Nearly three decades after he was launched into design stardom by his biomorphic, aluminum Lockhead Lounge (above), famed Australian industrial designer Marc Newson will soon receive his first solo museum exhibition in the United States. Presented by the Philadelphia Museum of Art, “Marc Newson: At Home” will collect furniture, clothing, appliances, and Newsons’ 021C Ford concept car within a mock, six-room home in the museum’s Collab Gallery. Gathered from collections across Europe, Japan, and the United States, in addition to Newson’s personal cache, the objects on display will highlight the various facets of the designer’s distinctive style of flowing lines, bulbous forms, bright colors, and industrial references which helped to define an era of industrial design. The exhibition opens November 23rd and runs until April 20, 2014.
It seems booze is on high-design minds. The latest in AN‘s series of high-end liquor bottles by top-tier designers comes from the prolific Prince of Pink, New York’s own Karim Rashid. Teaming up with American luxury vodka brand Anestasia, Karim has delivered a jagged, crystalline container that differs from his usual globulous rose creations. The bottle’s angular forms were supposedly drawn from word “vodka” itself, or more specifically the shapes of the letters V and K. Aside from the asymmetrical bottle design, Rashid is also responsible for the brand’s logo, typeface, and visual identity.
On View> “3 in 1: Contemporary Explorations in Architecture & Design” at the Art Institute of Chicago
3 in 1: Contemporary Explorations in Architecture & Design
The Art Institute of Chicago
111 South Michigan Avenue, Chicago, IL
Through January 5, 2014
3 in 1 Contemporary Explorations in Architecture and Design is broken down into three small separate exhibitions each revealing different categories: architecture, product design, and fashion. In Reality Lab, the Japanese designer Issey Miyake, head of Reality Lab Studio, reveals a spectrum of diverse and innovative products resulting from his experiments with material, structure, and form. The exhibition includes Miyake’s two products lines: 132 5 and IN EI, which are based on origami-folding techniques that create two-dimensional geometric patterns and unfold into remarkable voluminous forms.
President Obama’s second-term White House is still in transition, with Ray LaHood out and rumors of an NTSB replacement, Sally Jewell likely in as Secretary of Interior. Among the non-Cabinet-level appointments, the President appointed Michael Graves to a member of the Architectural and Transportation Barriers Compliance Board, an agency “devoted to accessibility for people with disabilities.” Graves, who uses a wheelchair after an illness-induced partial paralysis, has been a leader in promoting accessibility in architecture, recently designing prototype houses for wounded and disabled veterans.
This month, Graves will also be launching a new line of more than 300 products at retailer J.C. Penney, including kitchen appliances, candlesticks, and a toaster shaped like a piece of toast. The Indianapolis-born architect will return to his hometown on March 28 to give a lecture at the Indianapolis Museum of Art, and he recently spoke with the Indy Star about delivering papers for the publication as a child, architecture, and the new product line. An exhibition of Graves’ work, From Towers to Teakettles, is also on display at the Virginia Center for Architecture through March 31.