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Zaha Hadid Architects designed 16 bespoke polyurethane display units for fashion designer Neil Barrett’s shops.
Fashion designer Neil Barrett hired Zaha Hadid Architects to design a cohesive display concept for a new flagship store in Tokyo that could be easily rolled out to his other locations as well, which include four shops in Seoul and one in Hong Kong. The result had to be as sartorial as Barrett’s fashions, so Hadid’s team came up with the idea of cutting the displays for all of the stores from a single block of material. The concept resulted in 16 bespoke display elements, which all fit together like pieces of a puzzle.
“We wanted to design a project that always belongs together but offers a choice between different sizes,” said project architect Claudia Wulf. “The reason we designed a modular landscape is that we have extremely different area requirements [across all of the shops].” The units, which are carved from a solid unit, range in size from 13 1/2 feet by 13 3/4 feet to 4 feet by 6 feet. Paired, the units create a sinuous artificial landscape that unfolds across multiple display levels. The pieces can be grouped to suit the scale and space of each boutique, and display shoes, bags, or accessories just as easily. Read More
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Brooklyn-based Associated Fabrication realized all the merchandise displays, benching, shelving, and cash wraps for Melissa Shoes in Pearl Gray Corian.
Before Kinky Boots came to Broadway, Melissa Shoes opened shop in SoHo. The Brazilian shoe brand, known for its use of brightly colored, recycled PVC material and collaborations with designers like Jason Wu, Vivienne Westwood, and Gareth Pugh, opened its first U.S. boutique in the states last year. With the help of local architecture firm Eight Inc. and Brooklyn-based Associated Fabrication, a distinguished aesthetic was achieved that supports the original Sao Paulo shop’s rotating art theme, but with a much cleaner slate of epoxy floors and Pearl Gray Corian bollard-like merchandise displays.
Working from two-dimensional drawings provided by the architects, Jeffrey Taras of Associated Fabrication used Rhino to model the 34 display platforms. Taras grouped the displays, which resemble blunted stalagmites, into categories of varying heights and configurations—single columns in four different heights, double columns in two groupings, and one cluster of three columns. Read More
Brian Ulrich: Copia—Retail,
Thrift, and Dark Stores, 2001–11
Cleveland Museum of Art
11150 East Boulevard
Through January 16, 2012
Using only a hand-held camera, photographer Brian Ulrich captured the fluctuating economic climate’s impact on American consumerism in the last decade. Brian Ulrich: Copia – Retail, Thrift and Dark Stores, 2001–11 at the Cleveland Museum of Art features 50 color photographs, portraying anonymous commercial excess in three distinct venues. Whether engrossed by the saccharine colors and limitless temptation of big box stores or by the discarded whimsies of thrift shops, the photographed subjects are caught in a vicious cycle of spending. The final phase highlights the absent consumer, focusing on the prevalence of ghost stores and dark shopping malls as a result of the 2008 financial crisis, such as J.C. Penney, Dixie Square Mall (above).
The fabulous Peter Marino has designed a fabulous new store for Chanel in Soho, which opened Friday for Fashion Night Out. It’s so fabulous that Chanel Global Creative Director Peter Phillips created a new makeup line paying homage to Marino’s sleek lines and the sleeker girls who hobble about the cobblestone streets surrounding the store. As for the renovation itself, it was inspired by the artsy spirit of the neighborhood and features an acrylic Chanel No. 5 bottle that stands over 10 feet high and will display video art as well as video of runway shows from Paris. The newly outfitted boutique has a gallery feel to it, complete with commissioned artworks by Peter Belyi, Alan Rath, and Robert Greene. More makeup and makeover after the jump. Read More
Philadelphi’s Reading Terminal Market is one of the nation’s oldest continuously operated enclosed food markets, opening in 1892 in the ground floor of the F. H. Kimbal-designed terminal. Like those in New York, Boston, and elsewhere, the enclosed market was seen as a way to get hawkers, hucksters, and dry goods carts off the street, where they were deemed unsightly and unhygienic. The Reading Terminal Market thrived for decades before declining during the era of White Flight, though it was revived in the 80s as an upscale venue for prepared foods and artisanal and organic products. With the current craze for the latter, as well as the return of residents to the city, the market is as popular as ever, necessitating an expansion designed by local firm Friday Architects/Planners. The plan, announced—yes—Friday, involves the reorganization of the aisles to make room for more stores as well as additional retail space on what is currently an office mezzanine. Work is expected to begin early next year and be completed withing six to eight months. You can peep the plans after the jump. Read More
The socially-reponsible design squad at Artecnica opened their first showroom in Los Angeles last night and designers, architects and artists thronged the simple white storefront in appreciation. Well, and for a glimpse of flower-power designer Tord Boontje during his second-ever visit to LA (even though he’s been working with Artecnica for ages). Gracious hostess Tahmineh Javanbakht greeted guests near the bar, her neck layered with chains, charms, beads and bangles to glamorous effect, while Rose Apodaca presided over a pop-up version of boutique A+R in the back. Read More