The Wall Street Journal recently published a confirmation of two things we’ve been hearing whispers of for years: One, Michael Govan is more of a builder than a museum director; and two, that Govan and Peter Zumthor are planning to basically take LACMA apart and start over. The full scope of the plans will be unveiled in June, with LACMA’s exhibition, The Presence of the Past: Peter Zumthor Reconsiders LACMA. But for now the story has gleaned that under Zumthor’s plan, four of the museum’s midcentury structures will be replaced by “curvaceous modern glass structures.”
Pritzker winner Peter Zumthor will be awarded the 2013 Royal Institute of British Architects Gold Medal, according to Building Design. Known for his meticulously-wrought projects like the thermal baths in Vals, Switzerland, the Brother Klaus Field Chapel in Eifel, Germany, the Bregenz Kunsthall in Austria, and the witch trial memorial in Norway, Zumthor is now designing a major expansion at LACMA. “We debate each of the six shortlisted candidates in turn then look at their writing and their influence in acadaemia, but there wasn’t one clear person who stood out,” RIBA president Angela Brady told BD.
This year’s Serpentine pavilion by Swiss architect Peter Zumthor opens on Friday, July 1. The first images reveal not just a simple structure of humble materials but also a new type of collaboration for the Serpentine series. Zumthor invited the Dutch planting designer Piet Oudolf to join the project, and although Zumthor retains top billing, his design gives Oudolf center stage. Oudolf recently shared a plan with us of his vibrant garden scheme that forms the heart of the timber-frame structure.
Increasingly, the architects chosen each year to design the Serpentine Gallery Pavilion in London hail from a pool of the usual suspects. This past summer, it was Jean Nouvel. SANAA, and Frank Gehry ran up the mast in 2009 and 2008 respectively. The 2011 pavilion, we hear, will be by Swiss mystic architect, Peter Zumthor.
There’s certainly abiding fascination in a series of heavyweights forced to design a lightweight structure on the double-quick (about six months) but the young and restless might actually have more to explore and certainly more to gain than the big names. Then again, more than most, Zumthor has maintained his mystique as an architect. Lightweight he is not: For the 2002 Venice architecture biennale, he submitted a six ton concrete model of his Cologne museum that was too hefty to be contained in the vast Arsenale.