Even though Hurricane Irene blew through on August 27th without flooding the subways, which were rendered prophylactically still and silent for a day, a pesky summer storm in 2007 dumped so much water onto the M and R lines that they were forced out of service. Governor Spitzer took immediate action to mitigate the problem, and boldly mobilized the Metropolitan Transportation Authority and the Department of Transportation to do something about it. Solving a range of engineering problems while at the same time providing a streetscape element with some wit and whimsy, Rogers Marvel Architects created banks of raised stainless steel grates that rise up into an undulating wave of slats and hammered speckled side walls.
Just after 4:00p.m. Sunday afternoon, cryptic messages visible for miles around Manhattan were written in the sky, spelling out, among other things, “Last Chance.” Out of context to millions in the streets below, the messages were slightly unnerving and deliberately vague. Curious speculation as each giant letter was traced into the sky led many to wonder what the message actually meant: An ad? A terrorist’s warning? A persistent marriage proposal? It turns out the display was part of an art project by Kim Beck called The Sky Is the Limit/NYC and sponsored by the Friends of the High Line.
It might be the latest trend in creative modern eco-office design or, more likely, it’s a tongue-in-cheek reminder to avoid letting work take over your life. In the typical modern office with row upon row of geometric cubicles, the closest a worker might get to nature is a small potted plant, a faraway glimpse out a window, or a rainforest background on his or her computer. But a new installation in downtown Denver quite literally breaks down this man-made environment in an effort to promote outdoor activity and a connection to nature during the workday.
If you’re in DUMBO this week and catch a glimpse of a shirtless man hanging off a tree, don’t freak out. VAMOS Architects has curated an installation of photographer Robert Holden’s series The Treehouse, as part of New York Photography Week. The large-scale photographs depict semi-nude members of a rainforest commune, set against industrial buildings, rooftops, and scaffolding in DUMBO.
Icelandic Borders. Today at 5PM, “the largest temporary public art exhibition… in New York City Parks history,” titled BORDERS, will be unveiled at Dag Hammarskjöld Plaza. The UN-conscious installation is a collaboration between the Parks Commissioner, an Icelandic Ambassador, and Icelandic artist Steinunn Thórarinsdóttir, consisting of 26 androgynous, life-size sculptures.
Painted Trees. Gerry Mak of Lost at E Minor adoringly shares the curious images of the vibrantly painted trees around Colorado by artist Curtis Killorn. Because of the unexpected colorings, these trees do not look like they came from land, but from the sea.
Green Carnegie. We were worried when gbNYC reported that the good ol’ Carnegie Hall is planning to undergo a massively ambitious, full-spectrum retrofit this year. But don’t worry, the architecture firm Iu + Bibliowicz, which is in charge of all this, swears to preserve “the building’s distinctive 19th-century architectural grace notes” while making dramatic green building improvements.
Parking to parkletting. The SF Examiner reports that more temporary public spaces, called
‘parklets,’ are exploding throughout San Francisco parking spots. The public battle between those who want to park cars and those who want to seat customers out on the sidewalk seems to have a clear winner– the Department of Public Works is stamping out countless approvals for businesses to have their own parklets despite complaints.
You won’t see German artist Tobias Rehberger‘s proposed Lighthouse installation at this year’s Art Basel exhibition in Miami Beach, but if the city approves the project next week, the towering beacon could be lighting up the night sky by the end of 2011. To be located in South Pointe Park at a cost of $500,000, the 55-foot tall Lighthouse is comprised of stacked cylinders and would represent Rehberger’s first public commission in the United States. [ Via The Art Newspaper. ]