Revive two Detroit viaducts in this Michigander-only contest

Two viaducts in Detroit will host public art interventions. (Ash Arder)

Two viaducts in Detroit will host public art interventions. (Ash Arder)

A nonprofit in Detroit is calling on artists and designers “to breathe new life into the historical viaducts at Second and Cass Avenue in Midtown.” In partnership with the New Economy Initiative, Midtown Detroit, Inc. will sponsor public art and light installations in the TechTown District of Midtown Detroit. Read More

“Sculpture City” Invites Dialogue On Public Art in St. Louis

Midwest
Tuesday, February 18, 2014
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St. Louis' Gateway Arch under construction. (Courtesy Missouri State Archives)

St. Louis’ Gateway Arch under construction. (Courtesy Missouri State Archives)

It’s open season for public art in St. Louis, according to the groups behind Sculpture City St. Louis 2014—an ongoing festival “intended to draw attention to the rich presence sculpture has in the visual landscape of our region.” The programming leads up to and continues after an April conference.

Art exhibitions throughout the year aim to continue the conversation. For instance, Art of Its Own Making, a show at the Pulitzer Foundation for the Arts that features sculpture, installation, film, and performance works through August 20.

Read More

Student’s Puzzle Facade Project Is an Architecturally-Scaled Game

JAVIER LLORET'S PUZZLE FACADE (COURTESY CORE 77)

JAVIER LLORET’S PUZZLE FACADE (COURTESY CORE 77)

In his school project, Puzzle Facade, Spanish designer Javier Lloret decided to transform the exterior of an Austrian museum into an interactive piece of architectural entertainment: a giant Rubik’s Cube. Lloret wirelessly connected a 3D-printed handheld cube to a laptop responsible for controlling colors on the facade of a nearby building roughly shaped like a cube: the Ars Electronica in Linz, Austria. The building proved to be an ideal canvas for the project as it was already furnished with an LED-lit media facade.

Continue reading after the jump.

Silent Light Installation Illuminated Sound Pollution in Brooklyn

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Silent Lights at Night (New York City Department of Transportation/Flickr)

First proposed in 2011, Brooklyn’s Silent Light installation has finally become a reality.  Located at the intersection of Park Avenue and Navy Street under the Brooklyn-Queens Expressway (BQE) in Red Hook, the series of gates frames a pedestrian walkway that passes through an area of heavy vehicular traffic. The structures are covered in LED lights activated by surrounding noise from cars to create fleeting light shows of various colors and patterns.

Continue reading after the jump.

Baltimore’s Hopscotch Crosswalk Colossus

City Terrain, East, Urbanism
Wednesday, December 11, 2013
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BALTIMORE'S HOPSCOTCH CROSSWALK (COURTESY GRAHAM CORELL-ALLEN/ VIA FLICKR)

BALTIMORE’S HOPSCOTCH CROSSWALK (COURTESY GRAHAM CORELL-ALLEN/ VIA FLICKR)

Crossing the street in Baltimore just got a lot more fun. The city has just unveiled its newest dispatch: a “hopscotch crosswalk” transforming the downtown street crossing at the corner of Eutaw and Lombard streets into an entertaining diversion for pedestrians. The project was a component of the Baltimore Office of Promotion and the Arts for the Bromo Seltzer Arts & Entertainment District’s desire in incorporate public art in various areas of the city.

Continue reading after the jump.

St. Louis Architect Wants Public Art for Public Health

Midwest
Tuesday, December 3, 2013
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The "Space-Time Transformation Footbridge"  is coated with a photovoltaic film to generate electricity to power shape changes and light the bridge at night. (Michael Jantzen)

The “Space-Time Transformation Footbridge” is coated with a photovoltaic film to generate electricity to power shape changes and light the bridge at night. (Michael Jantzen)

One St. Louis architect thinks his city’s public art needs a shot in the arm. Michael Jantzen says public art should further public health, and his work—interactive designs replete with solar film and meant to encourage exercise—shows how.

Continue reading after the jump.

