Considering how much trash Baltimore’s solar-powered Trash Interceptor scoops out of the city’s harbor—50,000 pounds a day!—these floating islands made from found plastic waste might just stand a chance. With the support of the Creative Industries Firm NL, WHIM Architecture is developing a prototype of their project, the recycled island, built primarily from recycled plastic waste gathered from the North Pacific gyre and the North Sea.
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A folly in a Rotterdam suburb draws on residents’ complex relationship with the city.
The residents of Carnisselande, a garden suburb in Barendrecht, the Netherlands, have a curious relationship with Rotterdam. Many of them work in the city, or are otherwise mentally and emotionally connected to it, yet they go home at night to a place that is physically and visually separate. When NEXT architects was tapped to build a folly on a hill in the new town, they seized on this apparent contradiction. “This suburb is completely hidden behind sound barriers, highways, totally disconnected from Rotterdam,” said NEXT director Marijn Schenk. “We discovered when you’re on top of the hill and jump, you can see Rotterdam. We said, ‘Can we make the jump into an art piece?’” Read More
After less than four years under construction, the massive De Rotterdam towers, OMA’s grand experiment in urban density and scale, were completed a few weeks ago. With over 1,700,000 square feet of floor space, Rem Koolhaas’ glass-clad “vertical city” is the largest multifunctional building in the Netherlands.
On October 16 thieves nabbed a handful of valuable paintings, including works by Picasso, Matisse, and Monet, from the Kunsthal gallery in Rotterdam. At least one person points the finger at the architecture by home team OMA. Citing an interview with Dutch security expert Ton Cremers, Dezeen.com reports that the open plan and glass walls are a nightmare for guards. Cremers appreciates the design aesthetic of the museum, which was completed in 1992, but noted, “It’s an awful building to protect.”
Mapping Disasters. In and around New York City, we were fortunate Tropical Storm Irene created little more than flooding, fallen trees, and electric outages, and that last week’s tremors left no damage in the city. If these rare northeast natural disasters are getting you down, perhaps it’s time to consider moving to the safest place in the U.S. to avoid natural disasters? A NY Times infographic hasfound just the place: Corvallis, OR. Cities in Oregon and Washington state top the list, while areas in Texas and Arkansas have the highest risk of earthquakes, hurricanes, droughts, and tornadoes.
Standing up to Earthquakes. Many of the east coast’s 19th century masonry buildings are not built to withstand a strong earthquake. How do those California skyscrapers withstand the west coast’s dangerous, powerful tremors? Gizmodo featured an array of earthquake-tech such as tuned mass dampers and roller bearings allow tall buildings to move with the earthquake and absorb shock.
Melancholy Utopia. The end of summer and beginning of fall will bring a flood of design events in European cities. Among them, more than forty designers will descend on Rotterdam on September 3rd to showcase their work throughout the city. The theme is Melanchotopia, an examination of the connections between melancholy and utopia, mourning and hope, said e-flux.
We’ve noted recently the preponderance of architectural documentaries, particularly those concerns the fields “greats”—from Gehry to Mockbee, Kahn to Shulman. Well, now you can add Rem Koolhaas to the list, as Archinect points us to this trailer for a new documentary in the works entitled Rem Koolhaas: A Kind of Architect. The film got a nice little write-up in—where else—the Seattle Times, which explains that the documentary is as much about Koolhaas’ arrival at architecture as the architecture itself. Though that often seems to be the case, especially with Rem. How else could such a famous architect declare: “One of the exciting things about architecture is it gives you so many reasons to be modest. Because there are so many levels on which you can fail.” But at least we get all those cool visuals produced by OMA and AMO of buildings melding and morphing, as though there were a firm better suited to the big screen. After all, he’s a multimedia star, having already conquered music and typography. Read More