For the 53rd Venice Art Biennial, Jorge Otero-Pailos, a professor of preservation at Columbia, made a cast of the pollution on a wall of the Doge’s Palace on the Palazzo San Marco. Trained as a conservationist, he painted liquid latex directly onto the wall and then carefully removed the cast in one sheet. The result, The Ethics of Dust, Doge’s Palace, Venice, 2009, seen in this video, is a luminous scrim that preserves the residue accrued overtime.
Such pollution is typically seen negatively, but Otero-Pailos sees it as a record of human activity and questions the impulse to erase these traces of the past.
When developers began proposing sizable developments for the shores of the Gowanus Canal a few years ago, at best it was viewed as yet another gonzo deal conceived of those frothy boom years. At worst, it was a bad joke. After all, this is the same body of water known to carry STDs. And so, when the federal EPA agreed to consider the contaminated body of water for Superfund status, that could only be a good thing, right? Read More