Boston Public Library’s Philip Johnson Branch To Be Renovated
Library officials and developers hope to give Boston Public Library’s Philip Johnson-designed branch a facelift, but as the Boston Herald reported, local residents question who these proposed changes will really benefit. Standing besides Charles Follen McKim’s 1895 Beaux Arts masterwork on Copley Square, and across the street from the site of the recent marathon bombings, the mid-century monolith, which was completed in 1971, has been likened by many to a bunker or mausoleum and derided for its “greyness” and “bleakness.” With nearly half of Boston’s library users regularly visiting this branch, some think it’s about time for an upgrade.
People In Glass Houses Should Have Fresh Flowers
Director Henry Urbach just announced a program that will reintroduce fresh flowers into Philip Johnson’s iconic Glass House in New Canaan, CT, where they’ve been missing seen since Johnson and his partner, David Whitney, passed away in 2005. The arrangements will be created by local designer Dana Worlock, using Whitney’s original plant selection and archival photographs of the home’s interior as inspiration.
Meanwhile, AN is participating in this week’s Glass House Conversations about themes in this year’s Venice Biennale, especially the relationship between critical compliance as espoused by David Chipperfield and Spontaneous Intervention and as featured in the U.S. Pavilion. Share your thoughts through September 2nd.
The Glass House
199 Elm Street, New Canaan, CT 06840
Open Thursday-Monday, 9:30a.m-5:30 p.m.
Tickets start at $30.
Michael Graves, Steven Holl Named Academicians of the National Academy
On June 28th, the academicians of the National Academy welcomed 23 newly elected members, recognized for their contribution to American art and architecture. This year, the nominees included artists working in video, photography, and installation, further reinforcing the National Academy’s mission of promoting art across America. The roster of over 2,000 academicians includes famous pioneers of early American art such as Thomas Cole and seminal architects such as Philip Johnson.

Fukuoka hotel by Michael Graves. (courtesy National Academy)
This year’s inductees include visual artists such as Cindy Sherman and Bruce Nauman and architects Steven Holl and Michael Graves. Chosen annually by their peers, the elected members contributed representative work to the Academy’s permanent collection of over 7,000 artworks, architectural drawings, photographs, and models.
Blair Kamin seems to have joined the reconsider PoMo chorus, stating in his Sunday column that the movement “deserves a more sophisticated reappraisal.” The focus of the Tribune tribute was Michael Graves’s Humana building in Louisville, Kentucky. By drawing comparisons to Johnson’s AT&T building in its unabashed commercialism and to Kohn Pedersen Fox’s 333 Waker Drive for its national significance, Kamin writes that “Graves crafted a tower that could only have been built in Louisville.” The reassessment comes on the heel of Graves receiving the Richard H. Driehaus Prize for classical and traditional architecture in Chicago last month, which in turn came after last fall’s PoMo Conference at New York’s Institute for Classical Architecture and Art. Seems that the classicists are going gaga for PoMo.
Glass House: New Play Explores Fascistic Modernism
The Center for Architecture seems to be on a lively arts kick of late. After presenting Architect, the chamber opera about Louis Kahn just a couple of weeks ago, last Friday the Center staged a reading of Glass House, a new play by Bob Morris and produced by the Center’s Cynthia Kracauer. The show employs a premise that sounds like the start of an ethnic joke: an Arab and his Jewish wife move next door to a WASP and his black wife in an exclusive Connecticut enclave…
Philip Johnson’s Peace Chapel: Radius Track
![]() |
Brought to you by: |
Realizing the architect’s final project using advanced fabrication techniques Johnson may have never known.
Philip Johnson completed the design for the Interfaith Peace Chapel in Dallas just before his death in 2005. Working with Johnson’s firm Philip Johnson/Alan Ritchie Architects and architect of record Cunningham Architects, the Cathedral of Hope, United Church of Christ and non-profit social advocacy group Hope for Peace & Justice moved forward with the building. Completed late last year, the chapel is a monument to the congregation’s pluralistic worldview and acceptance of all religions. Its smooth, curving walls are central to Johnson’s goal of creating a cave-like sanctuary that is far removed from the site’s banal location near the runways of Dallas Love Field Airport. The project team hired cold-formed steel framing fabricator Radius Track to help realize the design.
Quick Clicks> Hi-Def Paris, Subway Songs, Biosphere 2, and Starchitect Pigs
La Vie Gigapixel. It’s Paris like you’ve never seen it — even if you have been there. A super-high-def 26-gigapixel photo of the city of lights (yep, that’s 26 billion pixels) was stitched together by a team of photographers and a software company in France. Go ahead, pull up the full screen view and wander away the afternoon. We won’t tell. (Via Notcot.)
Metro Music. When Jason Mendelson moved from Tampa to Washington, D.C., the city’s subway literally moved him to song. NRDC Switchboard says that he’s creating a tune for every Metro stop across the system, each stylistically indicative of the station itself. Listen to his completed songs over here.
Biosphere 2 at 20. Not often do we design entire mini-worlds, but then, Biosphere 2 was always unique. Now two decades old, the three-acre terrarium-in-a-desert is still helping scientists figure out life’s little lessons. The AP/Yahoo News has the story.
Scraps, Glass, and Stone. Curbed found a new book by Steven Guarnaccia transforming the classic Three Little Pigs story into three little starchitect pigs where Frank Gehry, Philip Johnson, and Frank Lloyd Wright each build houses and the big bad wolf huffs and puffs (and critiques?) the walls down. (Guarnaccia also reimagined Goldilocks into a tale filled with chairs by Aalto, Eames, and Noguchi!)
Hefty Bill for AT&T

The AT&T Building as rendered by Philip Johnson.
In April, a seven foot tall presentation drawing of the AT&T building was purchased by the Victoria and Albert Museum in London for $71,000, one of the highest prices ever paid for a “modern architectural drawing,” according to a release. The Philip Johnson drawing was sold through the Wright auction house in Chicago, which has become a specialist in selling architectural materials. The V&A will show the piece in an upcoming exhibition on postmodernism. It is one of only a handful of works by an American in the museum’s 35,000 piece architecture collection.
The building is famous for its “Chippendale” top, which, when it opened in 1984, signaled the ascendency of postmodernism and the return of historical styles and classical references to the architectural vocabulary.
The drawing is part of a larger archive of Johnson’s work, which includes thousands of drawings, plans, and photographs of AT&T, Pennzoil Place, PPG Place, and the Chrystal Cathedral. The owner of the archive wishes to remain anonymous, according to the release.
Advertise on The Architect's Newspaper.
Archives
Categories
Architecture
Design
East Coast
Midwest
National
Planning
Shft+Alt+Del
Sustainability
Transportation
West Coast




















