Icelandic Borders. Today at 5PM, “the largest temporary public art exhibition… in New York City Parks history,” titled BORDERS, will be unveiled at Dag Hammarskjöld Plaza. The UN-conscious installation is a collaboration between the Parks Commissioner, an Icelandic Ambassador, and Icelandic artist Steinunn Thórarinsdóttir, consisting of 26 androgynous, life-size sculptures.
Painted Trees. Gerry Mak of Lost at E Minor adoringly shares the curious images of the vibrantly painted trees around Colorado by artist Curtis Killorn. Because of the unexpected colorings, these trees do not look like they came from land, but from the sea.
Green Carnegie. We were worried when gbNYC reported that the good ol’ Carnegie Hall is planning to undergo a massively ambitious, full-spectrum retrofit this year. But don’t worry, the architecture firm Iu + Bibliowicz, which is in charge of all this, swears to preserve “the building’s distinctive 19th-century architectural grace notes” while making dramatic green building improvements.
Parking to parkletting. The SF Examiner reports that more temporary public spaces, called
‘parklets,’ are exploding throughout San Francisco parking spots. The public battle between those who want to park cars and those who want to seat customers out on the sidewalk seems to have a clear winner– the Department of Public Works is stamping out countless approvals for businesses to have their own parklets despite complaints.
This Friday, three massive billboards will debut along the High Line, but instead of blasting consumerism, the art installation by Kim Beck hopes to provoke visitors to think of public space. From the High Line: “Kim’s work will encourage park visitors to reconsider the water towers, exhaust pipes, HVAC systems, roof decks, green roofs, and other building elements that are integral components of the cityscape views along the High Line.”
Called Space Available, Beck will install three “skeletal” blank billboards. Experiencing the signs from different angles can provide the illusion of three dimensionality, when in fact each sign is really flat.
You won’t see German artist Tobias Rehberger‘s proposed Lighthouse installation at this year’s Art Basel exhibition in Miami Beach, but if the city approves the project next week, the towering beacon could be lighting up the night sky by the end of 2011. To be located in South Pointe Park at a cost of $500,000, the 55-foot tall Lighthouse is comprised of stacked cylinders and would represent Rehberger’s first public commission in the United States. [ Via The Art Newspaper. ]
Upon first stumbling across this massive array of 2,000 LED lights encased in standard light bulbs in Madison Square Park a few weeks ago, I thought holiday decoration had come a little early to the Flatiron’s front yard, but as shadowed figures began moving across the field of light, it became apparent that this installation by artist Jim Campbell was something special.
A formal dedication for a creative urban intervention called ARTfarm brings flowers and greenery to a formerly barren step street in the Bronx. Architects Valeria Bianco, Christian Gonsalves, Shagun Singh, and Justin Taylor designed and built the project with help from Architecture for Humanity and the Bronx Museum of the Arts.
If New York is the city that never sleeps, how come it took us so long to get around to hosting our own Nuit Blanche (French for “Sleepless Night”)? The global all-night festival of arts began in Paris, Berlin, and St. Petersburg way back in 1997, and has spread around the world in the years since.
This Saturday, October 2, starting at 7:00 p.m., Brooklyn will host our city’s first Nuit Blanche, rechristened “Bring to Light” by local organizers DoTank:Brooklyn and producers Furnace Media. Over 50 artists and performers will converge on Greenpoint’s Oak St. between Franklin St. and the East River, taking over street corners, galleries, vacant lots, and rooftops to showcase their work. Read More
If a whole flock of ghostly animals starts appearing in downtown New York this fall, don’t panic. It’ll just mean that the public picked Chris Shelley’s design “…of special concern” as a winner in the Buildings and Cultural Affairs Departments’ urbancanvas competition, which solicited ideas for decorating the construction fences, sidewalk sheds, scaffolding and cocoons that act as eyesores on seemingly every New York City street.