SubDivided provides a unifying element in Fenton Hall’s three-story atrium, tying each level together visually.
In December 2012, the University of Oregon completed a renovation of Fenton Hall (1904), which has been home to the mathematics department for the past 35 years. In addition to sprucing up the interior and upgrading the mechanical systems, the institution hosted an open competition for the design of an installation to hang in the building’s atrium. Out of roughly 200 initial applicants three were shortlisted, and of those the university selected a design by Atlanta-based architect Vokan Alkanoglu. Composed of 550 uniquely shaped aluminum sheets, the 14-foot-high by 10-foot-long by 4 ½-foot-wide sculptural form is derived from the curving geometry created by several opposed ellipses—a nod to the discipline that calls Fenton Hall home.
“We wanted to create something that would be visible on all three floors of the atrium to connect the levels and create flow in the space,” said Alkanoglu. “We also wanted to have an interior to the piece, so that you could see inside and outside, to give it a real sense of three dimensionality.”
The Boston Harbor Islands Pavilion roof channels rainwater for irrigation on the Rose Kennedy Greenway.
Jump on a ferry in Downtown Boston and in twenty minutes, you’ll arrive at the Boston Harbor Islands, an archipelago of 34 islands dotting Boston Harbor managed by the National Park Service. To entice city-dwellers to make the trip, Boston-based Utile Architecture + Planning has designed a composite steel and concrete pavilion with a digitally fabricated roof for the National Park Service and the Boston Harbor Island Alliance to provide travel information and history about the Islands and a shady respite atop the highway-capping Rose Kennedy Greenway.
Two thin overlapping concrete canopy slabs supported by delicate steel beams provide a sculptural shelter. Utile digitally designed the $4.2 million Boston Harbor Islands Pavilion using Rhino to respond to the surrounding cityscape and serve as a playful rainwater-harvesting system to irrigate the Greenway’s landscape.
SITU Fabrication produces and installs a Dev Harlan-designed projection wall in three weeks flat
For Adidas street fashion line Y-3’s 10th anniversary, the company commissioned New York City-based artist Dev Harlan to produce one of his distinctive 3D light installations. Y-3 wanted the installation to serve as a backdrop for a runway show at this September’s New York Fashion Week. Harlan designed a 170-foot-long wall with a deeply textural pattern of 656 skewed pyramids made prismatic by projected colored light and geometric shapes. He called on Brooklyn-based SITU Fabrication to produce and install the work in three weeks flat.
“We had worked with Harlan before on ‘Astral Fissure,’ a sculpture of folded aluminum plates that he projected light on,” said SITU partner Wes Rozen. “This time the budget and timeframe were much less, so we worked with foam core instead of aluminum.”
At Miami Basel, a digitally fabricated pavilion marries classic origami techniques with advanced technology
For this year’s inaugural Miami Project Fair, the design team at FXFOWLE Architects, led by Sarah Gerber, created a temporary architectural pavilion, the FXFOWLE Lounge, from both cutting-edge technology and good-old-fashioned manual labor. The 24-foot-long pavilion embodies the “duality of this very high-tech and sophisticated fabrication and this very low-tech material and assembly process,” said designer Lucio Santos. Over the next few days, the sculpture will be housed in a lounge and bar area outfitted with beanbag chairs and a carbon fiber bar that FXFOWLE also designed for the event.
In past years, architects such as David Adjaye, Marc Fornes & THEVERYMANY, and Rachely Rotem and Phu Hoang (now of Modu), have designed temporary pavilions for Miami Basel—introducing their work to a wider audience. This project is “a first” Santos said, but this might be changing for FXFOWLE, which is trying to branch out on the digital side of architecture.
The Austrian company Evolute itself began with an evolution: in 2008 a research group on industrial design and geometric modeling at Vienna University of Technology founded a business. The goal? Deploy mathematicians, engineers, and architects to create tools that facilitate the design and optimization of highly complex geometric forms.
In the October 12 workshop “Parametrically Driven Optimization for Freeform Facades” Florin Isvoranu, an architect who now leads Evolute’s outreach efforts, will focus on optimization of complex geometry envelopes for efficient and cost effective fabrication. Working in Rhino 4, EvoluteTools PRO 2.0, and Monkey Script Editor, Isvoranu will move step by step from design to optimization to detailing to generating fabrication information, and how to parametrically link these steps into an integrated workflow. The day-long event is part of Collaboration: The Art and Science of Building Facades, the Chicago edition of The Architect’s Newspaper‘s popular conference taking place October 11-12.
|Brought to you by:|
A new modeling program can give any material a makeover.
TUFTIT is a fabrication program developed by Alexander Josephson and Pooya Baktash, two students who put their studies at the Architectural Association in London on hold to found Partisans, a research-based architectural platform they started in Toronto following the financial meltdown in 2010. What seemed like a risky venture at the time might just be Josephson and Baktash’s best career move, especially if TUFTIT is an indication of the kind of technologically innovative projects they’re executing.
