A series of sculptural bus stops will be installed throughout Orlando as part of an effort to bring art into the community. Entech Creative, a production engineering company, teamed up with Walter Geiger, of Walt Geiger Studios, to design and produce the “Cascade” series of shelter structures. Each bus stop has four to five uniquely shaped panels ranging from 15 to 16 feet high. Their form is suggestive of a waterfall, undulating to provide commuters with shade and shelter.
This surreal construct is one of the many public art projects by South Korean artist Choi Jeong-Hwa, whose love of found objects and anti-institutional approach to art is known internationally (he once hung strings of sparkling garbage around Seoul Olympic Stadium). The 10-story tall installation called Doors is comprised of 1,000 reused, brightly colored doors transformed into a rustic and visually indulgent object evoking a pixelated and painterly effect from afar, perhaps reminiscent of an abstract Klimt painting. Alternatively, the installation can also be read less glamorously as a mirror to Seoul’s increasingly ad-dominated cityscape where Doors resembles a jarring collection of ads to the point of irony. (Via Colossal.)
Even though Hurricane Irene blew through on August 27th without flooding the subways, which were rendered prophylactically still and silent for a day, a pesky summer storm in 2007 dumped so much water onto the M and R lines that they were forced out of service. Governor Spitzer took immediate action to mitigate the problem, and boldly mobilized the Metropolitan Transportation Authority and the Department of Transportation to do something about it. Solving a range of engineering problems while at the same time providing a streetscape element with some wit and whimsy, Rogers Marvel Architects created banks of raised stainless steel grates that rise up into an undulating wave of slats and hammered speckled side walls.
Just after 4:00p.m. Sunday afternoon, cryptic messages visible for miles around Manhattan were written in the sky, spelling out, among other things, “Last Chance.” Out of context to millions in the streets below, the messages were slightly unnerving and deliberately vague. Curious speculation as each giant letter was traced into the sky led many to wonder what the message actually meant: An ad? A terrorist’s warning? A persistent marriage proposal? It turns out the display was part of an art project by Kim Beck called The Sky Is the Limit/NYC and sponsored by the Friends of the High Line.
It might be the latest trend in creative modern eco-office design or, more likely, it’s a tongue-in-cheek reminder to avoid letting work take over your life. In the typical modern office with row upon row of geometric cubicles, the closest a worker might get to nature is a small potted plant, a faraway glimpse out a window, or a rainforest background on his or her computer. But a new installation in downtown Denver quite literally breaks down this man-made environment in an effort to promote outdoor activity and a connection to nature during the workday.
If you’re in DUMBO this week and catch a glimpse of a shirtless man hanging off a tree, don’t freak out. VAMOS Architects has curated an installation of photographer Robert Holden’s series The Treehouse, as part of New York Photography Week. The large-scale photographs depict semi-nude members of a rainforest commune, set against industrial buildings, rooftops, and scaffolding in DUMBO.