On View> “Marc Newson: At Home” Opens on November 23 at The Philadelphia Museum of Art

East, On View
Wednesday, November 20, 2013
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Lockheed Lounge, 1988. Designed by Marc Newson, Australian, born 1963. Riveted aluminum, fiberglass, rubberized paint (Photography Karin Catt / Courtesy Philadelphia Museum of Art)

Lockheed Lounge, 1988. Designed by Marc Newson, Australian, born 1963. Riveted aluminum, fiberglass, rubberized paint (Photography Karin Catt / Courtesy Philadelphia Museum of Art)

Nearly three decades after he was launched into design stardom by his biomorphic, aluminum Lockhead Lounge (above), famed Australian industrial designer Marc Newson will soon receive his first solo museum exhibition in the United States. Presented by the Philadelphia Museum of Art, “Marc Newson: At Home” will collect furniture, clothing, appliances, and Newsons’ 021C Ford concept car within a mock, six-room home in the museum’s Collab Gallery. Gathered from collections across Europe, Japan, and the United States, in addition to Newson’s personal cache, the objects on display will highlight the various facets of the designer’s distinctive style of flowing lines, bulbous forms, bright colors, and industrial references which helped to define an era of industrial design. The exhibition opens November 23rd and runs until April 20, 2014.

Continue reading after the jump.

Rashid Karim–Designed Vodka Bottle Looks Like a Piece of Ice

International
Wednesday, October 23, 2013
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(Courtesy Anestasia)

(Courtesy Anestasia)

It seems booze is on high-design minds. The latest in AN‘s series of high-end liquor bottles by top-tier designers comes from the prolific Prince of Pink, New York’s own Karim Rashid. Teaming up with American luxury vodka brand Anestasia, Karim has delivered a jagged, crystalline container that differs from his usual globulous rose creations. The bottle’s angular forms were supposedly drawn from word “vodka” itself, or more specifically the shapes of the letters V and K. Aside from the asymmetrical bottle design, Rashid is also responsible for the brand’s logo, typeface, and visual identity.

On View> “3 in 1: Contemporary Explorations in Architecture & Design” at the Art Institute of Chicago

Midwest, On View
Monday, September 30, 2013
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Tea With Georg collection for Georg Jensen, 2013. (Courtesy Art Institute of Chicago)

Tea With Georg collection for Georg Jensen, 2013. (Courtesy Art Institute of Chicago)

3 in 1: Contemporary Explorations in Architecture & Design
The Art Institute of Chicago
111 South Michigan Avenue, Chicago, IL
Through January 5, 2014

3 in 1 Contemporary Explorations in Architecture and Design is broken down into three small separate exhibitions each revealing different categories: architecture, product design, and fashion. In Reality Lab, the Japanese designer Issey Miyake, head of Reality Lab Studio, reveals a spectrum of diverse and innovative products resulting from his experiments with material, structure, and form. The exhibition includes Miyake’s two products lines: 132 5 and IN EI, which are based on origami-folding techniques that create two-dimensional geometric patterns and unfold into remarkable voluminous forms.

Continue reading after the jump.

Q+A> Michael Graves On His J.C. Penney Collection

National, Newsletter, Product
Monday, June 10, 2013
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Michael Graves (left) and the toaster he designed for J.C. Penney (right).

Michael Graves (left) and the toaster he designed for J.C. Penney (right).

At J.C. Penney’s recent rebranding launch party, AN spoke with architect and product designer Michael Graves about his new collection for the company and some career highlights. He even offers advice for aspiring architects and designers and talks about some current design work.

How did designing a collection for JCPenney come about?

I’ve known some of the people at Penney’s since my Target days, so when this opportunity came around we were looking for a way to slow down our commitment to Target at that time. When Penney’s offered what they did to us, we grabbed it in a second. It was such a good deal in terms of having a shop within a store.

For me, that’s the game changer. If we were close friends and you told me you had to do some shopping for a relative or something like that, I’d tell you to go to our shop in Penney’s. It’s all there and that’s what excites me.

Continue reading after the jump.

Michael Graves Appointed to Federal Post on Accessibility in the Built Environment

National
Friday, March 1, 2013
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Michael Graves. (Barry Johnson / Courtesy Michael Graves & Associates)

Michael Graves. (Barry Johnson / Courtesy Michael Graves & Associates)

President Obama’s second-term White House is still in transition, with Ray LaHood out and rumors of an NTSB replacement, Sally Jewell likely in as Secretary of Interior. Among the non-Cabinet-level appointments, the President appointed Michael Graves to a member of the Architectural and Transportation Barriers Compliance Board, an agency “devoted to accessibility for people with disabilities.” Graves, who uses a wheelchair after an illness-induced partial paralysis, has been a leader in promoting accessibility in architecture, recently designing prototype houses for wounded and disabled veterans.

This month, Graves will also be launching a new line of more than 300 products at retailer J.C. Penney, including kitchen appliances, candlesticks, and a toaster shaped like a piece of toast. The Indianapolis-born architect will return to his hometown on March 28 to give a lecture at the Indianapolis Museum of Art, and he recently spoke with the Indy Star about delivering papers for the publication as a child, architecture, and the new product line. An exhibition of Graves’ work, From Towers to Teakettles, is also on display at the Virginia Center for Architecture through March 31.

Form. Function. Gloves.

International, Newsletter
Tuesday, July 10, 2012
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Courtesy Renee Verhoeven

For her graduation project at Dutch art and design school ArtEZ, Renee Verhoeven explored the relationship between function and materialization with Concealed Layers of Product Life. Anatomy, movement, and utility are translated through fabrication in a collection of gloves that attempt to tackle one of the fundamental projects of Modern design and architecture. As Verhoeven explained in a statement, “It was an idea I nurtured for a long time: making the outer layers of a product expressive for its interior, the way it functions and the scientific knowledge that it materializes.”

Continue reading after the jump.

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