Times Square 1984: The Postmodern Moment
The Skyscraper Museum
39 Battery Place, New York
Through January 18, 2015
Times Square is one of the most renowned cultural hubs in the entire world. It is commonly heralded as the perfect tourist attraction: full of bright lights at night, giant LED billboard signs, and men in furry costumes of Elmo and the Cookie Monster. Times Square 1984: The Postmodern Moment, currently on view at The Skyscraper Museum, enlightens visitors with the recent history of Times Square and how it became what it is today.
After a decade at the helm, Paul Gunther is stepping down as the president of the Institute of Classical Architecture & Art (ICAA). Under Gunther’s leadership the ICAA expanded to include 15 national chapters, and grew into a 14 person organization. In addition to holding lectures and symposia throughout the year, the Institute publishes the journal The Classicist, and it awards a summer fellowship for landscape painting. Last year the Institute held a provocative symposium reexamining postmodernism’s relationship to classicism, which drew a wide audience including senior members of the architectural community who rose to prominence in the pomo heyday of the 1980s as well as young designers drawn to the playful iconography of the period.
A few years ago Drexel University embarked on an ambitious plan to convert one of Philadelphia’s iconic postmodern landmarks by Venturi Scott Brown Associates (VSBA) into a new home for the Antoinette Westphal College of Media Arts & Design. Tonight the University will celebrate the official opening of its new building, dubbed the URBN Center, with a series of performances and demonstrations to showcase student work.
The Thompson Center is an easy target. Most Chicagoans only know it as that Po-Mo Behemoth where we transfer between L lines and occasionally visit the DMV in the basement food court, perhaps the only location in America where you can get a slice of Sbarro and a new driver’s license. It’s a beast of a building—so bad, it’s almost good—and has been plagued with problem after problem, most recently the removal of the granite panels along the plaza. Tackling its so obviously deferred maintenance and adapting it for future use would be no small task. That’s why, according to the Sun-Times, the president of the Chicagoland Chamber of Commerce and a major labor chief have proposed building a casino in the lower level and first floor of the building.
When we think of downtown casinos, we think of Detroit. Look, Eavesdrop loves Detroit and is rooting for its revival on a daily basis, but Chicago doesn’t want to be using Detroit as its urban development role model. If this nutty scheme comes to fruition, there would be a casino in a building located across from City Hall, which also houses hundreds of state government employees. They better get ready to beef up their Employee Assistance Program, as the state might have a few more gambling addicts on their payroll.
One of the “Chicago Seven” architects who broke with the city’s modernist aesthetic during the 1970s and 80s, Thomas H. Beeby, will receive the 2013 Richard H. Driehaus Prize. Considered the traditionalist’s Pritzker Prize, the Driehaus comes with a $200,000 purse and denotes a lifetime of contributions to classicism in contemporary built work.
With architectural discourse today so focused on the impact of digital design, it is hard to remember that 20 years ago all architects talked about was postmodernism. The discussion began with the publication of Robert Venturi’s Complexity and Contradiction in Architecture and Aldo Rossi’s The Architecture of the City but became more focused and intense with the opening of an exhibition devoted to the theme.
Join Julie Iovine, executive editor at The Architect’s Newspaper, tomorrow (Tuesday) evening for a compelling discussion with architect Rafael Viñoly at the Museum of the City of New York at 6:30pm. The topic for the night, “What Comes After Postmodern Architecture?”, will tackle the state of New York City architecture.
The recent building boom in New York City has radically altered the look and feel of the city and added considerably to the list of starchitects currently reshaping New York’s iconic skyline. It has also helped redefine boundaries of the eclectic pluralism of postmodern architecture. How do we label the current architectural style of the last decade? Is there a post-postmodern?
Reservations required. Call 917-492-3395 or purchase tickets online through MCNY. Tickets: $12 for non-members, $8 for seniors & students, $6 for museum members.
Yesterday, John Hill, arguably the city’s most prolific architecture critic, finished up one of his latest projects, entitled “31 in 31.” In addition to his usual flood of posts, Hill is chronicling one building every day in August, in preparation for a new guide book. The buildings are scattershot, ranging from the new Crocs super store in the West Village to One Bryant Park, but most of them are new and, in a way Hill always seems to manage, representative of precisely what has been going on in the city recently—not comprehensive, but authoritative. It’s a rundown worth running down, but one building in particular caught our eye: the rather unassuming Wilf Hall at NYU. Read More