Public Art Fund Installation Creates a Colorful Terrain in Brooklyn

City Terrain, East, Newsletter
Wednesday, November 6, 2013
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(Courtesy Public Art Fund)

Just Two of Us by Katharina Grosse is a sculptural landscape of color in downtown Brooklyn. (Courtesy Public Art Fund / Flickr )

Amidst the trees of MetroTech Commons in downtown Brooklyn, a vibrant architectural terrain has been formed. In an installation piece called Just Two of Us, Berlin-based artist Katharina Grosse has situated eighteen large, multi-colored sculptural forms in the wooded public space. Sponsored by the Public Art Fund, the work creates a surprising show of colors and a form that walks the line between sculpture, architecture, and painting.

View the Gallery After the Jump.

Austin’s ‘Ghost Tree’ is a Symbol of Drought in the Lone Star State

GHOST TREE ON LADY BIRD LAKE (COURTESY THIRST)

GHOST TREE ON LADY BIRD LAKE (COURTESY THIRST)

Austin’s new temporary art installation, THIRST, is inspired by Texas’ ongoing periods of severe drought since 2011. According to studies conducted by Texas A&M Forest Services, over 300 million trees have succumbed to the state’s extremely dry conditions over the past three years. Located between the Pfluger Pedestrian Crossway and the Lamar Boulevard Bridge, a white-ghostly tree now hovers over Lady Bird Lake and is surrounded by a floating barrier.

Continue reading after the jump.

New Public Art in Brooklyn Lends Transportation a Sense of Play

East
Monday, October 28, 2013
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(Courtesy NYCDOT)

(Courtesy NYCDOT)

In Brooklyn, a new temporary public artwork brings the asphalt plane of 4th Avenue to a playful, three-dimensional life. On the avenue’s concrete median between 3rd and 4th streets, the New York City Department of Transportation’s Urban Art Program has chosen work by artist Emily Weiskopf for its latest public art installation.

Unparallel Way is a 120-feet-long sculpture comprised of two parallel aluminum strips in the same bright yellow as the double traffic lines guiding vehicles driving on adjacent roads. In a clever distortion of those painted stripes, Weiskopf’s parallel lines sweep from the ground at irregular heights, creating parabolic curves that rarely match.

Continue reading after the jump.

Los Angeles Mayor Announces “Great Streets” Program

City Terrain, West
Tuesday, October 15, 2013
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Rendering from My Figueroa, a proposed model of great streets in Los Angeles south of Downtown Los Angeles. (My Figueroa)

Rendering from My Figueroa, a proposed model of great streets in Los Angeles south of Downtown Los Angeles. (My Figueroa)

Last Thursday in his keynote address to the Transit Oriented Los Angeles conference, Los Angeles Mayor Eric Garcetti announced the creation of the “Great Streets Initiative.”  In an executive directive—his first since taking office on June 30—Garcetti outlined a program that “will focus on developing streets that activate the public realm, provide economic revitalization, and support great neighborhoods.” Continue reading after the jump.

Fiber Dome Glows in Response to CO2 Levels in Saginaw, Michigan

Midwest, Newsletter
Tuesday, October 8, 2013
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sol dome in Saginaw, Mich. (loop.ph)

sol dome in Saginaw, Mich. (loop.ph)

A web-like dome in Saginaw, Michigan changes colors to reflect the level of carbon dioxide in the air. Solar-powered LED lights connected to an onsite CO2 monitor illuminate the structure’s fibers in timed patterns to create the appearance of an organic response.

Continue reading after the jump.

Artists and City Government Collaborate for Urban Improvement in St. Paul

City Terrain, Midwest
Thursday, October 3, 2013
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(Courtesy Teresa Board / Flickr)

Skygate, by R. M. Fisher, in the public plaza in front of the Ecolab World Headquarters, was funded by Public Art St. Paul. (Courtesy Teresa Boardman / Flickr)

In St. Paul, Minnesota, public art is valued as more than just decoration. Susannah Schouweiler of Walker Magazine reported that the city has been proactive in the encouragement of artist-city government collaboration for nearly three decades, long before initiatives like ArtPlace became popular. City Artist in Residence positions exist on the government council, City Art Collaboratory puts artists in conversation with scientists to embed themselves in the “ecology” of the city, and art start-ups are encouraging business growth on “Central Corridor.” This cross-disciplinary relationship is only expanding in what Schouweiler calls St. Paul’s “quiet revolution in public art” and the city is reaping the benefits.

Continue Reading After the Jump

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