Iowa Landscape Architecture Students Bring a Touch of Green Behind Bars

City Terrain, Midwest
Wednesday, November 6, 2013
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Outdoor classrooms under construction at the Iowa Correctional Institute for Women. (Landscape Architecture Magazine / Bob Elbert)

Outdoor classrooms under construction at the Iowa Correctional Institute for Women. (Landscape Architecture Magazine / Bob Elbert)

Thanks to a new student-led effort, green is no longer just the color of the year, it’s also the new orange. When the Iowa Correctional Institution for Women in Mitchellville embarked on a $68 million expansion three years ago, the plan set aside no money for landscape design. But a collaboration between five landscape architecture students from Iowa State University and eight offenders is bringing a touch of green behind bars.

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Zaha Hadid: Right Angles Bad, Dictatorships Okay

Eavesdroplet, International
Tuesday, October 8, 2013
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Zaha Hadid said she wouldn't design a prison. (Montage by AN)

Zaha Hadid said she wouldn’t design a prison. (Montage by AN)

The Guardian got up close and personal with Zaha Hadid in a recent, no-holds-barred interview where the Pritzker prize-winning architect gave her two cents on London’s “conservative” architecture climate and railed against rectangular buildings, revealing a nugget of wisdom that perhaps has eluded most designers: “The world is not a rectangle.” Beyond her dislike for conventional corner-oriented design, she also told the reporter that, at her firm, “we don’t make nice little buildings.”

While quadrilaterals and “nice” architecture are out of the question, apparently designing in Syria isn’t. That is, unless it is an un-luxurious prison. “Well, I wouldn’t mind building in Syria,” Hadid told the paper. “I’m an Arab and if it helps people, if it’s an opera house or a parliament building, something for the masses, I would do it. But if someone asks me to build a prison, I wouldn’t do it. I wouldn’t build a prison, irrespective of where it is, even if it was very luxurious.” What population living in a war-ravaged country doesn’t need a first-rate opera house?

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