Word has it that Art Center, which seems to already own all of Downtown Pasadena, has just bought the area’s massive Jacobs Engineering Building. Also on the move, USC Dean Qingyun Ma has relocated his firm’s offices to none other than Downtown LA’s Bradbury Building. How’s that for pressure? And we’ve learned of the initiation beverage of our favorite architecture-related women’s drinking and discussion group: Denise Scotch Brown. What group would Venturi inspire? We shudder to think… Something about Vermouth?
Beverly Hills-based Poon Design has transformed a Pasadena home’s porch trellis into a modern mathematical marvel. Using a parametric algorithm, architects Anthony Poon and John Kim used translucent acrylic to create a perforated structure composed of water-jet-cut holes. Circles of varying sizes dot the trellis allowing light to softly filter in while still providing ample shade.
“The glowing pattern allows sunlight to stream in alongside constantly changing shadows,” said Poon. The wood frame of the 9-foot structure is supported by galvanized metal poles and covers a 550 square-foot deck made from wood and recycled plastic composite lumber planks. Hexagonal cut-outs pepper the deck reaching out towards the future pool, garden, and guest house. A tree will be planted in the largest opening and align with an aperture above for a truly contemporary look.
Layer: A Loose Horizon
Pasadena Museum of California Art
490 East Union Street
Through October 14, 2012
While digital design and fabrication continue to transform architecture, architect/artists Lisa Little and Emily White have decided to challenge these trends. Although digital forms expand the horizons of design and create intricate patterns, these designs often boils down to mere eye candy. This idea sparked White and Little, the founders of the Los Angeles-based architecture practice Layer, to take the computational approach of digitized aesthetics combined with a perceptual method to create both a physically and intellectually engaging space. The result of this can be seen at their exhibit Layer: A Loose Horizon. Beginning on the exterior of the museums facade, visitors see a web-like structure that toys with depth and proportion while also bridging the exterior and interior space of the museums lobby. Upon entering, guests experience a continuous interaction with the exhibit and become enveloped by the surrounding shapes. To understand the artists’ process, sketches and early digital iterations of the project are also be on view.
Armory Center for the Arts
145 North Raymond Ave.
Through November 6
MacArthur-winner Jorge Pardo gained his reputation by blurring the boundaries between art, architecture, and design. In his temporary exhibit in the courtyard of the Armory Center, Pardo engages the surroundings, deploying four pepper trees to act as three-dimensional framing devices for groups of translucent hanging globes. What at first seems to be a festive environment becomes a contemplative one, as visitors sit on benches surrounding the base of the trees and take a closer look at the spheres. Each reveals an ethereal universe inside: delicate reflective materials sit protected from the surrounding activity, casting shimmering, changing light onto the world around them.
Pasadena is celebrating its 125th Anniversary today and will continue partying all month and into the fall. Now a significant city with over 140,000 residents, it was a rural settlement when it decided to become the fourth city to incorporate in Los Angeles County on June 12, 1886. While many know Pasadena for its Rose Bowl, Norton Simon Museum, Pasadena Playhouse, and California Institute of Technology, the city is also home to “Bungalow Heaven,” a 16-block Historic Landmark District neighborhood featuring nearly 1,000 Craftsman bungalows. This month features tours of these homes and more.
Pasadena’s Art Center College of Design has always been ambitious about building. But after some pushback, it’s toning things down. Most architecture buffs know about the school’s iconic black steel hillside campus designed by Craig Ellwood, and its equally ambitious downtown campus designed by Daly Genik, located inside a former Douglas Aircraft wind tunnel.
But after its last director, Richard Koshalek, got pushed out largely for his super ambitious $150 million expansion plan, including a $45 million Frank Gehry-designed research center (many thought the school was putting more emphasis on facilities than teaching and students), the school’s new expansion plans, confirmed this week, involve renovations and smaller expansions, not big gestures, reports the Pasadena Star News.
Burdened by more than $3 million in debt, the Pasadena Playhouse closed its doors on Sunday. The nonprofit company intends to “explore viable options of financial reorganization, including bankruptcy, to determine a responsible solution for its ongoing operations,” according to a statement. While the theater’s fate is resolved, the Mission-style building itself, designed by Elmer Grey (who also designed much of CalTech’s campus) in 1925, will be protected, since it’s a California state landmark and owned by the city of Pasadena. But the situation doesn’t bode well for the two-phase project that Frank Gehry had agreed to undertake for the playhouse pro bono. That work included a renovation of its balcony performance space, the Carrie Hamilton Theater, and the creation of a new 300-400 seat theater across the street. Read More
Architect Kemper Nomland, who built Case Study House #10, has died at age 90, reports the LA Times. Nomland, who was born in California, joined with his father to create the firm Nomland & Nomland after WWII. Their most famous commission was #10, the only Case Study to be built in Pasadena. The house, constructed in 1947, was designed for the sloping corner lot in its hillside neighborhood, with rooms placed strategically on several levels. Rooms were placed on several levels. Like most Case Study houses the project connected indoors and out with large glass walls and used affordable, off-the-shelf construction materials. According to the Times, after working with his father Nomland worked for several architectural firms, and at one point he designed a house for actress Jane Russell. He designed dozens of other homes, including his own.
Yesterday we toured Morphosis’ new Cahill Center for Astronomy and Astrophysics at Caltech. The 100,000 square foot, $50 million building’s most notable architectural features are its cracks, fissures, tilts, and expanding and contracting walkways and apertures; elements that seem to suit it more to a seismology building, but also work to represent the epic tumult of space. Read More