The modeling program was born from a desire to reinterpret popular traditional styles, like “Edwardian tufted leather furniture” featured in a Restoration Hardware catalogue, for a contemporary audience. “To us, this was an apt example of where innovation and reinvention could occur, especially with the use of parametric modeling,” said Josephson. “The goal was to create a radical new interpretation of that model, one that was completely organic and free in its scale and use.”
|Brought to you by:
A wayfinding beacon for New Orleans’ electronic music festival
With a successful debut last month at Mardi Gras World in New Orleans last, the electronic music festival Buku Music and Art Project could become a mainstay of city’s lineup destination events. Envisioning what a success the event would be, Tulane architecture professors Nathan Petty and Sheena A. Garcia jumped at the opportunity to create a temporary installation for the event site at the edge of the Mississippi River. Petty and Garcia founded their design office, Npsag, in 2008 to work with radical architectural forms and emerging technology. While much of their work is speculative, the Buku installation had the practical purpose of being a wayfinding device at the event’s main entrance.
|Brought to you by:
A geometric ceiling installation creates an organic, light-diffusing shape in a new Port Washington restaurant
New York-based architecture and interiors firm Bluarch has become known for innovative designs that have people looking up. The group has created ceiling installations for residences, restaurants, and retail locations across the world. One of their latest projects is close to home, at Innuendo restaurant and bar in Port Washington. Located on Main Street, the restaurant’s seamless storefront reveals a cloudlike ceiling installation with integrated lighting designed to create an ever-changing atmosphere.
On February 17, Kevin Patrick McClellan and Brad Bell will lead RHINO Design, a workshop focused on the digital design program Rhino, as part of DAY 2 of the upcoming COLLABORATION conference on fabrication and facades in NYC.
Kevin Patrick McClellan is a designer, artist, and founder of Architecturebureau, a design research office exploring complex systems and their material effects on form. After receiving his Masters in Architecture and Urbanism in the DRL from the Architectural Association School of Architecture with a Project Distinction in 2005, he subsequently worked in New York for Kevin Kennon and in London with Zaha Hadid Architects. There he led the development of two highly publicized temporary installations, one for the Serpentine Gallery titled Lilas and the second for Swarovski Crystal Palace exhibited in the 2008 Milan Furniture Fair. He teaches design studio at the University of Texas at San Antonio. Kevin is a founder and co-director of TEX-FAB *Digital Fabrication Alliance, a regional platform for the dissemination of issues related to computational fabrication.
Brad Bell is an Assistant Professor at the University of Texas Arlington where he researches and teaches on the integration of digital fabrication technologies into the architectural design process. He has lectured, taught, and written on the uses of such technologies for the past 10 years and has been an invited critic at schools of architecture throughout the United States. Brad is a founder and co-director of TEX-FAB *Digital Fabrication Alliance, a regional platform for the dissemination of issues related to computational fabrication. And as principal of brad bell studio, he has completed projects in Colorado, Texas, Louisiana, and Oklahoma. His practice focuses on adapting contextual and regional construction methodologies with new digital fabrication techniques.
TEX-FAB co-founders Brad and Kevin will present the day-long workshop, Rhino Design, and will cover user interface navigation and provide a broad understanding of the different tool sets and workflow options within the software. Step-by-step design problems will address both Solids Modeling, NURBS Modeling and documentation methods. Advanced techniques for complex geometries and the use of the paneling tools plug-in will be covered in the afternoon session.
|Brought to you by:
A research project explores techniques from the past to learn about building stronger structures in the future
Sometimes research involves destruction in the name of creation. Architects and engineers from Zurich-based BLOCK Research Group at science and technology university ETH Zurich recently teamed up to build, and destroy, a vaulted masonry structure that was designed with advanced digital fabrication methods but constructed with traditional timbrel, or Catalan, thin-tile vaulting techniques. Through its research of freeform shells, tiling patterns, building sequences, and formwork, the group hopes to construct increasingly radical forms without sacrificing efficiency.
|Brought to you by:|
An aluminum prototype structure at FRAC explores non-linear design and fabrication
The new nonLin/Lin Pavilion at the FRAC Centre in Orleans, France, is a coral-like structure of 40 pre-assembled white aluminum modules made of 570 CNC-cut single components punched with 155,780 asterisk-shaped CNC-drilled holes and held together by 75,000 white aluminum rivets. But these pieces, as designer Marc Fornes of THEVERYMANY has demonstrated throughout his work, are much more than the sum of their parts. Neither an art installation nor a model, the pavilion is full-scale architecture that pushes the limits of its materials and of physical fabrication processes with custom computational protocols.