will be elevated to principal-in-charge, precipitating a new firm name: Brooks+Scarpa. The firm would not comment on the changes (and Pugh’s profile is already off the firm’s site), but we will keep you informed as more information becomes available.
Despite the frustration of having to drive everywhere, often sitting through interminable traffic, at least Angelinos can boast some of the prettiest parking structures in the country. One of the latest to the game is Pugh + Scarpa’s dressed up garages for the redeveloped Santa Monica Place mall, garages that were originally designed by the same man behind the now demolished mall, Frank Gehry himself. Not content to simply dress up some old garages with a flashy new facade, the mall has dedicated space on each of the two parking structures for art installations Read More
Just when we thought that Santa Monica was all set to get Eli Broad’s new art museum (Santa Monica City Council is expected to vote on an “agreement in principal” for the museum on January 19), the LA Times gets an email from the Broad Foundation saying it wouldn’t make up its mind on a location for a few months. In the email, dated January 13, the Broad Foundation said: “There are more than three cities that have expressed an interest in the Broad Art Foundation headquarters/museum. Discussions are still ongoing, so we can’t say more at this point. But we’re keeping our options open and hope to make a decision on a location this spring.” The story also seems to resolve the location of that mysterious third possible location for the museum: a 10-acre parcel on the campus of West L.A. College in Culver City (although West L.A. College President Mark Rocha said he hasn’t heard a peep from Broad). This saga will obviously be drawn out until 2050, so we prescribe patience for those who want an answer soon.
According to the Santa Monica Daily Press (via our senseis at Curbed) Santa Monica has basically claimed victory in its battle against Beverly Hills for Eli Broad’s new contemporary art museum. According to the story the Santa Monica City Council could vote on the deal as soon as this Tuesday. “I feel that the vast majority of issues have been discussed thoroughly and agreed to,” City Councilman Bob Holbrook told the Daily Press. Meanwhile in Beverly Hills city spokeswoman Cheryl Burnett told the Daily Press she wasn’t aware of any new developments in negotiations with the Broad Foundations. Doesn’t look good for Beverly Hills.. Read More
After making nary a peep about his proposed Beverly Hills museum since last April, Eli Broad is again making it clear that he wants the project to move forward. And that he wants it to be much bigger. According to the LA Times, a plan sent last month to the Beverly Hills Planning Department calls for nearly 50,000 square feet of exhibition space (including a 6,100 square foot outdoor area for sculpture), up from the 25,000 previously anticipated. According to the story he’s also included Santa Monica as a possible contender for the museum, for which he would create a $200 million endowment. And now the cities are jockeying for position: Kevin McKeown, a Santa Monica city councilman, told the Times, “I’ll do everything I can to make this happen.” Meanwhile Cheryl Burnett, the city of Beverly Hills’ spokeswoman, issued a statement saying, “While we recognize that the Broad Foundation has many options. . . . There’s no better place than Beverly Hills to showcase this world-class contemporary art collection.” Let..the..fireworks..begin.
We recently noted the impending demise of SCI-Arc’s original building in Santa Monica, which the school’s founder, Ray Kappe, didn’t consider much of a loss. As he put it, referring to renovations subsequent to SCI-Arc’s departure, the building “had good character, but now it’s got dumb character.” We didn’t exactly get what he meant, but then the fine folks at Archinect were kind enough to link to our story, and therein occasional AN contributor Orhan Ayyüce posted some pics from his time at SCI-Arc back in the day, some of which we’ve posted here (click the above link to see the rest). Now we get it, are kinda sorry we missed it, and sorry to see it go. Read More
“I hadn’t even heard about it,” Ray Kappe told us when we called him to find out about an item in Curbed the other day noting that the Santa Monica City Council had overturned a ruling by the Landmarks Commission that would have designated SCI-Arc’s original home as a historical icon worthy of preservation. Kappe, who founded the school in 1972 at a 1950s industrial building at 3030-3060 Nebraska Avenue [map], actually sided with the council in its decision, calling the building “messed up completely.” He said it used to sport “a pretty good 30s modern look. It had good character, but now it’s got dumb character.” That’s because at one point the landlord replaced the ribbon windows with generics, among other changes. Read More