Look for Beauty: Philip Johnson and Art Museum Design
Sheldon Museum of Art
12th and R streets, University of Nebraska, Lincoln, NE
Through October 13, 2013
The Sheldon Museum of Art in Lincoln, Nebraska, is currently celebrating the works of Philip Johnson, the influential American architect who promoted the International Style and, later, defined postmodernist architecture. One of his most iconic projects was the design of the Seagram building in Manhattan, a project undertaken in partnership with Mies Van Der Rohe. This particular project marked a decisive shift in Johnson’s career. Look for Beauty examines the design journey of Philip Johnson through the examination of three of his earlier museum buildings: Munson-Williams-Proctor Arts Institute, the Amon Carter Museum of American Art, and the Sheldon Memorial Art Gallery (now the Sheldon Museum of Art). These three projects form a coherent study of Johnson’s developing personal style in the early years of his career. The exhibition includes models, plans, furniture, photographic murals, and archival materials such as correspondence, exhibition photographs, and catalogs.
MoMA’s renowned Abby Aldrich Rockefeller Sculpture Garden will be open and free to the public from 9:00 to 10:15 am, beginning September 9. Designed by Philip Johnson—and preserved during the recent Yoshio Taniguchi expansion—the sculpture garden is one of the great modern landscapes in the U.S., and currently features sculpture by Pablo Picasso, Joan Miró, Alberto Giacometti, Tony Smith, and others. With coffee and beverages available for purchase, the garden is sure to become a destination for quick business meetings and quiet moments of cultural immersion amid the hubbub of Midtown mornings.
Library officials and developers hope to give Boston Public Library’s Philip Johnson-designed branch a facelift, but as the Boston Herald reported, local residents question who these proposed changes will really benefit. Standing besides Charles Follen McKim’s 1895 Beaux Arts masterwork on Copley Square, and across the street from the site of the recent marathon bombings, the mid-century monolith, which was completed in 1971, has been likened by many to a bunker or mausoleum and derided for its “greyness” and “bleakness.” With nearly half of Boston’s library users regularly visiting this branch, some think it’s about time for an upgrade.
Director Henry Urbach just announced a program that will reintroduce fresh flowers into Philip Johnson’s iconic Glass House in New Canaan, CT, where they’ve been missing seen since Johnson and his partner, David Whitney, passed away in 2005. The arrangements will be created by local designer Dana Worlock, using Whitney’s original plant selection and archival photographs of the home’s interior as inspiration.
Meanwhile, AN is participating in this week’s Glass House Conversations about themes in this year’s Venice Biennale, especially the relationship between critical compliance as espoused by David Chipperfield and Spontaneous Intervention and as featured in the U.S. Pavilion. Share your thoughts through September 2nd.
The Glass House
199 Elm Street, New Canaan, CT 06840
Open Thursday-Monday, 9:30a.m-5:30 p.m.
Tickets start at $30.
On June 28th, the academicians of the National Academy welcomed 23 newly elected members, recognized for their contribution to American art and architecture. This year, the nominees included artists working in video, photography, and installation, further reinforcing the National Academy’s mission of promoting art across America. The roster of over 2,000 academicians includes famous pioneers of early American art such as Thomas Cole and seminal architects such as Philip Johnson.
This year’s inductees include visual artists such as Cindy Sherman and Bruce Nauman and architects Steven Holl and Michael Graves. Chosen annually by their peers, the elected members contributed representative work to the Academy’s permanent collection of over 7,000 artworks, architectural drawings, photographs, and models.
The Center for Architecture seems to be on a lively arts kick of late. After presenting Architect, the chamber opera about Louis Kahn just a couple of weeks ago, last Friday the Center staged a reading of Glass House, a new play by Bob Morris and produced by the Center’s Cynthia Kracauer. The show employs a premise that sounds like the start of an ethnic joke: an Arab and his Jewish wife move next door to a WASP and his black wife in an exclusive Connecticut enclave…
Prairie Hotel. After a 2-year, $18 million renovation, Frank Lloyd Wright’s last standing hotel has reopened in Mason City, Iowa. The Historic Park Inn Hotel is a premier example of the Wright’s Prairie style, and features deep hanging eaves and a terra-cotta façade. A massive art-glass skylight drenches the lobby in multi-colored light. More at ArtInfo.
Library of Glass. Although Philip Johnson’s Glass House library is transparent, Birch Books Conservation will soon offer the public a view the architect’s library without a trip to New Canaan. The non-profit publisher hopes “to preserve the professional libraries of artists, architects, authors, and important public figures through publishing photographic and written research,” with an inside look at Johnson’s personal collection, reported Unbeige.
Mapping Poverty and Rebellion. The Guardian opened up the recent London riots for debate. Journalist Matt Stiles mapped the newspaper’s accumulated data of riot hot spots on a plan of London’s neighborhoods. Deep red stands for the British capital’s poorest regions, while blue represents the wealthiest communities.
Metro In-The-Middle. The long-awaited Culver City Expo Line station was delayed by a disagreement between Culver City and construction authorities. Now, the two parties have agreed to the $7 million budget increase, which will fund a pedestrian plaza, bike lanes, parking facilities and pavement improvements. More at Curbed LA.
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Realizing the architect’s final project using advanced fabrication techniques Johnson may have never known.
Philip Johnson completed the design for the Interfaith Peace Chapel in Dallas just before his death in 2005. Working with Johnson’s firm Philip Johnson/Alan Ritchie Architects and architect of record Cunningham Architects, the Cathedral of Hope, United Church of Christ and non-profit social advocacy group Hope for Peace & Justice moved forward with the building. Completed late last year, the chapel is a monument to the congregation’s pluralistic worldview and acceptance of all religions. Its smooth, curving walls are central to Johnson’s goal of creating a cave-like sanctuary that is far removed from the site’s banal location near the runways of Dallas Love Field Airport. The project team hired cold-formed steel framing fabricator Radius Track to help realize the design.