Sliced Benches at Harvard Great for Loafing
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Stoss Landscape Urbanism designed 17 unique, wooden benches for a new plaza at Harvard University. (courtesy Stoss Landscape Urbanism)
Seven design variations are applied across 17 custom wooden benches, fabricated by Mark Richey Woodworking.
Sited above a vehicular tunnel and therefore bereft of old growth trees, the Plaza at Harvard University, with its aggregate porcelain paving and curvaceous, sculptural benches, stands in stark visual contrast to the school’s notably shady yard and north campus. Designed by Stoss Landscape Urbanism, the plaza serves as a multi-functional space for staff, students, and the local community. A large part of accomplishing this goal fell to the unique seating solution, a collection of custom-designed, wooden slat benches that aim to increase the function and user comfort of the public space. Some of the benches are meant for lounging with no back and a low seat height, while others are higher with full seat backs. Some twist in the manner of a Victorian tete-a-tete settee, while still others support a touchdown working posture.
Stoss’s design for the benches, sliced like a loaf of bread, was achieved in Rhino with a Grasshopper plugin. The parametric modeling tool was instrumental in defining the benches’ complex geometries. “At every change, the curves meet two general sections so there’s a morphology of that form work,” said Erik Prince, an associate at Stoss who worked on the plaza. “The wooden slats are an incremental radial splay of the overall geometry so every rib has a unique angle to it.” The design team produced a 3D model for each of the 17 benches. Since the benches were manufactured based on information contained in the digital files, a substantial portion of time was spent developing accurate models that could be extrapolated for the fabrication process. Read More
“Minimal Relaxation” Has Maximum Impact at MoCA Shanghai
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Reimagining traditional Chinese gardens with parametric geometry
For MoCA Shanghai’s exhibition MoCA Mock-ups: The Architecture of Spatial Art, USC American Academy of China (AAC) Summer Studio 2012 spent six weeks designing, fabricating and constructing “Minimal Relaxation,” a parametric canopy and undulating, LED-lit landscape that creates prime skyline viewing locations on the museum’s rooftop terrace. Inspired by Frei Otto, an architect and structural engineer famous for his complex canopy structures, “Minimal Relaxation” extends his body of design research into physical and digital form-finding processes for minimal surface structure through “dynamic relaxation techniques.”
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